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Bepis

@lovelesskiaa

LovelessKia's personal/whatever tumblr. Anime, shit posts etc. Art tumblr: LovelessKiaart, Twitter: LovelessKia

what if your doppelganger loved being you more than you ever loved being yourself. they're better at being you and everyone loves them and it feels almost selfish to want your life back. i want clone horror but the horror is that the thing trying to replace you is also the person you always wanted to be.

and it is imperative that it ends with killing the better version of yourself with your bare hands btw.

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walterwhite58

I hope Hank doesn’t find out about my meth business lmao

I hope Hank doesn’t find out about my meth business lmao

I hope Hank doesn’t find out about my meth business lmao

“Ariel sold her voice for legs just because of a guy“

Meanwhile Ariel with legs;

Ariel already loved the human world long before meeting Eric (you don’t get a collection like hers overnight) and when she finally got a chance to explore it, she took it.

Ursula made it more about Eric than Ariel ever did.

and i mean hell this has been talked about before in more depth than i can, but when people complain about how the ending was changed (the original fairytale does not give ariel a happy ending, she dies trying to protect the prince), i think about the fact that this was written by a gay man in the 1980s

and i think it’s entirely valid (and gives her an extremely strong connection to the queer community) to change the story so she doesn’t die because of who she loves

Triton made escape a necessity. Once someone goes to the point of destroying your possessions in a violent rampage, there is no staying and sticking it out, there’s no safety. (And Ariel, even in Ursula’s lair, gave Triton more thought than he deserved at the time.) Nowhere in the ocean she could go and be safe. Everyone’s always ‘why don’t they just leave :|’ in abusive situations until the leaving is not something they find 100% worthy of approval.

Ursula made it about Eric. She didn’t have to. Ariel had to get out from under Triton’s thumb, it could have been literally anything. Ursula took advantage of a desperate victim for her own agenda. Realistic predatory behavior toward a vulnerable person.

And also

  1. There’s always the ‘Eric didn’t want her until she was silent and meek’ criticism - FIRST OF ALL he started out looking for a woman who wasn’t silent, and second of all what part of the carriage driving bit (or any of her other actions on land) is meek, exactly?
  2. People above have noted the queer subtext. Now, on the subject of Ariel being willing to leave her family, aside from the baseline ‘this is an abusive environment and she was not safe there’ angle I already mentioned, consider: Ariel’s father made it clear he would stop at nothing to crush and tear down who she was and replace it with what he wanted her to be. Now - what demographic might that resonate with? And given Ashman’s involvement, do you think that was a coincidence?

there has been scholarly discussion about the idea that the og little mermaid story, where she dies at the end, was written as a queer allegory.

so taking that into account… there is something very touching about taking this story from hans christian andersen from beyond the grave and being like “things are different now. they get to be happy. she gets to live.”

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ruffboijuliaburnsides

also in re: “Eric didn’t want her until she was silent and meek” the meek part’s been discussed but can we please talk about how when he first met her he thought she wasn’t the girl with the voice that he was trying to find and was disappointed, but that he slowly fell for her anyway? He’d explicitly wanted Ariel WITH her voice, but came to love her without it.

The bit about Howard Ashman being queer is finally giving me some glimmer of understanding of why the teenaged girl mermaid is named “Ariel.” Because, although the Disney movie single-handedly changed popular perception thereafter, Ariel is a boy’s name. Howard Ashman absolutely knew that.

(Ariel in Shakespeare’s The Tempest also has male pronouns, in case anyone was struggling to remember.)

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onefleshhalfend-deactivated2025

walkable cities are such a terrible idea when you think about them for literally any longer than a single second. more steps = more cracks = more mothers’ backs broken. simple fucking math. if you wanted your mom’s back blown out so bad you could’ve just called me

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