Creative commons global summit september 16 2011 - license 4.0 session
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CCL and Database in Korea
CCL and Database in KoreaJay Yoon The Korean Copyright Act of 2003 defines key terms related to databases and sui generis rights for databases. It defines a database as a collection of information arranged systematically that can be individually accessed. Database producers are those who make a substantial investment to produce, renew, verify or supplement a database. They have rights to control the reproduction, distribution, broadcasting or transmission of all or a substantial part of the database. Using a substantial part repetitively or systematically in a way that conflicts with the normal use of the database or prejudices the producer's interests violates these rights. The Act provides database producers exclusive rights and protection for 5 years, effectively in perpetuity.
The definition and future of noncommercial
The definition and future of noncommercialMike Linksvayer The document discusses options for revising the noncommercial (NC) licenses in Creative Commons' version 4.0 release. It notes that NC licenses have issues like a lack of clear definition, underuse of non-NC licenses, and built-in non-interoperability. Some proposed options are: (1) phasing out NC licenses over time, (2) simplifying the suite by dropping two NC licenses, (3) rebranding NC licenses under a different domain, or (4) clarifying the NC definition. The document analyzes pros and cons of different approaches but does not make a recommendation.
towards a global CC license - the affiliate perspective 
towards a global CC license - the affiliate perspective Paul Keller Presentation given during the 'Version 4.0: Building a global license suite' session at the Creative Commons Global Summit 2011 in Warsaw
Creative Commons Enforcement
Creative Commons EnforcementAndres Guadamuz 1) Creative Commons licenses have been enforced in courts in various countries, including Belgium, Israel, and Germany. In these cases, authors sued for license breaches when their works were used without proper attribution or for commercial purposes without permission.
2) Community enforcement of Creative Commons licenses also occurs, such as when a far-right political party used an image without attribution and the author sought an injunction.
3) The document argues that while legal enforcement is important, over-reliance on lawyers could undermine the Creative Commons movement. Instead, Creative Commons should focus on building databases and improving licenses to make them more user-friendly, especially for institutions.
Using the CC BY license, Workshop for 2013 OPEN Kick-off
Using the CC BY license, Workshop for 2013 OPEN Kick-offJane Park Summary of session from OPEN Kickoff Conference for DOL TAACCCT Round 2 Grantees: This session will dive into detail about the CC BY licensing requirement and what it takes to apply the license to grantee materials. CC will go over the CC license chooser tool, examples of good license implementation, and content-sharing platforms where you can upload resources under the CC BY license. If enough time and interest, CC will also go over best practices for giving attribution to the creators of CC licensed works, especially as part of a larger resource, such as a textbook or course.
More info: http://open4us.org/events/
Open Credential and Radical Openness
Open Credential and Radical OpennessOpen Education Global (OEGlobal) Michal Kaderka is a teacher in the Czech Republic who has been teaching media studies based on open pedagogy since 2015. He coordinates the Alliance for Open Education and uses various open tools like Facebook, Twitter, and SlideShare to openly share his teaching materials and collaborate with others. Some key aspects of his open approach include organizing open field trips, creating an open online textbook, and ensuring student privacy while promoting a culture of cooperation and sharing within his Facebook group for the class.
Saudi Arabia’s National Open Education Strategy, Master Plan & Policy
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Creative Commons & Cultural Heritage
Creative Commons & Cultural HeritageJane Park Some slides on how museums and related cultural heritage institutions are using Creative Commons to...
1) Share their digital collections
2) Share collection records
3) Engage users and artists, thereby tapping into new communities of stakeholders
...ultimately increasing their impact and reach beyond one entity's website or physical presence.
Note: Photo on Slide 56 is CC BY 4.0 by Frida Gregersen, not SMK.
Made With Creative Commons
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Creative Commons Certificates
Creative Commons CertificatesPaul_Stacey The document provides information about Creative Commons' certificate program including:
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- The certificates will include comprehensive and specialized options in areas like the core, libraries, education, and government.
- The design process included workshops, video responses, and hacking existing curricula to develop a subset of core certificates plus specialized required and elective courses.
- The development process includes authoring content using existing open educational resources, review, and automated/manual processes to move content from GitHub to the WordPress site and generate output for the
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Joseph Pickett - MIT OpenCourseWare
Paola Corti - Politecnico di Milano - METID
Mainstreaming OER in Support of Achieving SDG4
Mainstreaming OER in Support of Achieving SDG4Cable Green The document discusses how open educational resources (OER) can help achieve the United Nations Sustainable Development Goals (SDGs), specifically SDG4 which focuses on education. It argues that OER can be continuously updated to teach about the SDGs, connecting education to solving global challenges. Students could also help create and revise OER about the SDGs, allowing their work to make a meaningful impact while also motivating deeper learning. The document promotes mainstreaming OER to support achieving the SDGs.
Building a more open, collaborative CC global movement
Building a more open, collaborative CC global movementOpen Education Global (OEGlobal) Kelsey Wiens, Ryan Merkley, Alek Tarkowski, Delia Browne
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MyScienceWork 10 ans de creative commons
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The Desirability of Connected Products
The Desirability of Connected ProductsJ F Grossen Today, desirability of products is manufactured by a brand – messages from an army of advertisers and companies spending billions of euros yearly to create a perception of desirability in their products or services. Tomorrow, the desirability of products will be more about the relationship created between an object and consumer – conversations before, during and after purchase that reflect the understanding of each other’s needs.
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Guide open source-bdef
Guide open source-bdefSyntec Numérique RÉFLEXIONS SUR LA CONSTRUCTION ET LE PILOTAGE D’UN PROJET OPEN
SOURCE
Cette publication, résultat d'un foisonnement intellectuel intense ayant duré plus d'une année,
représente à la fois une vulgarisation, un partage d'expérience et de préconisations quant à
l'usage de l'Open Source.
Les Logiciels Libres – ou Open Source – sont aujourd'hui couramment – si ce n'est systématiquement – utilisés
dans l'industrie de l'informatique (édition, intégration, système embarqué, etc.). Il est même possible d'affirmer,
sans langue de bois, qu'ils font partie intégrante de ces métiers : quel chef de projet ne s'est jamais posé la
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moins en partie – sur des composants sous licence Open Source ?
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Open Source and Economic Development
Open Source and Economic DevelopmentDeborah Bryant Presentation at the 13th International Free Software Forum, Sao Paulo, Brazil. Abstract: In Latin America, it’s well-understood that Brazil was pioneering in considering FOSS to be both a strategy and a tool for regional economic development. But what about the rest of the world? As FOSS/OSS enters the mainstream of industry, how are countries in Europe and Asia looking at this disruptive force in software development? And what is happening in the United States where one could argue a very strong proprietary software industry is reinventing itself, with the U.S. government both following and leading the open development model?
This talk discusses FOSS from the perspective of open information technology ecosystems and government’s role in them, providing a picture of the changing landscape of software industries and the potential for localized economic benefit to those participating. It includes a perspective of how governments are experimenting with becoming more directly involved with the open source community, and to learn from them. Stories and examples are drawn for the speakers experience, research and direct involvement with government, academic and industry bodies creating exemplary projects and reference models for others to consider.
« Creative Commons » Fiche pratique
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Contact : [email protected]
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Financial Pyramid
Financial PyramidMel Co The document describes a financial pyramid model for managing investments from low to high risk. The bottom level focuses on low-risk protections like debt repayment, savings, and insurance. The middle level includes slightly higher growth investments like time deposits, mutual funds, and bonds. The top speculative level involves high risk investments like gold, art, and real estate speculation. It recommends climbing the pyramid one level at a time from protections to savings to wealth building and finally speculation only after becoming financially secure with excess funds and low or no debt.
What I learned from CC - Jay Yoon
What I learned from CC - Jay YoonCreative Commons Korea 1) The document discusses the author's experience with Creative Commons (CC) and open licensing since 2005.
2) It highlights key events and projects that advanced openness and transparency, often facing opposition from those benefiting from the old system.
3) The author remains hopeful, seeing progress over time in advancing openness through collaboration and creative solutions rather than sacrifice.
OPEN / DOL Talk: Round 2 kick-off, 2013
OPEN / DOL Talk: Round 2 kick-off, 2013Cable Green The document discusses requirements for grantees of DOL TAACCCT grants to license work created with grant funds under a Creative Commons Attribution (CC BY) license. This includes both new content created with grant funds and modifications made to pre-existing, grantee-owned content using grant funds. However, pre-existing copyrighted materials from third parties that are licensed or purchased remain subject to the original license terms, and works created without grant funds do not require CC BY licensing.
Latam Commons 2008 -Open Education and the Public Domain
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How far behind Free Software is Free Culture?Mike Linksvayer The document discusses the history and current state of free culture and how it compares to free and open source software. Some key points made include:
- Free culture is at least a decade behind free software in many areas due to the more diverse nature of cultural works.
- Mass collaboration projects like Wikipedia have seen faster success similar to key free software projects, while other cultural works have grown more slowly.
- Major businesses and investments have been made in free software, while free culture has not seen the same level of engagement from large media and cultural companies.
The Future of Digital Freedom
The Future of Digital FreedomMike Linksvayer The document discusses the importance of building the digital commons to ensure future digital freedom. It identifies threats such as censorship, surveillance and loss of innovation that could undermine digital freedom. It argues that increasing use of free software, free culture and peer production can help address these threats by improving security, transparency and access. The key message is that supporting creative commons now through contributing to open knowledge and technologies is critical for maintaining digital rights in the future.
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- The certificates are being developed by a team led by Paul Stacey to skill up staff in using open content globally and are funded by the Bill & Melinda Gates Foundation from 2015-2017.
- The certificates will include comprehensive and specialized options in areas like the core, libraries, education, and government.
- The design process included workshops, video responses, and hacking existing curricula to develop a subset of core certificates plus specialized required and elective courses.
- The development process includes authoring content using existing open educational resources, review, and automated/manual processes to move content from GitHub to the WordPress site and generate output for the
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SOURCE
Cette publication, résultat d'un foisonnement intellectuel intense ayant duré plus d'une année,
représente à la fois une vulgarisation, un partage d'expérience et de préconisations quant à
l'usage de l'Open Source.
Les Logiciels Libres – ou Open Source – sont aujourd'hui couramment – si ce n'est systématiquement – utilisés
dans l'industrie de l'informatique (édition, intégration, système embarqué, etc.). Il est même possible d'affirmer,
sans langue de bois, qu'ils font partie intégrante de ces métiers : quel chef de projet ne s'est jamais posé la
question de la réutilisation d'un Logiciel Libre ? Quel client ne s'est pas vu proposer des solutions basées – au
moins en partie – sur des composants sous licence Open Source ?
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Contact : [email protected]
novembre 2011, révision octobre 2016
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2) It highlights key events and projects that advanced openness and transparency, often facing opposition from those benefiting from the old system.
3) The author remains hopeful, seeing progress over time in advancing openness through collaboration and creative solutions rather than sacrifice.
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- Free culture is at least a decade behind free software in many areas due to the more diverse nature of cultural works.
- Mass collaboration projects like Wikipedia have seen faster success similar to key free software projects, while other cultural works have grown more slowly.
- Major businesses and investments have been made in free software, while free culture has not seen the same level of engagement from large media and cultural companies.
The Future of Digital Freedom
The Future of Digital FreedomMike Linksvayer The document discusses the importance of building the digital commons to ensure future digital freedom. It identifies threats such as censorship, surveillance and loss of innovation that could undermine digital freedom. It argues that increasing use of free software, free culture and peer production can help address these threats by improving security, transparency and access. The key message is that supporting creative commons now through contributing to open knowledge and technologies is critical for maintaining digital rights in the future.
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Creative commons global summit september 16 2011 - license 4.0 session
- 1. Creative Commons Global SummitWarsaw 2011CC 4.0: building a global license suiteMassimo Travostino, Nexa Center, Torino – Italylicensed under a Creative Commons Attribution 3.0 Unported License
- 2. CC Global Summit Warsaw 2011Who fears an international unported license ?
- 3. CC Global Summit Warsaw 2011«CC licensed» works are intended to be used worldwidweCC License is worldwideLicenses are ported country by country
- 4. CC Global Summit Warsaw 2011The more a license is successfully «ported»the more is likely to create problems in other jurisdictions
- 5. CC Global Summit Warsaw 20114.0 unported international license is a great opportunity for improving the legal enforceability of CC licenses
- 6. CC Global Summit Warsaw 2011TOPICS AND ISSUES IN DRAFTING AN UNPORTED LICENSE
- 7. CC Global Summit Warsaw 2011 Peculiarities of a «public license» toward a two-parties license
- 8. Nature of the license/contract
- 9. Licensee unknown to licensor
- 10. Not agreeed in writing
- 11. Multiple kind of works and rightsCC Global Summit Warsaw 2011Drafting techniquehigh-level harmonization of wording and terms (international copyright Conventions) and avoid pitfalls of single national laws-> identify specific legislation issues that could harm enforceability of a single clause or the entire contract
- 12. CC Global Summit Warsaw 2011Applicable law, under threeperspectivesDrafting the text of the licenseApplicable law to the license/contractApplicable law to the licensedrights
- 13. CC Global Summit Warsaw 2011Object of the license and otherrightsNemo plus iuristransferrepotestquam ipse habet
- 14. CC Global Summit Warsaw 2011Language and translationCC Global Summit Warsaw 2011Differenteffects and application of the licenseaccording to jurisdictions:
- 15. Future rights
- 16. Unwaivablerights
- 17. Moral rights
- 19. Relations with collecting societies
- 20. Consumers protection and meaning of «non commercial»