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AKUJI

@akuji05

·:*¨༺ \ ✮ / ༻¨*:·
𝘊𝘳𝘪𝘮𝘴𝘰𝘯 𝘧𝘭𝘰𝘰𝘥𝘴 𝘵𝘩𝘦 𝘮𝘰𝘰𝘯'𝘴 𝘥𝘦𝘤𝘳𝘦𝘦
✩°。 ⋆⸜ 🎧 Akuji/Aku | Percy | Magnus
📎 {} .. He/Him | BoyFlux + Aego-AroAce
💬。・Artist | Writer | Violinist
𝘓𝘪𝘨𝘩𝘵 𝘳𝘪𝘱𝘱𝘭𝘦𝘴 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘵𝘪𝘮𝘦'𝘴 𝘥𝘦𝘣𝘳𝘪𝘴
·:*¨༺ \ ✮ / ༻¨*:·

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Introduction

Hii, I'm Akuji/Aku, or otherwise Percy or Magnus. I have a lot of names lmao.

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Currently obsessed with:
  • To Be Hero X/Tu Bian Yingxiong X
  • Link Click/Shiguang daili ren
  • Lord of Mysteries/Lord of the Mysteries/Gui Mi Zhi Zu

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All Fandoms:
  • Jujutsu Kaisen
  • Arcane
  • Lego Ninjago
  • Percy Jackson/Heroes of Olympus
  • Devil May Cry
  • Power Rangers
  • Star Wars
  • Warriors (Warrior Cats)
  • Love and Deepspace
  • Avatar: The Last Airbender/Legends of Korra
  • To Be Hero X
  • Lazarus
  • Omniscient Reader’s Viewpoint
  • Lord of the Mysteries
  • K-Pop Demon Hunters
  • Link Click
  • HAMILTON

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Notice
  • I am very Profiction.
  • I will be blocking radfems, TERFs and transphobes.
  • Will not interact with darkfics.
  • My blog is hostile towards Harry Potter fans, especially marauders fans. If you’re one, do block me

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Tagging:

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Connections:

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the most disorienting thing thats ever happened to me was when a linguistics major stopped in the middle of our conversation, looked me in the eye, and said, "you have a very interesting vernacular. were you on tumblr in 2014?" and i had to just stand there and process that one for a good ten seconds

it is one thing to be a linguist and another to be a linguist who knows enough of 2010s Tumblr to spot one of its enjoyers

Oh! @meret118 see above comment! The use of the word "enjoyers" instead of "users" or "bloggers" -> You left a comment a while back asking, "Does this just mean vocabulary words? Other than blorbo and sweet cinnamon roll etc, I can't think of what a Tumblr accent would be." I almost never see anyone use the word "enjoyer" anywhere outside of tumblr, but I see it on tumblr fairly frequently.

Another one is the verb "perceive" i.e. "don't perceive me" "I am perceiving" "I am being percieved." That's something that feels very specific to tumblr parlance.

There's the thing where people on tumblr have an emotional reaction to something and instead of, or in addition to telling you how they feel about it using emotion words, they will narrate a fictional action in the present progressive tense. "I am gnawing at the bars of my enclosure "I am kissing you on the mouth" "you are going into the soup" "you are getting all of the awards"

I once saw someone use that response format in ... I think it was a restaurant review, or a doordash review, or something like that. It was very unexpected seeing it outside of a tumblr post.

There are a lot of other tumblr linguistic quirks I can't currently remember off the top of my head, but I'll instantly recognize them if I see/hear them outside of tumblr. It's always a bit startling to see them out of context.

pacificnorthwhore

when I was in university one of my modules was about internet slang and for our grades project we had to compile and analyse a small database of 100 words used by a specific community of our choice. I chose tumblr and that's how I stumbled across Gretchen McCulloch's research and discovered that yes not only did tumblr have its own vernacular and syntax (as @lierdumoa demonstrates), it was at the time a crucible of slang and memes probably unrivalled by any other part of the internet. and it's stayed that way! even the very title is McCulloch's book because internet is an example of this specific phraseology.

sadly my project is lost due to the website being wiped from the university database after graduation and my then laptop having a major hardware failure. backup your backups people! but the crux of the entire module was that the internet is full of communities using language not only as jargon for specific purpose but also to signal membership in said community. I even wrote a bit about non capitalisation and punctuation useage as a visual cue on tumblr and how including information in the reblog body or the tags indicated different levels of importance or intimacy of thought

I am holding the side of your face and looking deep in your eyes and telling you that love is stored in the syntax, and that we are rotating words together all at once as we all nod at their new and baffling meanings. if the devils sacrament be tumblr then the devils gospel is our collective voice. thanks for coming to my tedtalk

I am being perceived.

I literally heard someone say blorbos out loud in a group of people I was with, and immediately turned around and mentioned their shoelaces. Yes, they did steal them from the president.

“If a society puts half its children into short skirts and warns them not to move in ways that reveal their panties, while putting the other half into jeans and overalls and encouraging them to climb trees, play ball, and participate in other vigorous outdoor games; if later, during adolescence, the children who have been wearing trousers are urged to “eat like growing boys,” while the children in skirts are warned to watch their weight and not get fat; if the half in jeans runs around in sneakers or boots, while the half in skirts totters about on spike heels, then these two groups of people will be biologically as well as socially different. Their muscles will be different, as will their reflexes, posture, arms, legs and feet, hand-eye coordination, and so on. Similarly, people who spend eight hours a day in an office working at a typewriter or a visual display terminal will be biologically different from those who work on construction jobs. There is no way to sort the biological and social components that produce these differences. We cannot sort nature from nurture when we confront group differences in societies in which people from different races, classes, and sexes do not have equal access to resources and power, and therefore live in different environments. Sex-typed generalizations, such as that men are heavier, taller, or stronger than women, obscure the diversity among women and among men and the extensive overlaps between them… Most women and men fall within the same range of heights, weights, and strengths, three variables that depend a great deal on how we have grown up and live. We all know that first-generation Americans, on average, are taller than their immigrant parents and that men who do physical labor, on average, are stronger than male college professors. But we forget to look for the obvious reasons for differences when confronted with assertions like ‘Men are stronger than women.’ We should be asking: ‘Which men?’ and ‘What do they do?’ There may be biologically based average differences between women and men, but these are interwoven with a host of social differences from which we cannot disentangle them.”

Yes.

Here, have a study (x) showing that mothers underestimate their daughter’s physical capacity from as young as 11 months old (though in reality it’s identical to that of their son’s at the same age). And if you think that parents acting on those expectations won’t alter their children’s development, then I have a sloped bridge to sell you.

There was this woman poet in 4th century China called Su Hui (蘇蕙), a child genius who had reportedly mastered Chinese characters by age 3.

At 21 years old, heartbroken by her husband who left her for another woman, she decided to encode her feelings in a structure so intricate, so beautiful, so intellectually staggering that it still baffles scholars to this day.

Came to be known as the Xuanji Tu (璇璣圖) - the "Star Gauge" or "Map of the Armillary Sphere" - it's a 29 by 29 grid of 841 characters that can produce over 4,000 different poems.

Read it forward. Read it backward. Read it horizontally, vertically, diagonally. Read it spiraling outward from the center. Read it in circles around the outer edge. Each path through the grid produces a different poem - all of them coherent, all of them beautiful, all of them rhyming, all of them expressing variations on the same themes of longing, betrayal, regret, and undying love.

The outer ring of 112 characters forms a single circular poem - believed to be both the first and longest of its kind ever written. The interior grid produces 2,848 different four-line poems of seven characters each. In addition, there are hundreds of other smaller and longer poems, depending on the reading method.

At the center a single character she left implied but unwritten: 心 (xin) - "heart." Later copyists would add it explicitly, but in Su Hui's original the meaning was even more beautiful: 4,000 poems, all orbiting the space where her heart used to be.

Take for instance the outer red grid of the Star Gauge. Starting from the top right corner and reading down, you get this seven-character quatrain:

仁智懷德聖虞唐,

貞志篤終誓穹蒼,

欽所感想妄淫荒,

心憂增慕懷慘傷。

In pinyin, it is:

Rén zhì huái dé shèng yú táng,

zhēnzhì dǔ zhōng shì qióng cāng,

qīn suǒ gǎnxiǎng wàng yín huāng,

xīn yōu zēng mù huái cǎn shāng.

Notice how it rhymes? táng / cāng / huāng / shāng

The rough translation in English is: "The benevolent and wise cherish virtue, like the sage-kings Yao and Shun, With steadfast will I swear to the heavens above, What I revere and feel - how could it be wanton or dissolute? My heart's sorrow grows, longing brings only grief."

Now read it from the bottom to the top and you get this entirely different seven-character quatrain:

傷慘懷慕增憂心,

荒淫妄想感所欽,

蒼穹誓終篤志貞,

唐虞聖德懷智仁。

The pinyin:

Shāng cǎn huái mù zēng yōu xīn,

huāngyín wàngxiǎng gǎn suǒ qīn,

cāngqióng shì zhōng dǔzhì zhēn,

táng yúshèngdé huái zhì rén.

It rhymes too: xīn and qīn, zhēn and rén

And the meaning is just as beautiful and coherent: "Grief and sorrow, longing fills my worried heart, Wanton and dissolute fantasies - is that what you revere? I swear to the heavens my constancy is true, May we embody the sage-kings' virtue, wisdom, and benevolence."

That's just 2 poems out of the over 4,000 you can construct from the Xuanji Tu!

At the very center of the grid, the 8 red characters wrapped around the central heart, she "signed" her poem with a hidden message:

詩圖璇玑,始平蘇氏。 "The poem-picture of the Armillary Sphere, by Su of Shiping."

Or reversed:

蘇氏詩圖,璇玑始平。 "Su's poem-picture - the Armillary Sphere begins in peace."

Many scholars, and even emperors, throughout Chinese history have been completely obsessed by Su Hui's puzzle.

For instance, in the Ming dynasty, a scholar named Kang Wanmin (康萬民) devoted his entire life to the poems (kangshiw.com/contents/461/2…), ending up documenting twelve different reading methods - forward, backward, diagonal, radiating, corner-to-corner, spiraling - and extracting 4,206 poems. His book on the subject ("Reading Methods for the Xuanji Tu Poems", 璇璣圖詩讀法) runs to hundreds of pages.

Empress Wu Zetian herself, the legendary woman emperor of the Tang dynasty, wrote a preface to the Xuanji Tu around 692 CE (baike.baidu.com/item/%E7%BB%87…).

Incredibly, there's even far more complexity to the Xuanji Tu than just the poems:

- The name 璇玑 (Xuanji) - Armillary Sphere - is astronomical in meaning and the way the poems can be read mirrors the way celestial bodies orbit around a fixed center. It's a model of the heavens.

- Her original work, with the characters woven on silk brocade, was in five colors (red, black, blue/green, purple, and yellow) which correspond to the Five Elements (五行) - the foundational Chinese philosophical system that explains how the universe operates. So it's also a model of the entire cosmic order according to ancient Chinese philosophy.

- It's also of course deeply mathematical with this 29 x 29 perfect square grid, with sub-squares, lines and rectangles, and a structure which allows for symmetrical reading patterns in all directions

- Last but not least, the content of the poems themselves contain multiple registers. On top of expressing her personal grief and longing for her husband, it's also filled with accusations against the concubine (Zhao Yangtai) he left her for, reflections on politics (with many references to sage-kings) and philosophical reflections.

So the Star Gauge is simultaneously:

- A love letter (expressing personal longing)

- A legal brief (arguing her case against her rival)

- A cosmological model (structured like the heavens)

- A Five Element diagram (encoding the fundamental structure of the world according to ancient Chinese philosophy)

- A mathematical construction with perfect symmetry and precision

And yet, for all this complexity, we should not forget this was all ultimately in service of the simplest human message imaginable: a 21-year-old woman asking the love of her life "come back to me".

Her husband did, eventually. According to what empress Wu Zetian herself wrote in her preface to the Xuanji Tu, when he received Su's brocade he was so "moved by its supreme beauty" that he sent away his concubine and returned to his wife. As the story goes, they lived together until old age.

The heart at the center was filled after all.

This would be a stunning achievement painted, more impressive embroidered, but she wove this in silk brocade?!? Wrote a palindromic poem so epic no one else has come close for a couple millennia, and then wove it?

Silk brocade is a whole different level of intricate difficulty. It makes just about anything else you might choose to do with yarn look easy.

Can antishippers stop using sa victims as a shield? Do they not know that ao3 users can also be sa victims? which means they want sa victims they don't like dead.

I love characters doing bad things for good reasons. I love characters doing good things for bad reasons. I love the moral panic and confusion it sends people into when they can't immediately condemn or support someone's actions. I love that it forces people to dissect why people do what they do, and to realize that you can't possibly construct a simple set of rules for human conduct that works for all people and contexts

except the part where no one ever seems to do that last thing

Anonymous asked:

I was always of the opinion that there was more violence to Yuuji than the fanon take on him likes to portray, but now that I've finally recently buckled down and committed to reading the manga, my god. This boy has prey drive. I love him so much

YES

Canon is not subtle about this. It's not a case of "oh, he's so good and kind, and then sometimes he's weird and violent." He is good and kind; he is weird and violent. These sides of him coexist all the time and come out to play as the situation demands.

Fanon, when it deigns to even acknowledge Yuuji's violent side, tends to view it as some extreme reaction you need to push him to. But that's patently not the case. Yuuji balks at killing people. He rejects senseless death. But he has zero issues with casual, non-lethal violence, be it against his enemies or in more friendly forms such as the Goodwill Event. We have ample evidence to conclude that pre-canon Yuuji was similarly comfortable with violence.

On top of that, a prevalent take in fandom is that other JJK characters also view Yuuji as some sunshine sweetheart. But it's evident that they don't. Yes, most sorcerers who personally know him view him as a good guy—and for good reason, since that's an accurate perception. But they're also quite aware that he's crazy on a good day and a monster in his own right, in addition to being just plain weird in ways both mundane and not.

And all this is without taking into account the extremes of his dark side, which are best illustrated by his final scenes with Mahito and Sukuna:

  1. He not only terrifies Mahito so much that the little fucker starts crawling to get away, but Yuuji's demeanor in that scene also indicates that he intends to kill Mahito slowly. I'm not saying he'd have tortured him—that's not Yuuji's brand of violence or his flavor of crazy. But once Mahito is down on the ground, Yuuji doesn't rush to finish him off the way he easily could. Instead, he hunts him.
  2. Yuuji's final offer to Sukuna is often framed as a kindness or a romantic gesture, depending on how you swing. And it can be that. I do believe that Yuuji himself considers it a kindness—which honestly makes it more fucked up because what Yuuji is truly offering is to be Sukuna's forever cage. Yuuji would be his jailor for as long as they both live. Even in the unlikely scenario of Sukuna proving himself trustworthy enough that Yuuji hands over control, it'd be control he could easily revoke. There's something deeply and compellingly fucked about a mind that can put that forward as an option while viewing it as a kindness.

No matter how weird we make Yuuji—and I'm including myself in that "we"—it's less hardcore than what canon itself does.

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