Edit on 5/2/2025: I have mixed feelings about aspects of this essay these days but have chosen to keep it up and pinned as I’m still happy with my analysis even if I’m furious at NG, who is mentioned several times. TW for that. Argh.
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The thing about romance is, it makes a good story.
As soon as NG described season 2 as “quiet, gentle, romantic” I figured we’d be in for it, because as he’s the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale’s chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They’ve lived on earth, they’ve studied the tropes, they know how romance works.
The problem is a story is only a story.































