awesome to work as an extra in movies. let’s hire the guy that looks like a person that could be there

cooking with trauma

ok note to self i gotta leave the house regularly so that i dont feel like im slowly transforming into an evil fucking shadow clone of myself

So as it turns out your sense of self doesnt exist in a vacuum. You gotta actually use it and bounce it off of other people like echolocation to see where you are as a person and shit. So if you dont regularly interact with other people the echoes just get weaker and weaker and before you know it your personality is a blurry fucked up fog clone of its former self. which it sucks because this makes it really hard to interact with people again but yknow

"Individuals aren't naturally paid-up members of the human race, except biologically. They need to be bounced around by the Brownian motion of society, which is a mechanism by which human beings constantly remind one another that they are...well...human beings."

Terry Pratchett, "Men At Arms"

ugh we need more manipulative characters that aren’t evil. lie and cheat and steal for a good cause. control every narrative. use narcissism for justice. ruin all of your personal relationships for the good of the mission.

Who is Nathan Ford.

i'm so fucking over it

Oh so you'd rather use eugenics on animals and abuse them instead? 🙄

i was about to get violent then i saw the handle im crying

Dear video essay creators. A video analysis is when you analyze a piece of media. No no look at me. A summary, no matter how thorough, is not an analysis. An analysis requires you to draw conclusions about the media such as authorial intent, real-world parallels, discussion about themes/worldbuilding/character motivation, and so much more. You have to stop summarizing something and saying that’s analysis. The Gaylors are doing more critical analysis than you. Is that who you want to lose to? The gaylors?

I love how it doesn't matter what expedition it is.

They all turn into excited kids when they meet penguins.

The Penguin: GIANTS! no way! I’m gonna wave at them THEY WAVED BACK! Holy Shit they’re dancing with me! My Wife is never gonna believe this OMG I got to dance with a Giant today so cool.

The Humans: Penguin! No way! I’m gonna wave at it IT WAVED BACK! Holy Shit it’s flapping with me! I got to play with a Penguin today; so cool.

where's the joy and whimsy guy? Have they found this one yet?

@joy-and-whimsy-official

Joy and whimsy detected! This post is joyful and whimsical!

Who am I to deny a penguin some joy and whimsy 🐧

I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?

Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.

Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).

But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?

The answer is so simple I don’t know why it didn’t occur to me sooner:

They just BUILT the models and painted them white with black outlines 🤣

That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.

That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.

Okay maybe today wasn’t that terrible

It feels almost unbelievable that there's an Olympics this year. Not just this year but next month. Like can you please come back another time thanks

At least they're in Italy though

(tags by @unashamedly-enthusiastic)

Curling is my favorite Winter Olympics event and I cannot believe Italy would disrespect it

btw if youre young and scared of doing adult things without your parents ive learned that like 90% of the time you can just tell the doctors office or the dmv "haha sorry ive never done this without help before... can you show me how to do this?" the employee will not care. if that means anything to you

context according to instagram:

original image from the magazine:

Found a scan of this issue on the Internet Archive (it's the back cover). This scan is 4000x6000 for all your high resolution needs!

The caption reads: "Defeated by roses. Near Turin's Lingotto station, along a lonely path, Miss Guida Concetta Rinino, 28 years old, who was bringing a nice bunch of roses to a relative, was accosted by an unknown young man. The young woman, rather than losing heart, defended herself with extraordinary energy, using the bunch of flowers as a weapon. So it was that the scoundrel, his face all scratched up, had to flee. (Drawing by Walter Molino.)"

Incredible. At a distance I understand how the woman might appear to be the abuser and the man the sympathetic victim, but the second you zoom into the man’s face the pink-cheeked rage- not remorse, or rejection, or embarrassment- not heartbreak or despair- but RAGE- the deeper story speaks itself into your suspicions.

And the bit where they’re HER roses? Almost a relief, but also sadder, as she will arrive at whatever event without them, or with them destroyed.

Do you think when the righteous anger and anxiety and annoyance fade, when she arrives at her destination- will her loved ones applaud her? Will she be proud? Will her hands shake? Will she walk home with company from then out, and for how long?

In this moment, she is provoked into anger. Anger is good- it appears strong. But look at his face. Would you put it past him to linger there after dark, in case she returns alone?

What story will HE tell, of ‘I was perfectly polite, but she didn’t even give me a chance- women like that, they’d swoon for a jerk in a heartbeat, but kind and flattering men like me?…”

I love this piece. It paints both stories while illustrating the power dynamics and struggles at play. This should be shown in art classes

~ The Spinster Book, by Myrtle Reed, 1901