Gentle Giant Collector

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna

MASTERLIST POST

[HEADER CREDIT TO: @chamomile-g-tea <3]

My name is Belle, I’m a Giantess-leaning G/t fan who writes G/t fiction and enjoys art, writings and getting to chat with people about G/t and other nerdy things. Most of my writing gets posted to AO3, but there will be scattered shorts and writings posted here among the usual mess of my personal blogging and reblogging.

LINK TO MY KO-FI: HERE

If you like what I do and want to toss some support my way, it’s extremely appreciated!

WRITING:

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The Stranding:

My largest work to date, it is active and currently still being updated.

Almost two years after a man named Henry suffers a shipwreck and is rescued by a woman named Melanie, the two left on a journey to try and return him home, only to suffer a shipwreck of their own. The good news? They made it; Henry is home and is among his own people again. The bad news? To him, and everyone else in his homeland, Melanie is over fifty feet tall.

An out-of-time, out-of-place situation, Melanie has to navigate being integrated into a small military force for a nation that seems to be in a tense, fracturing peace with it’s nearest neighbour, and also just navigate a world that has never had to deal with anyone or anything like her before.

[I personally recommend reading until at least Chapter 12 - Nightmares before starting on The Rescue]

The Rescue:

The prequel-piece to The Stranding, and also currently still active and being updated.

Melanie travels to the beach after a storm, as she often does to find driftwood and debris that can be used for crafts to keep herself busy in her lonely life, and sees a ship in distress just off of the shore. Unable to believe what’s happening, she is able to rescue a sailor from the nearly-doomed vessel and take him under her care.

She helps him adjust to life in her land, which is vastly different– almost like a different time entirely– from his own. The biggest obstacle in doing so, however, is that the man isn’t even eight inches tall.

[I personally recommend reading The Stranding up until Chapter 12 - Nightmares before beginning this work, but I am also not your real Dad and can not control you.]

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The Faerie Spell:

[Can also be found here on Tumblr with the help of this Chapter Directory]

A first-person-perspective written work following Daphne as she attempts to navigate a strange and upsetting curse where a Faerie has stolen parts of her essence so that the Fae can, whenever the mood seemingly strikes them, steal Daphne’s height and attain a more human-like appearance to hide that they are a Faerie. While the spell is active, however, Daphne because 5.5 inches tall (give or take a few millimeters).

Can she, or her friends, really navigate this new part of her life and all the difficulties it brings? Or is this spell about to change everything to do with her life?

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The Scars We Leave Behind:
[written by @adjacentperception and myself]

What’s left of a hero when everything is taken from him? What’s left of a villain with no identity?

What’s left of a man who has no choice but to save the symbol of a system he’s fighting against?

Within a city constantly besieged by a super-power fueled war between Good vs Evil, a hero is captured by a powerful villain and their secret organization and forced to play part in a twisting and enigmatic plan; to tear down the systems in place that keep the League of Heroes in an ultimate seat of power to rival the government itself. But… is the system as good as it projects itself to be? Are the villains and their henchmen really as evil as the media says? Is it truly as simple as tearing it down, or does that simply open up space for a new, worse system to enter?

Is the harm we do when we believe we’re helping mitigated merely by our wishes to be better? To create something more? To fix what we believe is broken?

Do we hold blame for creating the evil we think we’re fighting against, regardless of our intentions?

This work features descriptions of violence, abuse, neglect, and uses adult language, as well as mentions of nudity and sexual topics.

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ADDITIONAL LINKS:

ABOUT RECURSIVE FICS: Here

SHORTS AND BONUS SCENE Masterlist

FANART AND COMMISSIONS MasterPost

THE STRANDING CHARACTER DESCRIPTION/REFERENCE POST

THE STRANDING CHARACTER OUTFIT REFERENCE POST

Dividers by: @firefly-graphics

Pinned Post g/t giant/tiny giant tiny g/t writing g/t author gtauthor author thoughts gt gentle giantess masterlist masterlist post masterpost big little thoughts links directory
adjacentperception
canonkiller

I think u should start writing your original story btw. I want to read it.

canonkiller

addition: I understand wanting to wait until things feel Right to write. but as someone who also contends with adhd and The Situations there is not going to be a time where it magically feels perfect to write. "I'll do it someday / later / when..." is an endless delay. you've gotta crack open a document and write something even if it sucks ass because if you don't get your brain used to the habit it's not gonna stick. the time you can start is Now.

the-explorers-journal
capsyst

I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?

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Originally posted by madeleineengland

Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.

Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).

But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?

The answer is so simple I don’t know why it didn’t occur to me sooner:

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They just BUILT the models and painted them white with black outlines 🤣

That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.

That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.

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Originally posted by madeleineengland

transhuman-priestess

@transparent-plastic-robotgirl check it out

quasi-normalcy

Another little detail I notice; it looks like they've marked the tires so the animators can keep their rotation constant from frame to frame.

steampoweredwerehog
odinsblog

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Istg, if I ever get rabies because some dumb ass antivaxxer refused to vaccinate their dog, I’ll probably be doing the rest of my blogging from prison because I promise you, Imma curbstomp the shit out of the owner

doberbutts

Fun fact: if your dog is unvaccinated and bites someone, in most states it's not only perfectly legal but SUGGESTED COURSE OF ACTION for animal control to seize your dog, euthanize it, and cut its head off for rabies testing. This process costs 300-500 USD and is the responsibility of the owner to pay.

This happened to someone on tumblr, and happens with regularity at my job, so it is not a far-flung worst case scenario.

Rabies shots cost 20 USD at your local pet store or farm supply and if your dog bites someone while vaccinated, all you have to do is quarantine for 10 days.

bisquid

Once again:

Rabies is one of the most lethal diseases in the world

If you get bitten by a rabid dog - or even slobbered on by a rabid dog and happen to have an open wound - and don't get medical treatment until you develop symptoms; congratulations! You're dead.


Vaccinate your fucking pets

isuggestlandback

I also suggest vaccination