Doctor Quark
I spent all night trying to think of something to describe what I heard and I couldn't escape the word "entrancing". Cheers from the Carolinas.
Favorite track: Mirage.
AD
What if we kissed on a dimly-lit café terrace overlooking gentle waves lapping on wide beach with sand so white it reflects the starry sky, while the whistler and her band stare into the cerulean horizon and enchant a dancefloor of wistful dreamers with their song? I think I am under some kind of spell from the cuica on the last track, thank you Molly
Favorite track: Nature Boy.
Molly Lewis’s compositions seem to float into our ears from distant shores. They’re otherworldly, drawn more from landscapes of dream than from anywhere you could find on a map.
Lewis is a unique presence in music today. Her trademark whistle, which brings to mind the great Peruvian soprano Yma Sumac, has graced recordings of everything from Schumann lieder and Brazilian jazz to Spaghetti Western ballads and noir lounge.
Lewis’s collaborations are diverse: La Femme, Sébastien Tellier and Dr. Dre. She’s performed around the globe, at Shanghai’s Yuz Museum, the Cannes Film Festival, Mexico City’s Salón Los Angeles, and across the whole of New Zealand.
Lewis’s 2021 debut EP, The Forgotten Edge, was produced by Tom Brenneck (Charles Bradley, Amy Winehouse). It was a critical success, drawing praise from The New York Times and NPR, and landing Lewis a spot on CBS Sunday Morning.
Now, Lewis and Brenneck have teamed up again for her second EP, Mirage, bringing aboard Brazilian guitarist Rogê, as well as percussionist Gibi Dos Santos and keyboardist Roger Manning. Capacious and atmospheric, Mirage is Lewis’s most hypnotic effort yet. Like Eden’s Island (1970) by eden ahbez—whose “Nature Boy” is covered in one of Mirage’s standout moments—the album is based on Lewis’s visions of an imaginary island. The lush, oceanic textures of Mirage transport us to the sands of an unknown beach—all alone or in the company we’ve always dreamt of keeping.
credits
released November 18, 2022
Produced by Thomas Brenneck
Recording Engineer - Simón Guzmán
Assistant Engineer - Jimmy Dixon
Mixed by Simón Guzmán, Thomas Brenneck
Studio: 64 Sound
Mastered by JJ Golden at Golden Mastering
Album Cover Photograph and Design: Allyson Yarrow Pierce, Pear Juice Productions
All songs were written by Molly Lewis and Rogê (Muito Amor & Musica/Sony Publishing, (UBC))
Except "Mirage" and "Cabana de Mel" written by Molly Lewis, Rogê and Thomas Brenneck (Extraordinaire Music, (BMI))
And "Nature Boy" written by eden ahbez (Golden World (ASCAP))
I know pundits like to throw around terms like 'breathtaking' and 'transcendent' with all the restraint of a toddler with a can of silly string, but d*mn if I can think of a more fitting set of adjectives.
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The album cover was my initial template to make my own poster work. Khruangbin, known by how Laura plays bass, has been a ecstatic series of flights they have taken me throughout my late 20s. suvendubrk
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