professionallydeadinside
jarchivistsims

sometimes i think about gay people who lived centuries ago who thought they were all alone who imagined a world where they could live openly as themselves who met in secret spoke in code defied everything and everyone just to exist and i’m like..i gotta sit down. whew i gotta sit down

l2g

this is why this sappho fragment hits me so hard

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phantom-tail

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If this little book should see the light after its 100 years of entombment, I would like its readers to know that the author was a lover of her own sex and devoted the best years of her life in striving for the political equality and social and moral elevation of women.

“The Great Geysers of California” by Laura De Force Gordon, 1879, unearthed from a 100-year-old time capsule in San Francisco, 1979.

katherinebarlow

“Wouldn’t it be wonderful if all our letters could be published in the future in a more enlightened time. Then all the world could see how in love we are.”

Gordon Bowsher to Gilbert Bradley, 1940s

cowboy-heart
cowboy-heart

also, i recently gathered all of my favourite poems (by other writers) into a single PDF for myself and decided to share it on my ko-fi!

it’s 106 pages, 62 poems, with an index, and links and credits to all the writers! and it’s free!

it’s a mix of published poets, blog excerpts, and internet poets, covering themes of love, grief, living, butch-femme, LGBT, nature and justice! - full list of contents in read more :)

it’s free since it’s not my own original work, but if you wanna tip for making the PDF then it’s much appreciated!! 🧡

(sidenote: if you/your work has appeared in this and you want it removed or edited, let me know and i’ll do so immediately!)

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burningdarkfire
zmeess

a painting of Critical Role characters Essek Thelyss and Caleb Widogast, based on the Rider-Waite Tarot's The Devil. it is styled like a square painting on a vertically oriented tan canvas, with narrow unpainted strips above and below it. a looping leaning script reads "XV" above and "The Devil" below. Essek is a dark elf with gray-lavender skin and short white hair, dressed in elegant long dark robes and a silvery metal mantle piece, with the breastplate shaped like a beetle's back and long spikes curving off of his shoulders, radiating from his neck. Caleb is a light-skinned ginger human, with messy chin-length hair and a beard, wearing a gray tunic with a brown leather coat over it, a thick scarf wrapped around his shoulders. his spell book is just slightly visible at his side. the characters are facing each other, with Essek standing on the left and Caleb on the right. their right hands are raised between them, hovering under and over a floating hourglass that Essek is offering to Caleb; the violet sand in it is equally distributed between the top and the bottom halves and is not flowing down. Essek has his chin raised with a cool expression of confidence, while Caleb is looking at the hourglass with a deeply conflicted face, his eyebrows furrowed and eyes shining. Caleb's left arm down at his side is engulfed in orange flames. above them is the dodecahedron shape of a Beacon, pale gray and iridescent; the pentagonal plane facing the viewer is oriented with one of the corners pointing straight down. six silvery threads weave around it, intersecting at nine shining points, one thread each passing behind Essek's and Caleb's heads, and one each wrapping loosely around them. their figures, dark purple and brown, illuminated by the faint glow of the hourglass and the flame, are silhouetted against a much lighter gray and overcast light spilling from tall pointed arches behind them.ALT
a close-up of Essek's face.ALT
a close-up of Caleb's face.ALT

finally finished a painting i've been cooking in my mind for a few years! shadowgast as The Devil, one of my favorite tarot cards and one of the three cards i associate with their relationship

i'm not much for divination but i love the story-telling aspect of tarot, and one of my favorite visual metaphors of The Devil is how loose the chains around the two figures' necks are. they're not kept bound. it's that possibility to choose that i find so significant, and so fitting for the story of these two wizards. to say you're not defined by your past is to say you're born with all the choices you make; but to say you are forever defined by it is to deny yourself the right to change. the chains around your neck might be very heavy, but the choice to shrug them off is always yours to take.

tip jar!

moki-dokie
moki-dokie

I was thinking of my memaw today and how much i miss her storytelling and singing of old folk poems/songs - and then it occurred to me that this is becoming a lost art for a lot of us in the west (and i'd bet probably for most of the developed world at this point) and I'm doubtful many gen z and gen alpha will have heard these things in the ways we Elders had during our youth. so how about we share some?

i'll start, with the "two dead boys" paradox poem!

Ladies and Gentlemen, hobos and tramps,
Cross-eyed mosquitos and bow-legged ants,
I'll tell you a tale I know nothing about.
The admission is free, so pay at the door,
Now pull up a chair and sit on the floor.

One bright day in the middle of the night,
Two dead boys got up to a fight.
Back to back, they faced each other,
Drew their swords and shot each other.
A blind man came to watch fair play,
A mute man came to shout "Hooray!"
A deaf policeman heard the noise
And came and killed those two dead boys.
He lived on the corner in the middle of the block,
In a two-story house on a vacant lot.
A man with no legs came walking by,
and kicked the lawman in his thigh.
He crashed through a wall without making a sound,
into a dry creek bed and suddenly drowned.
A long black hearse came to cart him away,
But he ran for his life and is still gone this day.
I watched from the corner of a big round table,
The only eyewitness to facts of my fable.
But if you doubt my lies are true,
Just ask the blind man, he saw it too.

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