Tomorrow WE ( yes me AND you. Yes YOU ) will be writing something, preferably a whole chapter.

colour, b&w, ballpoint pen sketch :)

when you're blowing a straight guy in his car in a McDonald's parking lot and you can see the post nut clarity washing over him and he briefly contemplates actually killing you >>

every story should have a character that is either textually a survivor of sexual trauma or can subtextually be understood to have undergone a metaphorical sexual trauma. this is imperative. story cant be good otherwise.

i think MORE characters should be rape survivors. i think more characters should be csa survivors. i think more characters should be dv survivors. i think strong and noble and attractive and charming and brilliant characters with indomitable spirits should be survivors. i think the most powerful characters in the world should be survivors. i think characters who are cultural icons should be survivors. i think victims and survivors should see ourselves in the most admirable and beloved characters around! i think we should be protagonists!!!

#‘it’s so unnecessary’ . okay . god yea this one drives me CRAZY. people will yap all day long about how it's "unnecessary" to make a character a survivor like do you think it was necessary for any of us to be abused or raped irl? was it narratively essential? did it teach the audience an important lesson? why do we, who have to justify our experiences and existences and reactions all the time in real life, also have to justify why we should exist in fiction? people act so repulsed by the thought of us. i've really fully and truly had enough of that. there is nothing so uniquely disgusting or repulsive or unspeakable about our victimhood or our survival that justifies this obsession with keeping the reality of our existence hidden

let's see finn finny's card

radical acceptance worksheet

sardine in a can design notes

while i do have plenty of disdain for the dominant ideal of success and happiness being conceptualised as a normative nuclear family with two or more biological children directly related to their parents i will never be able to truly have hate in my heart for fankids because the concept of fictional nepo babies is just unbearably funny to me

it's my birthday!! reblog my art? 👁

Ursula K. Le Guin, Steering the Craft.

in 2026, remember how GOOD writing feels. remember how satsfying it is to get your characters to the point you have been dying to get to, where they will experience the love, fear, relief or whatever the feeling you want to bring to life may be. let this year be the year of writing, prgress and of satisfactory endings.

as far as i'm concerned, all romance is horror