when a mutual posts a poll you know nothing about, but they say “orangutan johnson my beloved, orangutan johnson sweep!!!!” you vote for orangutan johhnson. it’s called loyalty.
when a mutual posts a poll you know nothing about, but they say “orangutan johnson my beloved, orangutan johnson sweep!!!!” you vote for orangutan johhnson. it’s called loyalty.
The person most responsible for a safe flight
The pilot: ❌️
Air traffic control: ❌️
The insanely anxious passenger seated perfectly still with her eyes closed who believes she has a horse girl-like spiritual connection to the plane and is whispering soothing things to it in her mind during turbulence: ✅️
So it’s come my attention that there are a lot of students, particularly in humanities and social sciences disciplines, who need to hear this, so here goes:
Do the readings.
Oh my God, just do the readings. I promise, it gets easier once you get into the habit of it.
What makes a good student? Doing the readings. Literally just doing the readings is enough to make you a good student.
The readings *are* the course. The lectures are just priming you for the readings. The tutorials and seminars are just how we collectively process the readings. If the readings were intended to be optional, they would have been listed under the “optional readings” heading.
“Oh but I hate this reading! The author’s an idiot, they’re wrong about everything” Good. Do the reading and then tear it apart in class. This isn’t high school, you’re not expected to mindlessly absorb things anymore
If you’re in physics, do the derivations. Don’t believe that any equation given to you is true. Derive it. Convince yourself that it must be true, and understand the limitations of its truth.
The very first lecture I give my students emphasizes that they do not have to accept the readings as truth from on high. They don’t even have to like them! Critical reading is perhaps the most important skill I hope they take away from my course, and you can’t develop it if you’re not doing the fucking readings!
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“i miss him” says girl about the fictional guy she thinks about every hour of every day
monthly object-character design study as voted by patrons
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I do wholeheartedly believe Wes Anderson is a sick sick freak. I like his movies but I definitely think this guy has like a hidden room in his spacious french apartment that he slips into quietly each night and it is just filled with tiny little doll replicas of all the actors he’s ever used in any of his movies and he puppets them around and mimicks their voices and shit. and sometimes he’ll text Owen Wilson pictures of his little doll with a comb or something from an untraceable number and pair it with like “see how I take care of you Owen?” and then the following day Owen Wilson will find him at the service table and go, “Geez Wes look at this,” and Wes will pretend to be all concerned and horrified but there is this calculating almost eager look in his eyes that unsettles Owen Wilson. and the next time Wes is having a little soiree with all his actors, his beloved beloved actors, maybe Owen Wilson will accidentally get lost on his way to the beautiful bathroom and find that little room and see all those dolls and his throat will hitch with horror. And before he can call Bill Murray or Adrian Brody to look a dark silhouette will appear in the doorway and Wes looks sort of resigned when he says, “I see you finally found my secret, Owen,” and Owen Wilson will try and pretend that he’s fine with it but they both know better. and Wes will go (the look in his eyes back again) “We both know this can’t get out, right?” and he’ll grin very suddenly and Owen Wilson will laugh along very nervously and leave the room and eat some brioche and when the evening is over he will rush over to his Prius and frantically click his keys but over the cobbles on the beautiful beautiful street there is the sound of footsteps. and tears are running down Owen Wilson’s cheeks but he can’t say a word and Wes, emerging from the shadows, will gently touch him on the shoulder and say, “look, I’ll drive you to the airport, huh?” and Owen Wilson will try to refuse but they both know it’s futile. and, halfway through the drive, Wes Anderson will smile and say, “I’ll miss working with you” and then perfectly jump and roll out of the car, wiping off his corduroy pants, while Owen Wilson’s Prius swerves into a local patisserie, bursting into flames
kobolds clocking in for their shift at the human milk factory. they’re great employees but they do have a tendency to steal some of the product by disconnecting the milkers and drinking right from the source