Crystal, she/her. Star Wars and random reblogs. Come for the reference posts, stay for the writing. Full grown adult blogger; not all posts may be suitable for minors, interact at your own discretion.
Dashiell Hammett, who basically invented the noir genre (think: The Maltese Falcon, The Thin Man) hung out enough in the queer scene in San Francisco in the 20s-30s that he picked up some contemporary queer lingo that he folded into his stories. In The Maltese Falcon, there’s a scene where the wildly gay-coded villain shows up at a meeting with a skinny little blonde with a bad attitude and a gun in tow, and detective Sam Spade tells him to “leave the gunsel outside” — gunsel being contemporary gay slang for a young, effeminate man who probably bottoms (from the Yiddish gansl, meaning gosling). Basically, he’s saying “I’m here to talk to you, not your twink.”
However, a lot of writers mimicking Hammett did not know gay lingo or Yiddish, saw the word “gun,” and assumed “gunsel” meant “scary bodyguard with a gun.” They took off with a word they didn’t understand and spread it so fast that it’s now basically impossible to read a noir story written between 1930-1960 without someone accidentally being called a twink at least once. Look out for it next time you’re reading Raymond Chandler or his ilk, I guarantee you’ll find it.
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
[ID: Written in blue ink on white paper are the words “Live by 3 simple rules: 1) Love needs action 2) Trust needs proof 3) Sorry needs change” /end ID]
These are art in themselves, in a some of them point out what lockdown was like for us, they’re expressed themselves in a really cool way. But I think these are going to be talked about in the future.
writing tip: searching “[place of origin]ish names” will get you a lot of stuff and nonsense made up by baby bloggers.
searching “[place] census [year]” will get you lists of real names of real people who lived in that place.
I feel like I’m constantly shilling for them but BehindTheName.com, the only baby name site that doesn’t feel like it’s run by mommy bloggers, includes census-based graphs for dozens of countries/regions (though not all of them go back very far yet)
And you can expand them to see rank, number of babies, and percentage of babies and add a second name to compare. (in 1973 four percent of babies were named Jennifer! 1 in 25!!!)
Also this. Cursed.
@homoqueerjewhobbit what name did you search for your example, and what’s going on with Moldova?
Those are the graphs for Samuel. They only have 1 year’s data for Moldova right now, so that’s why it’s a straight line. Similarly, they only have 2 years for Mexico right now. The US goes back to 1880. I’m not sure how much of that is publicly available/translated records and how much of it is that it’s like 1 or 2 guys maintaining a website of 27000 names and a finite amount of time to format and upload.
You can’t advertise BehindTheName for writers without mentioning the advanced search! You can search names based on cultural origin and usage, gender (including unisex), meaning, and even things like meter and number of syllables, or famous namesakes (you can also see a list of famous namesakes on every name’s page, along with meaning, history, related names, alternate spellings in different languages, the above popularity graphs, and more).
I wouldn’t even call BehindTheName a baby name site. They have a surname sister site and a random name generator with tons of variables to set that is very clearly intended to be used for fictional characters (iirc it can even generate a cause of death? I haven’t looked at it in many years so it might have changed but these things predate generative AI so unless it’s been forcefully enshittified it shouldn’t be slop). Like, you can use it for baby names, but the website isn’t explicitly intended for that purpose. This website caters to us.
If fiction affected reality the way antis claim it does, everyone who reads shonen manga would be gym rats and everyone on booktok would actually be able to read.
ALT
