break up with your controlling boyfriend. call off the wedding, get divorced, whatever you have to do. it's not worth it i promise. don't let the sunk cost fallacy rob you of your happiness. he's mediocre at best i promise there's so much better out there for you and deep down you know it too. leave him. escape! FLEE!
i recommend telling yourself “this isn’t an experience i want to keep having” and stop entertaining things that are really detrimental to your health and don’t benefit you in anyway.
ilya’s pre game captain speeches are one million times funnier when you remember that him and shane let what happens on the ice decide what they’re doing in bed later
ilya [knowing that him and shane have a deal that whoever loses montreal v boston tonight is doing a strip tease for the other]: im not fucking around guys. do not. fuck this up for me
“what’s stopping you from-“ listen i am so so sleepy
and like. broke
not an apologizer but a contextualizer. yes the character did that but please understand the Circumstance. yes they had other options but they had to make this choice in a sea of available bad choices. and also it made the narrative more interesting. won't anybody think about the narrative!!!!!
me walking to the bathroom at 3am in a massively oversized shirt, using gay fanfic on my phone to light the way
or has for some reason decided not to mention it at all or let anyone else know.
I just found out something insane today. in the new dregs editions that came out for the 10th anniversary, leigh bardugo has removed any and all mention of the crows being teenagers, cut out whole sentences and completely changed quotes that are classic and very well known by fans of the six of crows duology. she’s replaced any mention of words like ‘children’ ‘boy’ ‘girl’ and ‘kids’ with ‘man’ ‘woman’ ‘grown’ etc
this is concerning, bewildering and just feels wrong for so many reasons. but besides the obvious —which is that the six protagonists of the duology being young is essential to many aspects of the plot, seeing as their world weariness and competence is a result of their experiences as children and survivors who are victims of their environment—besides even that, editing a piece of literature that’s been published and on shelves for 10 years is objectively not a good idea at all, and doesn’t at all take into account the new contexts and connotations the new wording brings.
above is an example of the original scene we know verses the new version. lots of it has changed, namely their ages, but the sentence at the end in matthas' pov doesn't even sound like him at all. her writing quality has declined noticeably and she sounds like she wrote that sentence in a rush. it makes no sense, and it's not something matthias, who knows practically nothing about the barrel, would be thinking.
and not to mention the famous line 'brekker's eyes were ancient, but he couldn't be any older then matthias' — cut out of the book completely. I do wonder what impact, effect and influence these changes will have on new readers.
this is another example. such a classic line and they cut it completely.
the entire books are like this. inej saying kaz looking seventeen is changed to kaz looking like someone's apprentice. the boy of the barrel changed to man. criminal prodigy changed to just mastermind. inej described as a woman in place of a sixteen year old girl. wylan changed from boy to young man. full scenes cut. 'jesper is zemeni but don't hold it against him' changed to ‘don’t let him wax sentimental about it’ which sounds way worse then the original.
and I don't actually own the new copies of these books, my best friend was looking at them in a bookstore and that's when we first noticed all of the changes. so I truly have no idea what else could possibly be changed besides the things I noticed as I cannot look at them for reference - the crow's physical appearance, more of the plot, other famous scenes just being cut completely, etc. if nothing else has changed, then it’s still way too much and massively changes core aspects of the books. but I do wonder. if you own the dregs special editions, I suggest looking for similar differences. I might have to write examples to express how messed up the new connotations are.
leigh now implies that jesper, an adult black man, made the right choice by handing over his share from his job to his white father to keep for you, as he cannot control himself and isn't ready to receive his own funds, as he is a mindless gambler. this is extremely different to a reckless irresponsible teenager grieving his mother and making stupid mistakes, and then deciding to make better decisions in the future with help from his parent. I'm sure you can see without me spelling it out how awful, racist and problematic the new context of jesper being a grown man makes this situation sound.
another example is matthias' childhood centrally seeing him be groomed, manipulated and indoctrinated by a nazi coded witch hunting organisation that targets grisha, an oppressed community, with the intention of torturing, burning, hanging, raping and eradicating them from the world
matthias is just turning 18 when he meets nina. he has not yet done any of these terrible things himself. he is fresh out of training and still basically a child. his views are first challenged, and he eventually breaks out of the brainwashing and mental manipulation that has been taught and instilled in him with repetition. it's not an excuse, but it's more understandable. matthias, now a grown man apparently way older then 18, has no excuse for these bigoted views as he is way more mature, has way more experience, and would have had to have done these horrific things to grisha at some point.
it feels like some sort of fever dream that six of crows was edited and re published so that these famous teenage characters (who were first written so obviously— in dialogue, actions, pov, - as teenagers) and their criminal prodigy leader were made into poorly written adults. I can put into words how much this has deeply bothered and distressed me and many other readers I've spoken to.
it's such an odd choice and makes me think it was done to soften the backlash the shadow and bone adaption received from some fans for aging up the characters in the first place.
I cannot stress this enough- leigh bardugo would edit iconic lines and change core aspects of her characters that have been around for 10 years to justify a cancelled netflix adaption of these incredibly popular and well loved books. it's odd and uncomfortable.
now, these books mean the world to me, they have quite literally got me through physical, mental and emotional childhood abuse, suicide ideation and self harm, the everyday ableism and oppression, chronic pain and disability experience, severe depression and anxiety, absolute hopelessness, work and life, etc) but the sheer absurdity of this all just outmatches my distress that it happened. it feels like some sort of hallucination becasue it's lowkey just insane. she never even mentioned she was going to do something like this?
there is just no conceivable reason for leigh bardugo to have done this secretly and quietly other then to have stopped people negatively critiquing the show or some other deeply odd notion. and with all of these changes, the new books absolutely are not the 'dregs' editions— the heart of the dregs is the young blood, 'the kids like kaz who he had brought in a organised, who worked the hardest and took the worst jobs'
they are the bad netflix adaption editions. the sympathy for terrible adult cast editions. it's troubling, clearly not a well thought out decision, and deeply bizarre. tell me others agree.
After 16 years, fork finally confirms that it is found in the kitchen
How Jude’s kidnapping by the Undersea played out in The Wicked King.
Jude, in the floor of her cold cell in Orlagh palace: I hope Cardan misses me… *sighs* who am I fooling? He might be all too happy I’m out of his way and he doesn’t need to obey me any longer. He would never want me back…
*cut scene to Elfhame beach, with Cardan screaming Jude’s name and racing to the sea taking off his cloak and boots with Madoc racing after him*
Madoc, catching Cardan as he's about to dive in the ocean: Cardan! What are you doing?!
Cardan, struggling to free himself: I’m gonna swim down to the Undersea, break into Orlagh’s Palace, fight their armada and bring Jude back!
Cardan: I know my chances are slim, but I have to try!
Madoc: You can’t even swim!
Cardan: I said my chances are slim!!
