Love Is For The Bugs And The Birds And The Trees,

26 | M | Aquarius

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  • capsyst:

    I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?

    image

    Originally posted by madeleineengland

    Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.

    Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).

    But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?

    The answer is so simple I don’t know why it didn’t occur to me sooner:

    image

    They just BUILT the models and painted them white with black outlines 🤣

    That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.

    That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.

    image

    Originally posted by madeleineengland

    (via adziedoodlesphan)

    • 1 week ago
    • 43439 notes
    • #animation
    • #2d animation
    • #101 dalmatians
    • #animation history
    • #hand drawn animation
    • #classic animation
    • #i will animate again
  • loveridden1999:

    image

    (via daftpatience)

    • 1 month ago
    • 9505 notes
    • #personal
    • #oops
    • #damn
  • escuerzoresucitado:

    image
    • 1 month ago
    • 37216 notes
    • #art
    • #motto of the day
  • magpie-rat-king:

    susiephone:

    so frustrating to be a skeptic with a sense of whimsy because like. I want there to be cryptids. I want there to be magic. I want there to be evidence of something we don’t fully understand and can’t explain. but then 99% of the “proof” out there for that stuff is like. the most obvious scam you’ve ever seen in your life.

    #born to be mulder forced to be scully

    born to be mulder forced to be scully

    (via macleod)

    • 1 month ago
    • 42928 notes
  • beartoothbarry:

    Judas priest for bugs. A touch of weevil

    • 1 month ago
    • 3 notes
  • bodhrancomedy:

    Look, it’s a weird hill to die on, especially when I don’t really explain, but children deserve to experience fear, disgust, and discomfort in safe scenarios where they can process those sensations.

    Media for children used to be scary and that’s important.

    (via teaboot)

    • 2 months ago
    • 58506 notes
  • bluechanas:

    ai this ai that how about we invent a printer that works first

    (via adziedoodlesphan)

    • 2 months ago
    • 44149 notes
  • beardedmrbean:

    image
    • 2 months ago
    • 42588 notes
  • cordycepsbian:

    i don’t care about monday’s goals, tuesday wednesday dig some holes, thursday clean my mandibles, it’s friday i’m a bug

    (via bettsfic)

    • 2 months ago
    • 44128 notes
    • #yeah
    • #poetry
    • #song lyrics
  • teaboot:

    Idk who has to hear this today but sometimes the devil doesn’t need an advocate. Sometimes the devil is already winning

    • 2 months ago
    • 39004 notes
    • #you don’t have to defend the devil you can just agree with him in your own private thoughts
    • #agreeing with the devil is an oversaturated market. why not say something good and productive and useful instead
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