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I hate famed German philosopher Immanuel Kant.

@fabricatedphilosopher

(he is stupid) Refer to me as she/her or I will she/hurt you. | I am terrified of human interaction over the internet, for some reason.

i have a very important contribution to make to the development of transfeminist theory

(good at board games meaning, you often win at them, it has been oft remarked on that you are good at board games, your family jokes that you have a mental spreadsheet for winning catan etc)

reblog for reach because it would be really really funny to me personally if this had a statistically significant result

I take off my clothes at the end of the night,

and she disappears,

and I question if she could ever really be there,

without my comfortable cloak of social deception.

It takes time

Both shorter and longer than you think

But eventually

She disappears less each night

Until one day you notice

She'll never leave again

Sometimes, she is quiet

Sometimes, I can hear her screaming

And I let her scream into the darkness

And I wonder

Why I am not screaming too.

listen I ended up regretting saying anything about this on my old blog because people will interpret literally any and every statement maliciously on this hellsite but I want to start like. a helpline for people who are like “hey I pretty much only read YA but I’m like 22 now and don’t relate to teenagers as much, it’s such a shame that there are no fun books written for adults :(” because boy HOWDY are there some fun books for adults 

maybe I’ll start a big google doc or something one day but for now *deep breath*

  • The Beautiful Ones (Silvia Moreno-Garcia) - absolutely BUCKWILD romance with a dash of telekinesis; nonstop high society drama and misunderstanding from start to finish, happy ending guaranteed. STRONGLY recommend if you, like me, are a basic bitch who enjoys a bit of Pride and Prejudice. 
  • Binti (Nnedi Okorafor) - a math prodigy runs away from Earth to become the first of her people to attend a prestigious university in space, but shit gets real when a crew of hostile jellyfish aliens attack her ship. 
  • Chilling Effect (Valerie Valdes) - a spaceship captain and her crew take on a series of convoluted missions in order to rescue the captain’s sister, who’s been frozen and held for ransom. 
  • The City of Brass (S.A. Chakraborty) - an 18th century conwoman and a mysterious djinn team up to go looking for a legendary hidden city.
  • The City We Became (N.K. Jemisin) - a scrappy bunch of Chosen Ones have to band together to defend New York City (which is very much alive) from a huge ass monster. 
  • The Empress of Forever (Max Gladstone) - a lady supervillain gets blasted into space and meets an even bigger, planet-destroying evil space empress. literally WHAT is not to like?
  • The Empress of Salt and Fortune (Nghi Vo) - high fantasy royal drama about a woman making her way to power in the wake of a political marriage that left without friends or allies. 
  • Escaping Exodus (Nicky Drayden) - a space-faring clan are creating their latest spaceship from the insides of a giant monster when absolutely everything goes to shit (as things are wont to do in science fiction stories). 
  • Fierce Femmes and Notorious Liars (Kai Cheng Thom) - a trans girl runs away to the big city, where she uses her martial arts skills to team up with other trans woman and form a vigilante gang to defend their own when police look the other way. a fascinating blend of poetry and prose and magical realism. 
  • Finna (Nino Cipri) - two exes working at an IKEA have to team up to save a customer who disappeared through one of those interdimensional portals that all IKEAs have laying around. you know how it is.
  • Gideon the Ninth (Tamsyn Muir) - come on, you’ve heard about this one. it’s the one with the lesbian space necromancers? yeah, that’s the one. you got it.
  • In the Vanishers’ Palace (Aliette de Bodard) - a Beauty and the Beast retelling based in science fiction and Vietnamese fantasy, featuring a young woman falling in love with a “beast” who’s actually a motherly dragon after becoming a tutor to the dragon’s two powerful children. 
  • Jade City (Fonda Lee) - urban fantasy gang wars, pitting one magically enhanced family against rivals and a new drug that lets anyone mimic their abilities. 
  • The Library of the Unwritten (A.J. Hackwith) - hell’s librarian gets sent on a quest to find a runaway soul. 
  • The Long Way to a Small, Angry Planet (Becky Chambers) - aka one of my favorite books ever, essentially slice of life science fiction following an interspecies crew of deep space truckers making the longest and most complicated delivery of their lives. very warm and fuzzy. 
  • Mort (Terry Pratchett) - one of many MANY Discworld books, but a very good one to start with, following the adventures of a boy named Mort after he’s taken on as Death’s apprentice. you know, like the Grim Reaper? that Death. 
  • River of Teeth (Sarah Gailey) - historical AU in which the United States imported and domesticated hippos in the Mississippi River; follows a crew of hippo-riding crooks and hooligans as they plan one heck of a caper. 
  • Space Opera (Catherynne Valente) - a washed up rock star and his old bandmate get roped into performing in an intergalactic singing competition that will determine the fate of the entire planet Earth. full of aliens, attempted assassination, art, and emotional turmoil. 
  • This Is How You Lose the Time War (Amal El-Mohtar and Max Gladstone) - time-travelling assassins from rival factions fall in love in a poetic and breathless story that spans centuries and reality. 
  • Under the Pendulum Sun (Jeannette Ng) - fairyland is real, and Victorian England is sending missionaries. a woman and her brother attempt to bring the good word to the fair folk, but start to suspect the queen might just be screwing with their heads. PEAK gothic horror with a creepy fairy twist. 
  • Witchmark (C.L. Polk) - a doctor and former soldier with magical powers of healing is trying to live a quiet life and avoid his controlling, aristocratic family’s plans for him, only to get tangled up in a massive political conspiracy when one of his patients mysterious dies. accompanying him in his investigation is a mysterious and gorgeous faerie man. romance ensues. 
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bittenwrath
  • The First Sister by Linden A Lewis. Three protagonists and all of them queer, a fun space opera. It’s not out yet, but I can tell you it’s really, really good. I highly recommend
  • Gods of Jade and Shadow another Silvia Moreno-Garcia book. It takes place in 1920s Mexico and has Mayan gods. A fun breezy book.
  • Kill the Queen by Jennifer Estep. If you like YA fantasy but want a little more swearing, violence and sex then this novel is for you.
  • The Bridge Kingdom by Danielle Jensen. This one I really enjoyed. If you like the winner’s curse then you’ll like this book.

Books I haven’t read but I’ve heard good things about

  • Trouble the Saints by Alaya Dawn Johnson. This one isn’t out it but I believe it’s got a black protagonist.
  • Empire of Sand by Tasha Suri. An Indian inspired fantasy novel. I haven’t read this one but I’ve heard good things about it.
  • Rage of Dragons by Evan Winters. A black fantasy novel.
  • The Unspoken Name by AK Larkwood. I haven’t read it but I know it’s got a lesbian protagonist.
  • Song of Blood and Stone by L. Penelope. Just started this book but I believe it’s for adults.
  • Tiger’s Daughter by K Arsenault Rivera. Lesbian protagonists and it’s still on my tbr.

A great way to get back into the habit of reading and discover new authors is to pick up an anthology of shorter works. You can find them in any genre, on all kinds of specific themes, by diverse authors, and if one story isn’t your jam you can move on. A couple of my favorites are:

Biketopia: Feminist Bicycle Science Fiction in Extreme Futures;

Solarpunk: Ecological and Fantastical Stories in a Sustainable World

A People’s Future of the United States

Sisters of the Revolution: A feminist speculative fiction anthology

plus a few more full length books i like:

Singing the Dogstar Blues by Alison Goodman - space college punk with a harmonica what time travel crimes will she commit, queerplatonic human/alien relationships, very fun all around

Becky Chambers has several excellent books in the same setting as Long Way to a Small Angry Planet!

Nnedi Okorafor also has a bunch of great ones including sequels to Binti and other scifi/Afrofuturist works do NOT sleep on her

The Last Girl Scout by Natalie Ironside - if u like trans lesbians fighting zombies and nazis and vampires in the Appalachian nuclear wasteland I CANNOT recommend it enough.

Jesus Christ kids, can you please use an office suite for writing. "I use google docs because it gives me the wordcount" are you insane??? You write your fics in the tumblr drafts?!?!?

But there is hope for you yet. No need to be afraid.

Take my hand. I will lead you to civilization.

Go to https://www.libreoffice.org/ right now. Click on "Download". Choose your operating system. Download and install. Enjoy reliable spell check, formatting assistance, and yes. Word count.

(If you write on your phone a) that's unhinged, I'm kind of impressed b) here's a list of open-source note taking apps/software. Not all are mobile apps, but something should work for you)

Store your writing on your device, where no one else can tamper with it. You are beholden to no masters. Free yourself from the yoke of google.

About ten years ago I decided that the next step I needed to take in my life was to accept and explore what it meant to be a failure and to have failed. This infuriated almost everybody in my life and clearly terrified a lot of people. People do not want you to accept failure. They dont want you to like... Sit with and think about it and pick it up and turn it arpund in your hands and really examine it. They want you to keep throwing yourself against the impossible walls until your body explodes! They do not want you to say "alright then, I've failed. What does that mean for me? Im still here. What does the life of someone who has failed look like?"

This makes people very angry and panicky.

My mental health improved in ways it had not in the previous DECADE once I stopped. And. Sat. With failure. And thought about what my failure ... Was. And looked at the structures that produced it and examined them critically.

It is so taboo to fail and admit it openly and talk about it. It is so taboo to talk about or think about failure in an accepting way rather than hiding it shamefully until you experience a degree of success in some area which allows you to present the past failure as "a stepping stone" to your current situation. Fuck that. We are put in positions of guaranteed failure by society every day and then punished and shamed for it. Lets fucking talk about failure

Game studios learn to optimize your fucking games challenge.

Who the fuck do you think you are? You are a toy. A glorified slinky.

publisher executives will actually tell their studios to have an inflated install size because gamers will assume that Bigger Install Means Better And More Game.

I couldn't find any sources on this, it seems more likely that it's just because optimization costs more than it worth to AAA devs

source: i work in the game industry and coworkers who experience it firsthand have told me this. not to say that optimization costs isn't one factor but. this is certainly another

There's a very good piece of software that compresses games with ***NO DETRIMENT TO PERFORMANCE***

I'd say it's magic but honestly it's just fixing corporate's bullshit junk data

For folks who want MELE and Veilguard on their pc’s at the same time

The “Necromancy is evil“ we see in most fantasy worlds stems from a christian view of having to honor the body after death in a certain way to ensure the soul’s safety in the afterlife. And while I encourage you to explore societies that don’t see necromancy as evil, I also encourage you to explore societies that see necromancy as evil for different reasons.

Drow might believe that after death, your body belongs to Lolth and must be fed to spiders. Reanimating a body means stealing from Lolth and must therefore be punished.

A Zoroastrian inspired society might believe that with death, evil starts infesting the body, so dead bodies must be kept away from the community, and reanimating them keeps them in the community and is therefore bad.

Ooh, sounds fun! Let me come up with some more.

  • necromancy is associated with the culture’s traditional enemies, and is the same level of frowned-upon as using certain symbology or weapons or languages etc which are also linked to those enemies
  • once someone has died, it is severely disrespectful to look upon their corpse, so anything which is VISIBLE as being an undead is Very Bad, because it means you can see that person’s dead body
  • the reanimated dead have historically been used to spread plague and do other biological warfare type stuff; if you create something like that, a) gross b) unsanitary c) this is interpreted as the intent to commit war crimes
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135weirdos
  • A society of druids that uses the dead to grow sacred gardens, and reanimation deprives the dead of their part in the cycle
  • A society where each plot in the cemetery is used to grow vegetables/herbs for community use, to ensure that everyone is fed and the dead are visited/remembered. Necromancy deprives the community of the food that person would have grown and disconnects the dead person from their community
  • A society obsessed with history/recordskeeping/memory, and necromancy prevents the dead from being properly catalogued
  • A totalitarian society wherein the citizens are property of the state and necromancy is stealing
  • Death is nirvana and reanimation deprives the dead of this experience
  • The dead are ritually eaten by friends/family to allow them to live on, and reanimation ends their time prematurely
  • The finest jewelry is made of the bones of the dead, so there’s a lucrative trade in grave robbing, and the bone jewelry lobby has convinced the public that necromancy is worse than the expensive jewelry made from the bones
  • when someone dies, their death is considered a “sacrifice” to the deity who presides over their cause of death; how exactly you deal with the body, that doesn’t matter so much, but USING the body to your OWN benefit, that’s an insult to the god of warfare / disease / ocean / etc. Like stealing the offerings from a shrine.

~~a culture that recognizes the effort and emotional strain their people go through in life, and when someone dies they throw a huge wake and celebrate their break from life before joining their god/reincarnating/guarding something/etc.  Reanimating someone or trying to bring them back to life is seen as a huge taboo because it’s like asking someone who constantly works and finally gets a time of rest to go straight back to work before they’ve recovered.  Except it’s the hardest job/adventure ever.  For the same reason, motherhood, illness, leadership, recreation, personal growth, and winter are all highly venerated concepts/times in the culture, as times of rest or things in need of a period of rest eventually.  To honor these times as sabbats is commanded by one of their gods after a great catastrophe. The whole community is involved with these things, and so too are is the whole community involved with death and picking up the physical or emotional slack of the person who died.  If permission is given from the person who is being reanimated, then maybe maaaaaybe it’s ok, but that’s only happened once when a guardian was once needed, and it’s pretty hard to verify if it really was the person.  

  • reanimation is seen as asserting “ownership” over that being; so while it’s okay to have an undead animal (so long as it wasn’t someone ELSE’S animal, as that would be theft), reanimating a HUMAN counts as “slavery”
  • necromancy is considered “lazy”; like, dude, do the work yourself, or pay/convince someone else to do it, what kind of loser has to resort to CORPSES
  • only the divine can raise the dead; reanimating the dead is a poor mockery of the gods’ ability, and you are liable to be punished for your hubris, and that kind of punishment tends to have a lot of collateral damage so it’s best for mortals to solve the problem before the gods take notice

This is a good follow up to the post about necromancy and enchantment a few days ago.

All I can think of now is some kind of weird Jewish comedy where a Cohen gets reanimated and then has to figure out a way to avoid himself.

In Brandon Sanderson’s Warbreaker, the main characters come from a society where necromancy is taboo not because of the dead bodies themselves, but because the magic used to reanimate them takes a bit of a person’s soul. ALL magic there is soul magic, actually, and necromancy is one of the most cost-effective uses of soul magic (one unit of magic per reanimated corpse), so the majority of people think that necromancy and magic are perfectly fine and normal. Necromancy is commonplace, there are dead bodies walking around and doing work all over, but the main characters are from a place where all of this is seen as unholy and wrong.

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