The Last Update: Selections from The Joyful Interlude by Lawrence Moore

Lawrence Moore was something of a dilettante until he reached the age of forty. Since nestling upon poetry’s bough, his work has appeared in a number of publications including Roi Fainéant Press, Fahmidan Journal and The Madrigal. He has a new full-length poetry collection, This Joyful Interlude, published by Jane’s Studio Press in November 2025.

Balloon Ride

Liftoff
above the fairground,
the trees,
these patchwork fields,
fears thrust downwards
beyond all points of relevance
until I am drifting,
floating,
smiling
towards neighbouring clouds,
ready to reach out
and fold them
within my arms.

The distant laughter
of children
long ago
reminds me
that we were children once,
though that was then.

Seconds grinding by,
it takes two seagulls' plaintive cries
before I remember
you may forget,
begin to float once more
past rivers,
churches,
windmills,
cares,
that moment when all smiles,
transcending tears,
grow crystalised.

The aeronaut clips her flame
and as we descend,
truth slowly dawns;
that pending his next balloon ride,
Grumpy Great Uncle
is now restored.

Patchwork Coat

Eight-year-old
stands alone in the playground,
waves of self-consciousness
welcomed like long-lost friends.

Twelve-year-old
watches another pass by,
pines to say something;
lacks gumption
for such an intrusion
upon the air.

Middle-aged man gazes back,
watches menagerie of moments
that never happened
dwindle slowly out of memory.

Before dawn,
he must assemble
these separate fragments,
weaving them into a patchwork coat,
so that when temptation next arises,
he will always be
within reach
of absent kin.

Ignited

Vague paradise I have no right to sell,
this host of petty flaws you couldn't love.
Incompetence, but arrogance as well;
afraid if punches thrown, push comes to shove.
There also hides another tale to tell,
a story viewed more kindly from above.

It isn't plump of flesh, comes from a book
which isn't finished yet, might never be
(hypothesis regarding final look
assembles dimly, indiscernibly),
still struggles under fence, then over brook
ignited by mere thought of you and me.

This Religion

is a secret,
held only by me,
reimagined come sleep
in the absence of toss and turn.

Old embers of agitation so gladly burned,
but rarely fuelled;
my progression of stillness,
cool to touch,
now ushers out the night.

Where once was smog,
next morning's skies
u n r a v e l,
brisk and lucid,
revealing undiscovered path
never fully comprehended,
forever intimately known.

Still yet grow times that endure
no solace,
when a mind proves receptive
to any given doubt,
sensing mountains too steep,
futility taunting the heart
of each endeavour,
forgetting,
upon inclement weather's midst,
our faith betrays true worth.

The World Smiles Back
(Pushcart nominee)

Was drowning neath the sea of small concerns,
fixated on the fears that weighed me down,
ignoring every lifebuoy thrown to me.

I’m not quite sure what happened in between
(perhaps it was the moon as people say),
but something caused reversal of the tides,

for here, instead of strain, short bitten nails,
suspicion such a world would suss me out,
I shine before reluctance has a chance

and everything seems new and brash and brave
and everything runs crude and coarse and free,
but nothing shall dissuade me now. You’ll see.

Somewhere, beneath Orion gazing proud,
where mermaids sing and pirates rule the waves,
you smile upon the world, the world smiles back.

Bare Bones Writing 3 Poetry Showcase: Arshi Mortuza

Arshi Mortuza is a Bangladeshi poet based in Toronto. Her work often explores womanhood, identity, and mental health. She shares her writing and reflections on Instagram @poetessarshi.

1.

OPHELIA CALLS THE CRISIS HOTLINE

It’s like I’m being pricked

by fantastic garlands

from the floral fantasies I have woven

of him and I.

No, I am not in immediate danger.

You have clearly never loved a mama’s boy.

It’s like I’m swimming

against an all-consuming current

and I am getting tired,

oh, so tired

of fighting back.

I drown myself

in reveries by the river.

Breathless.

I feel water filling up my lungs.

The metaphorical kind.

No, I don’t need an ambulance.

Unless maybe they can drop me off

to a nunnery?

The literal kind.

2. 

HANSEL AND GRETEL’S POSTCARD TO THEIR STEPMOTHER

All your taunts and shame around food

And once again, I’m in the woods.

Starving inside a gingerbread house.

Living off crumbs so I don’t lose my way.

You ask to see flesh?

Wait, I’ll show you bones.

No pebble trail, no stepping stone

Can lead me home.

Well, at least not until I drop a stone.

3. 

A RECIPE FOR FLYING MONKEY WINGS

Start with a salty marinade.

If the greyness of the pepper makes you sneeze –

It’s your own fault.

Sprinkle a dash of –

“After all I’ve done for you!”

This recipe is the

Most original –

Most genius!

Deep fry in hot oil.

Toss and turn in hot sauce.

Ah, the sizzling sound of

Ego inflating.

Diner be warned:

The bone of the monkey’s wing

Will stick in throats

Of those who refuse

To compliment the chef.

 

4.

SUGAR-COATED SHARKS 

I dreamt I was being circled

By sugar-coated sharks.

The ripples whispered

That they’d never attack.

They relished my fear —

But were too full for my chaos.

I escaped into thoughts of

A love like cotton candy —

You know the type

That dissolves on your tongue,

Leaves you starved.

Open-mouthed sharks

With cotton candy stains.

I summoned them, didn’t I?

These waters murky with

Chum made from

A subconscious that swallowed 

Shreds of undigested 

Pain and poetry.

A Fevers of the Mind Poetry Showcase: James Benger



Bio: James Benger is the author of several books of poetry and prose. He serves on the Board of Directors of the Writers Place and the Riverfront Readings Committee, and is the founder of the 365 Poems in 365 Day online workshop. He lives in Kansas City with his wife and children.

These Things Happen

They burned the library down
with us still inside,
centuries of experience
charred until nothing was left,
not even the memories.

We spent the first bit
searching for exits,
for fire extinguishers,
for hope that the
sturdiness of human knowledge
was more resilient
than the human body.

The windows took on that
sooty, smoky look,
the overhead lightning, too,
and of course, us,
but we're not the
heroes of this story.

They burned the library down
with us still inside,
and when it was beyond clear
that there was to be no escape,
I took your hand,
and that was all.

The Wayback Machine

None of us thought
we would get here,
when nearly a
quarter-century ago,
the worst possible thing
happened,
and then it got even worse,
and we kept finding new ways
to dig deeper
and deeper,
deeper still.

None of us thought
we would get here,
but the course was set
long before any of that,
but we had time
to turn it around;
the world is full of opportunities,
we just needed to take it slow.

None of us thought
we would get here,
but here we are,
and now all the answers
sound like non-answers,
and we think
we’ve still got time
as we scan the hazy skies
searching for way back.

In 1994

I mowed lawns
for CD and soda money,
my grandfather's old blue
riding lawnmower.

He gave it to me
after he bought a new one;
a couple summers of
fighting it to run,
a couple summers of
it rusting in the field,
tires dry rotting,
some rodent burrowing in the
torn pleather seat.

You bleed all the lines,
then reup them with
the bottom shelf stuff
at the auto parts store
a quick bike ride from your
dirt road shack.

You air up the tires
with your leaky bicycle pump.
You surreptitiously borrow the battery
from your little sister's
off-brand Power Wheels Barbie car.

You make sure you're
stocked up on AAs,
bootleg tapes,
maybe a spare pair of headphones,
swab the discount Walkman's heads
with a Q-Tip damp with rubbing alcohol;
you're going to need the distraction
for a summer behind the wheel,
always trying to coax the dying beast
into a higher gear.

You daydream of the girls in your class,
and how their lips are always shiny,
and how they always smell like
candy and hope,
and how one day,
when you're up on stage,
a rock star,
or maybe a famous writer,
one of them,
maybe one of the cute, quiet ones,
will say something to you
other than,
can I borrow a pencil?,
or
you got a quarter?,
or
I'll tell everyone you're my boyfriend for today
if you let me have your math homework.


It was all
Soundgarden and
Nine Inch Nails and
Nirvana and even
some Zeppelin and Sabbath
that summer
with the heat generously filtered
through all those thick pines.

And at the end of the season,
the money was nice,
but that never really was
what any of it was about,
was it?

From Within

Sit alone in the crumbling house
you’ve built for yourself,
your comfy, cozy prison,
the battlements higher
than the blueprints ever could’ve told.

These walls that keep everything in
do so little to filter out the incoming;
constantly pummeled with the deluge
of a world on fire,
and no way to expel the heat.

This is not what was planned,
but was it ever truly planned?
At the beginning,
that fabled long ago,
wasn’t it just a last-ditch effort
to hold it together,
throwing things at the wall,
hoping something, anything
would finally stick.

Well, like those cheap wall walkers,
it stuck, but only for so long,
and now it’s falling, crumbling,
and when it lands,
there’ll be no hope of
removing all the carpet fuzz,
pet hair, dirt, and regrets.

The castle’s crumbling,
and you’re hoping a hole
will open up just wide enough
for you to escape out into a world
where everyone else has always lived
before it’s too late.

Spun

We’ll rotate the truth
like anything we’ve

ever known,
like a preset for the brain,

like the water underneath,
the stuff that’s gone brown,

clogged with used
hypodermic needles,

and other detritus of life.
We’ll rotate the truth,

because what else is there
to do with all of this?

Bare Bones Writing Poetry Showcase: Muhammad Rabeeh

Muhammad Rabeeh is a student of Occupational Therapy with a focus on mental health. He writes poetry as a way of processing emotion and finding connection through shared vulnerability. His work explores themes of loneliness, resilience, and the quiet hope that lingers in dark moments.

1. Loneliness is Poison

Loneliness is poison
It will eat you slowly
Until you can't recognize your voice
You forget what made you laugh
What made you stay

You keep checking for messages
Even when you know there is none
You try to make sense of memories
And wonder if they ever truly happened

You laugh at your own jokes
Then cry a little because no one heard
You sleep too long
Or don’t sleep at all

You speak in your head
Because you forgot how to share
You stare at ceilings
Wishing for someone to knock

It is not just being alone
It is becoming invisible
Even to yourself


2. The Need to Be Seen

There was a time when I had a reason to wake up
Someone to go to
Something to look forward to
But now I can't find it
Somewhere I can hold

They are not at fault
Every time it goes right
Guilt takes hold of my heart
A knife stuck to my chest
I need to let go

My heart cries, “Don’t.”
My mind yells, “Let go.
They deserve better.”
And I just can't give myself anything

I see good people
But I can't be part of them
Because I am afraid of feeling left out

Yes, it is cowardly
But my heart can't take any more
I fear pain more than I value my happiness
I wish it was easier to trust

I can only blame myself
For my past mistakes that hurt me too much
Perhaps it is time to accept
My fate and my present

I still want to see sunsets and sunrises


3. The Story Feels Long

My heart screamed at me
The lost kid in the dark
Still looking for a way out
I wanted to help him

So I swallowed my pride
My dignity and fear
I asked my relatives to help
They said it is normal

I asked my teachers for help
They tried to help
My friends wanted to help
Then I went to my family

But they took his side
Protected him like I didn't matter
That hurt me

I realized there was none who could help
I couldn't give up
I don't want to

I want my brother to look up to me
My parents to be proud
So I keep going
No longer looking for help

I will sit with him
Even if I have to lose
I won't abandon him
Nor will I give up

I will become someone’s reason
A voice that listens
Nothing I want in return
It is my way of healing

To help someone out of darkness
It doesn't give hope in humanity
But some part of me gets warmth

I am aware my influence will be minor
Maybe 10 people
But that 10 is enough
I hope I will reach them

I want to give hope to myself
One day I will make him smile again

A Bare Bones Writing Poetry Showcase from Myrtle Thomas

Myrtle Thomas writes contemporary poetry and has been published in several poetry journals and magazines. She is retired from a large manufacturing company which allows her to write her poetry . She found long ago that writing was for her medicine and a warm hug , mending her broken pieces with ink and paper. She has been a member for several years on ALLpoetry.com , Penn name Bluebird74.

A Grave-Yard's Haunting Memories


memories are lovely hauntings
dreams that dream themselves
voices only whispered
shadows in the night.

friends that live in a heart
family growing and growing apart
borders that are breached - an open gate
songs that sing mindfully silent.

sins that bloom in the dark
all hide from repentance
crashing the pearly gates
while strolling through a grave-yard.

haunting memories last till death
when the mind lies dormant in decay
brain waves have waved good-bye
to every prying eye.

for the soil is a secret place
where every soul will reside
we take these lovely hauntings
where they'll forever rest .

the giant oak tree in the grave-yard
witnesses the burial of our hauntings
and has never a tongue to tell
but stands guard at the gate leading
to its own estate.


In Living and Dying the Remembrance

can we discover the break between
clouds and sun ? or even move -
from the shadow of turning ?
I look for the lost memories -
of all the times of days and weeks
there are still empty hands -
of dangling fingers.

*

mother and father you have left -
along with so many others
leaving me to wonder
who will keep you alive
when the sun leaves my face
who will be there standing firm
as a tree ?

*

mother , you are buried in my mind
with your everyday dress and apron
what but death could remove you ?
you may never know I sing your songs
while I wring my hands and worry
in grief.

*

father you were never strong enough
to fight for your life in kindness
your voice enormous and angry
coughing blood until you left -
without your breath -
I wonder if you were ever sorry.

*

I do think of other things of beauty
as the sunlight shifts through the trees
of how the moon and stars find the sun
about that reflection I see in the mirror
the familiar lines of my face seek me out
mother I can barely see you.

*

I do wonder are we just clouds apart
there will be no one to remember your voice
as I walk slowly away toward you
you have no idea mommy how much -
I feel and see this sadness - just knowing
you will die again without dying.


Holiday Photographs


my eyes race across the picture
leaping at the stare they find watching
smiles seem painted on and unfamiliar
trying to conceal yesterday's quarrels
I often wonder who could have framed us !
who could have seen us in this future ?

the light from the window hovers
glimmering from those pleasant eyes
they have a spark of life now non-living
everyone leaves and falls into a photograph
they have changed without me
making me a solitary image holding a page.

I can see the smiles before the tears fall
before the clouds were ominous and dark
I fight this opposition without winning
but the resistance to turn and look is strong
while I try to catch what wandered away
loss but gratitude in holding onto what was.

seasons and holidays have changed for me
watching the spring flowers bloom into summer
feeling the change in autumn's air turn itself around
knowing that those days that took you all away
is cruel leaving me just holding onto to leather binding
with images living on stained paper stressed in my old hands.


Here I Can't Touch You


1.

watching from the window
my mind drifts away -
back to so many yesterdays
where my mind desires to play
just a child in the mirror
drawn from memory of what
I'm not today !

2.

a shadow of a child ----my face -
is not my own`-----------
a hollowed out shell ---without a home
shall I linger longer in this gilded frame
peering into space ?
searching for the child that left without a trace.

3.

a mother without a mother
my fingers have no grasp !
an orphan in my old age-----------
still feels alone in pain
longing for the sight of family
only found in photographs stained--
------ found only in my failing mind.

4.

here I sit in much younger clothes
covering up the nakedness
of what I no longer have---------------
time has decayed my clothing
have I truly came this far ?
walking along motherless ----this pain
is so hard to bear.

5.

I 've failed at being my own mother
time walked away in it's shadows
leaving me in the darkness-------------
imprisoning me in the mirror with a face
I do not know !
tonight I've walked the many miles
in the shoes of long ago .