The highest quality lieblingsfach you’ve ever seen

obsessed with this. transmed!ringo.

Believe women

when boy bands sing a love song addressed to the listener does that imply all 5-10 of them are in love with you at once. that seems like a lot of pressure i don't know if i want to be the nucleus of the boyband polycule.

i learned of “Box beds” – cabinets with beds in them and, sometimes, lockable doors – were used for privacy and safety in parts of rural medieval Europe before individual bedrooms were common. They became fashionable even in homes with bedrooms and remained in use in Scotland into the 1900s (x)

I don’t want a swimming pool, I want a box bed/nook bed

Ohhhhhhh man this unlocks Primal Instinct

Nest!!!! Cozy!!!!!

I can clearly remember the moment I first realised my mother and I were living on completely different planes of existence. I was 7 years old and I came home from my school's first track and field day having placed second or third in every event. the teachers had been making jokes all afternoon about how many times they had to call my name. my friends thought I was cool as shit. my enemies thought I was cool as shit too, come to think of it. I was proud as hell. so I get home with the entire front of my shirt covered in ribbons like I was a military dictator who'd awarded himself every medal, I walk into the kitchen and tell my mum all about my day, and she goes "oh, that must be disappointing not getting any firsts." and I'm like no?? first of all the first place ribbons are red and I don't like red. second of all look at me. there's literally nowhere left on my body for accolades. I am fucking Jacked of All Trades. how could this possibly be a disappointment.

Knightposting this princessposting that WHO IS TILLING THE FIELDS

You’ve heard of the Roaring 20s........

now get ready for the Screaming 20s - coming to a decade near you in 2020

is it too early or can we start screaming now

in retrospect perhaps we should have started sooner

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What the fuck

This is absolutely fascinating. I've now been looking at Alex Colville's paintings and trying to work out what it is about them that makes them look like CGI and how/why he did that in a world where CGI didn't exist yet. Here's what I've got so far:

- Total lack of atmospheric perspective (things don't fade into the distance)

- Very realistic shading but no or only very faint shadows cast by ambient light.

- Limited interaction between objects and environment (shadows, ripples etc)

- Flat textures and consistent lighting used for backgrounds that would usually show a lot of variation in lighting, colour and texture

- Bodies apparently modelled piece by piece rather than drawn from life, and in a very stiff way so that the bodies show the pose but don't communicate the body language that would usually go with it. They look like dolls.

- Odd composition that cuts off parts that would usually be considered important (like the person's head in the snowy driving scene)

- Very precise drawing of structures and perspective combined with all the simplistic elements I've already listed. In other words, details in the "wrong" places.

What's fascinating about this is that in early or bad CGI, these things come from the fact that the machine is modelling very precisely the shapes and perspectives and colours, but missing out on some parts that are difficult to render (shadows, atmospheric perspective) and being completely unable to pose bodies in such a way as to convey emotion or body language.

But Colville wasn't a computer, so he did these same things *on purpose*. For some reason he was *aiming* for that precise-but-all-wrong look. I mean, mission accomplished! The question in my mind is, did he do this because he was trying to make the pictures unsettling and alienating, or because in some way, this was how he actually saw the world?

omf i never thought i'd find posts about alex colville on tumblr, but! he's a local artist where i'm from & i work at a library/archives and have processed a lot of documents related to his art. just wanted to give my two cents!

my impression is that colville did see the world as an unsettling place and a lot of his work was fueled by this general ~malaise?? but in a lot of cases, he was trying to express particular fears or traumas. for instance, this painting (horse and train) was apparently inspired by a really tragic experience his wife had:

iirc she was in a horrible automobile crash, as the car she was in collided with a train. i find it genuinely horrifying to look at, knowing the context, but a lot of colville's work is like that? idk he just seems to capture the feeling you get in nightmares where everything is treacle-ish and slow and inevitable.

3d station i was modelling in blender from memory

Me giving my parents my report card in second grade

Who's up phicign theit sion?

Me

We’d love to have Mr. White as a teacher!

pikmin