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Promises
by Floating Points, Pharoah Sanders & The London Symphony Orchestra
supported by 95 fans who also own “Numachi”
Even at 80 years old, Pharoah Sanders played his tenor sax with the conviction of a gospel preacher. Every second of this album is arrestingly beautiful. As far as I'm concerned, this is essential listening regarding all genres of music.
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supported by 82 fans who also own “Numachi”
Very classy collection of warm, subtle, languid grooves meticulously crafted with a pointillist attention to detail.
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Delightfully giddy synth-based music, where sounds bounce like ping-pong balls off taut, rigid production.
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8 Automated Works 八つの自動作曲作品集
by Componium Ensemble コンポニウム・アンサンブル
Visible Cloaks' Spencer Doran brings 19th-century machine music into the modern era.
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Experimental artist Seb Wildblood's first album in 15 years features collaborations with Julianna Barwick, Meg Baird, and others.
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supported by 70 fans who also own “Numachi”
I'm truly impressed by the creation of sound textures and spaces on "For You and I". Loraine James works in a very fluid musical space, an area where beats and sounds shift and flow at a mercurial pace, using fast change and rapid movement as effectively as samples and loops. It's a strong release, and a significant move forward within the electronic genres. James should be applauded for her work on this album, along with her impressive skills and talents...
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