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Uncles — a compilation seen in:

1. Lagos, Nigeria by @___tse

2. Conakry, Guinea

3. Bamako, Mali by @visualsbyponzio

4. Bol, Tchad by @malinfezehai

5. Asmara, Eritrea by @ghideonmusa

6. Bujumbura, Burundi by @yesitspeedy

7. The Gambia by @jasonflorio

8. Casablanca, Morocco by Yassine Alaoui Ismaili

9. Ouidah, Benin

10. Warri, Nigeria by @tomsaater

Via forafricans on IG

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Seen in Addis Ababa, Ethiopia by Leila Suraj

“Capturing beautiful moments of kids celebrating #Ashenda at #Ethiopia 🇪🇹 #habesha #tigray”

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Rest — a compilation seen in:

1-2. Lomé, Togo by Sabine Djok

3. Dakar, Senegal by @justbrad

4. Guinea, 1960 by Marc Riboud

5. Karima, Sudan by @neehallee on IG

6. Dakar, Senegal by Aicha Fall

7. Oogue River, Gabon 1984 by Bruno Barbey

8. Kilifi, Kenya by Tommie Ominde

9. Monrovia, Liberia by Yagazie Emezi

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AI generated photos rendered by Sharq Afrik (a visual project by Adam Omar and Ahmed Mekki)

“Before the Storm: Examining the Significance of Photo Studios and the Tradition of Physical Photo Albums

Since the invention of the camera, photography has consistently played a pivotal role in preserving moments and presenting them to both contemporary viewers and future generations. Reflecting on its historical context, during colonial times, photography was predominantly a lens held by outsiders. However, in the postcolonial and independent era, photo studios owned by Somalis or residents native to these lands took center stage. Postcolonial these studios provided a unique opportunity for people to capture themselves without the intrusion of colonial voyeurism.

This newfound ability to document oneself held great value, especially for those with family members living abroad. In an era when digital connectivity wasn’t readily available, visiting a photo studio meant more than just a simple snapshot. It involved dressing up for the occasion, creating multiple copies of photographs, and sending them to absent family members. These photographs included names and dates, making them a cherished record of family history. They were often added to family albums, which were carefully passed down through generations.

With the assistance of AI, it’s intriguing to contemplate what might have transpired if these photo studios had been preserved and continued to be an enduring tradition within Somali families. The preservation of such studios and the continued practice of maintaining physical photo albums could offer unique insights into the evolution of families, culture, and identity over generations.”

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Color Study 01

1. Kinshasa, DRC by Andrew Mcconnell

2. Accra, Ghana by @joshuakissi

3. Abidjan, Ivory Coast by Gilles Colomb

4. Lagos, Nigeria by Aeisha Ijewere

5. Kigali, Rwanda by Amina Kadous

6. Guinea Bissau by Kristin Bethge

7. The Gambia by Christina Nwabugo

8. Harar, Ethiopia by Yonas Tadesse

9. Mogadishu, Somalia by Mohamed Mire

10. Itsandra Mdjini, Comoros by Shainess Daoud

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Color Study 02

1. Saly, Senegal by Sebastian Gil Miranda

2. Ijebu Ode, Nigeria by Benita Nnachortam

3-4. Harar, Ethiopia & Sudan by Berengere Cavalier

5. Cape Coast, Ghana by Danny Wonders

6. Lac Rose, Senegal

7. Chibia City, Anhola by Xavi Simancas

8. Cape Town, South Africa by Wayne Hipe

9. Zanzibar, Tanzania by Sarah Waiswa

10. Adrar Region, Mauritania by @mitchellkphotos

Check out the latest episode from our Sights and Sounds series using the link in the bio. In our fourth installment, we journeyed to Kenya, from the bustling streets of Nairobi to the tranquil beauty of Naivasha, the coastal charm of Kilifi, and the wild spirit of Turkana.

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Seen in Pointe-Noire, Congo Brazzaville from 1974-1978 by Maurice “Pellosh” Bidilou

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