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Artwork (Traditional) / Fantasy
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Size 1060 x 1550
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! Thank you!
Her character, Gina, is forced to fight her mentor. It seems like only one of them is going to walk away from this encounter alive.
Working on this was an adventure and a rich learning experience. The picture is roughly 11×17 inches (A3), ivory paper. It was drawn with a 0.5 Rotring mechanical pencil (2B lead), as usual.
! Thank you!Her character, Gina, is forced to fight her mentor. It seems like only one of them is going to walk away from this encounter alive.
Working on this was an adventure and a rich learning experience. The picture is roughly 11×17 inches (A3), ivory paper. It was drawn with a 0.5 Rotring mechanical pencil (2B lead), as usual.
Category Artwork (Traditional) / Fantasy
Species Unspecified / Any
Size 1060 x 1550px
File Size 3.61 MB
Something that wasn't apparent before I got the scanned version, is how consistent your are with each pencil stroke, so it all has such a strong sense of directon. And that in itself, makes the piece a lot of fun to look over and explore c:
And not to sound like a broken record, but thank you again so much! It was nice to actually get a com that was set in my little headword for a change ^^
And not to sound like a broken record, but thank you again so much! It was nice to actually get a com that was set in my little headword for a change ^^
Thank you too! I was happy about the opportunity to take my traditional art tools out for a change!
I developed this "stroke style" a while back because i didn't like crosshatching. I'm very happy with "just hatching, no cross". :D I'm glad you like the effect!
(aw shoot, i accidentally put my reply to the wrong place on the first try)
I developed this "stroke style" a while back because i didn't like crosshatching. I'm very happy with "just hatching, no cross". :D I'm glad you like the effect!
(aw shoot, i accidentally put my reply to the wrong place on the first try)
Thank you! I'm moderately sure that i started doing this style consciously shortly after the copper etchings we had to do in art school (i remember one of mine was a copy of Rembrandt's "The Windmill" although it's not the best example). Some aspects of that technique really clicked with me. :>
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