From what I've gathered, Picasso was important for breaking the normal representational rules/expectations of art in his day. In some of that understanding these paintings are still drifting away because I do represent my characters clearer. The idea of breaking a thing down into every curve/line as utility for one idea (leg, arm, head ect) is kinda what I like to explore. what does one line for a leg get you vs two lines for a leg; the math of X-lines + Y-curves / Z-characters get you, what is the max return on investment. Is also where my anim art style came from.
Category All / All
Species Unspecified / Any
Size 954 x 778px
File Size 198.7 kB
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Marvelous!
I think there are very few ways to do art "wrong," but virtually unlimited ways to do it right! It's just that some styles of art are easier to look at and forget, more comforting or generally appealing or "safe."
I prefer when things get... bent? around, where the work shows a desire to experiment or play on a theme. I'm glad you're exploring, and I look forward to seeing what comes next!
Marvelous!
I think there are very few ways to do art "wrong," but virtually unlimited ways to do it right! It's just that some styles of art are easier to look at and forget, more comforting or generally appealing or "safe."
I prefer when things get... bent? around, where the work shows a desire to experiment or play on a theme. I'm glad you're exploring, and I look forward to seeing what comes next!
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