will update this every few weeks/months. alternatively, here are all my tagged word lists.
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as someone with a speech impediment, all of the people saying that only one type of stuttering is valid are wrong.
stuttering CAN look like this: "t-this is a-an example s-s-sentence"
OR this: "this-this is an example sen-sentence."
OR this: "t-t-t-th-..t-ttttthis is an example sentence."
OR this: "this is, uhm, an example, uh, sentence."
OR this: "this is an example sssssss-sentence."
OR this: "this is an examp-...this an example sentence."
sometimes the sentence won't even come out of your mouth at all.
there are probably many examples i'm forgetting, but that's the point! it usually is a mix of a few of these, but some people do one of them more often than others! some people with speech impediments have certain sounds that they almost consistently have trouble with (for me it's "st").
people with speech impediments also rarely-if ever-stutter whilst they're singing or whispering.
most importantly!!!! people with speech impediments are capable of saying a sentence without stuttering!! it can just be a gamble sometimes.
and if more people could portray the frustration that comes with stuttering and not being able to get words out, i'd be a very happy girl.
(fun fact: sometimes when my mouth won't let me say what i want to say, i get so annoyed that i just yell or grumble out "WORDS.")
this was your speech impediment PSA!!!!
We need more repeat and pause stutters or when you basically lose the plot after one too many retries
Its like- its like when- like- when- like when- FUCK
Its like.........uh- like when.... when— fuck nevermind
We get this shit so much hh
a talking point i often see when defending the consumption of dark content is that it’s a coping mechanism for those with trauma which is very valid and true but i also want to make this abundantly clear: you can like dark content for no reason. you can enjoy fucked up shit in fiction because it’s enjoyable and entertaining. trauma is not required as a ticket for entry. enjoy your dark content bc it’s fun and sexy and don’t let anyone take that away from you
reblog if you love to see that shit that was fucking crazy

We discussed the issues describing People of Color by means of food in Part I of this guide, which brought rise to even more questions, mostly along the lines of “So, if food’s not an option, what can I use?” Well, I was just getting to that!
This final portion focuses on describing skin tone, with photo and passage examples provided throughout. I hope to cover everything from the use of straight-forward description to the more creatively-inclined, keeping in mind the questions we’ve received on this topic.

Pictured above: Black, Brown, Beige, White, Pink.
“She had brown skin.”
These are more rarely used words that actually “mean” their color. Some of these have multiple meanings, so you’ll want to look into those to determine what other associations a word might have.

Pictured above: Umber, Sepia, Ochre, Russet, Terra-cotta, Gold, Tawny, Taupe, Khaki, Fawn.
Complex colors work well alone, though often pair well with a basic color in regards to narrowing down shade/tone.
For example: Golden brown, russet brown, tawny beige…
“He was tall and slim, his skin a russet, reddish-brown.”
“His skin was an ochre color, much like the mellow-brown light that bathed the forest.”
Modifiers, often adjectives, make partial changes to a word.The following words are descriptors in reference to skin tone.
Dark - Deep - Rich - Cool
Warm - Medium - Tan
Fair - Light - Pale
Rich Black, Dark brown, Warm beige, Pale pink…
If you’re looking to get more specific than “brown,” modifiers narrow down shade further.
Undertones are the colors beneath the skin, seeing as skin isn’t just one even color but has more subdued tones within the dominating palette.

pictured above: warm / earth undertones: yellow, golden, copper, olive, bronze, orange, orange-red, coral | cool / jewel undertones: pink, red, blue, blue-red, rose, magenta, sapphire, silver.
“A dazzling smile revealed the bronze glow at her cheeks.”
“He always looked as if he’d ran a mile, a constant tinge of pink under his tawny skin.”
Standard Description Passage
“Farah’s skin, always fawn, had burned and freckled under the summer’s sun. Even at the cusp of autumn, an uneven tan clung to her skin like burrs. So unlike the smooth, red-brown ochre of her mother, which the sun had richened to a blessing.”
-From my story “Where Summer Ends” featured in Strange Little Girls
Though I use standard descriptions of skin tone more in my writing, at the same time I’m no stranger to creative descriptions, and do enjoy the occasional artsy detail of a character.
Whether compared to night-cast rivers or day’s first light…I actually enjoy seeing Characters of Colors dressed in artful detail.
I’ve read loads of descriptions in my day of white characters and their “smooth rose-tinged ivory skin”, while the PoC, if there, are reduced to something from a candy bowl or a Starbucks drink, so to actually read of PoC described in lavish detail can be somewhat of a treat.
Still, be mindful when you get creative with your character descriptions. Too many frills can become purple-prose-like, so do what feels right for your writing when and where.
Not every character or scene warrants a creative description, either. Especially if they’re not even a secondary character.
Using a combination of color descriptions from standard to creative is probably a better method than straight creative. But again, do what’s good for your tale.

Pictured above: Harvest Moon -Twilight, Fall/Autumn Leaves, Clay, Desert/Sahara, Sunlight - Sunrise - Sunset - Afterglow - Dawn- Day- Daybreak, Field - Prairie - Wheat, Mountain/Cliff, Beach/Sand/Straw/Hay.
“Her face was like the fire-gold glow of dawn, lifting my gaze, drawing me in.”
“She had a sandy complexion, smooth and tawny.”

Pictured above: Calla lilies, Western Coneflower, Hazel Fay, Hibiscus, Freesia, Rose
“He entered the cottage in a huff, cheeks a blushing brown like the flowers Nana planted right under my window. Hazel Fay she called them, was it?”

Pictured above: Cattails, Seashell, Driftwood, Pinecone, Acorn, Amber
“Auburn hair swept past pointed ears, set around a face like an acorn both in shape and shade.”

Pictured above: Mahogany, Walnut, Chestnut, Golden Oak, Ash
“The old warlock’s skin was a deep shade of mahogany, his stare serious and firm as it held mine.”

Pictured above: Platinum, Copper, Brass, Gold, Bronze
“The dress of fine white silks popped against the deep bronze of her skin.”

Pictured above: Onyx, Obsidian, Sard, Topaz, Carnelian, Smoky Quartz, Rutile, Pyrite, Citrine, Gypsum
“His skin reminded her of the topaz ring her father wore at his finger, a gleaming stone of brown, mellow facades.”
Indicate Race Early: I suggest indicators of race be made at the earliest convenience within the writing, with more hints threaded throughout here and there.
Describe White characters and PoC Alike: You should describe the race and/or skin tone of your white characters just as you do your Characters of Color. If you don’t, you risk implying that White is the default human being and PoC are the “Other”).
I tried to be as comprehensive as possible with this guide, but if you have a question regarding describing skin color that hasn’t been answered within part I or II of this guide, or have more questions after reading this post, feel free to ask!
~ Mod Colette
Remember not to give a shit and write cringy fanfiction and make bad art and wear weird clothes and dance badly to your favorite song never stop doing these creative things that make you happy.
it actually is insane to me that it's a cultural norm for men to suck ass at getting their wives/gfs gifts. especially when they whine about how they have no idea what women like.
man, you're not getting a gift for Female Domestic Partner. you're getting a gift for Natalie, a person whom you have been married to for 7 years, whom has lived in the same home with you for a decade, whom speaks to you every day about her thoughts and interests, whom you presumably love, and whom you can directly or indirectly ask what she wants. it's not that you don't know what half the human population wants, that's irrelevant. you don't know what Natalie wants and that is inexcusable.
from the bottom of my heart: just because something makes you uncomfortable doesn't mean it shouldn't be allowed to exist
for your next poem/story
That's the ✨️ writer's experience ✨️
three of them ...