Gleanings

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
atolkieneffort
catilinas

The top page is marked one - three, so at least two are missing from the beginning. Listen to this! "We drove out orcs from the great gate and guard - I think; the next word is blurred and burned: probably room - we slew many in the bright - I think - sun in the dale. Flói was killed by an arrow. He slew the great. Then there is a blur followed by Floi under grass near Mirror mere. The next line or two I cannot read. Then comes We have taken the twentyfirst hall of North end to dwell in. There is I cannot read what. A shaft is mentioned. Then Balin has set up his seat in the Chamber of Mazarbul.' 'The Chamber of Records,' said Gimli. 'I guess that is where we now stand.' 'Well, I can read no more for a long way,' said Gandalf, 'except the word gold, and Durin's Axe and something helm. Then Balin is now lord of Moria. That seems to end a chapter. After some stars another hand begins, and I can see we found truesilver, and later the word wellforged, and then something, I have it! mithril; and the last two lines Oin to seek for the upper armouries of Third Deep, something go westwards, a blur, to Hollin gate.ALT

gandalf palaeography moment

fluentisonus

an illustration of a damaged page of a fictional manuscript in dwarvish script. it is captioned "A damaged leaf from the Book of Mazarbul, drawn by JRR Tolkien. The Fellowship of the Ring: 50th Anniversary Deluxe Edition by JRR Tolkien, Harper-Collins Publishers, 2005"ALT
an illustration of a damaged page of a fictional manuscript in elvish script.ALT
an illustration of a damaged page of a fictional manuscript in dwarvish script.ALT

^ tolkien's illustrations of this btw

mikkeneko

Seeing these, for the first time I realize that in writing this chapter Tolkien was probably channeling some of his own frustrations from having to decode manuscripts this beat up in his actual real life career

elodieunderglass

Actually, something quite sweet and awful about this is that Ori was writing pieces of it, “well and speedily” in a “large bold hand” - using the elvish alphabet, which was famously distinctive enough to Ori that Gimli identified who must have been writing because they were using elvish letters.

For the last message - “drums in the deep / we cannot get out” - used fast elvish characters. Ori uses a “trailing scrawl of elf-letters” to deliver the last line: “they are coming.”

This is quite poignant because of the underlying implication that the elvish alphabet is probably faster and clearer to write than native dwarvish, and Ori obviously had it permanently locked and loaded; and further, that it was suitable in someone’s last desperation, their final trailing scrawl.

But it’s also really funny that Ori was like. Shorthand emoji.

🧌🙈👎. 🥁 ⛰️ 🧌. 🤷‍♂️ 😘 🫡

tanoraqui
chimaerakitten

Malaria, Sickle-Cell, and Dragons in the Temeraire Universe

so I've been thinking about sickle cell all day because of the very cool real-life FDA crispr treatment approval news, and also I'm just about done rereading empire of ivory so thusly it is time to write the sickle cell/malaria/dragons/benefits of human-dragon mutualism breakdown I mentioned ages ago.

Standard disclaimer that I am not in fact anywhere near an expert on this, this is mostly recall from ANTH 102/215 classes I took five years ago, the info is very simplified and possibly somewhat out of date. I'm doing some quick checks and I write this but only enough to make this an appropriate fantasy novel fandom post, not enough to make it actually reliably informative. I do have a couple citations, but mostly for the parts I'm lifting straight out of a class assignment I wrote, and they're a short documentary hosted on YouTube and the textbook for the class. also none of my links are live because I want this fandom post to actually show up in the fandom tag lol.

second disclaimer is I'm starting at the basic obvious stuff because I genuinely have no idea how much most people know about this and better safe than confusing.

Intro and Background

So the first thing to know about any of this is that human genetics for the most part to not operate on mendelian inheritance. So the punnet squares in high school biology that did human hair or eye color as basic dominant/recessive one-gene traits were totally lying to you. Like they're a teaching tool for a very simple model that works well enough but they're not accurate. Most human phenotypes are way way more complicated genetically than that.

Keep reading

trensu
xstick-noodlesx

I just started Artifical Condition, and I am obsessed with the fact that Murderbot immediately accommodates for ART when they watch Worldhoppers together. It lets ART pause to process the death of a main character, rewatches an episode with it three times when ART is relieved that the character is actually not dead and agrees to watch the final episode of that storyline by playing it two minutes at a time because ART got scared of the ship in Worldhoppers being catastrophically damaged and the crew being killed.

It even puts up a content filter because ART got so upset about the next media they watched being inspired by a real story of a transport being badly damaged and parts of the crew being killed.

Murderbot cares so much, even though it knew ART for only a few cycles at that point.

tanoraqui
chimaerakitten

I think one of the big strengths of fanfiction as a medium is that it can, on average, assume the reader has a way higher degree of familiarity with canon than like…canon can. If you’re in the Star Wars AO3 tag you probably like Star Wars enough to remember more things about it than the average Star Wars-enjoying-ten-year-old. Which makes it way easier for fanwriter a to get to the juicy stuff and really engage with the worldbuilding or minor characters without having to spell out like. Who Wedge Antilles is for everyone who forgot or never noticed him in the first place. You could write a book about Wedge in the old EU because EU readers could also be assumed to be serious fans, but you can’t make a new canon Disney+ show about him. Those cost money to make and are intended for a broader audience.

And all this means that like. A good fic writer can and often will surpass canon when it comes to like. Thematic resonance and stuff, because they can really dig into something. Star Trek 2009 gave Kirk a new, more generic tragic backstory because it couldn’t expect the average moviegoer to be familiar with Kirk’s old, way more interesting tragic backstory. (Frankly, I’m not sure jj abrams knew about TOS Kirk’s backstory) whereas I have read a LOT of well-written, interesting, deeply resonant fanfic examinations of Tarsus IV, and what it means for Kirk’s character that he’s a genocide survivor. Star Trek 2009 answers the question “why did Kirk cheat on the kobayashi maru?” With “‘cause his dad crashed a spaceship when he was a baby.” A close examination of TOS canon implies the answer is “because he lived through a real-life Kobayashi that did have a win option, but which wasn’t taken.” BUT—and this is significant—even the TOS canon movies can’t really assume knowledge of the full TOS tv show, so that implication is never examined or made explicit. Instead it’s fanfic (and maybe spin off novels? Idk I’ve only read 2 trek books, if there’s one out there that covers this that would be really cool) where we get dives into that thread, where Kirk gets a commendation for original thinking because he can look a testing board in the eye and say “I’ve seen what happens when someone is entrenched in this kind of thinking, and I cannot let it happen to me. I understand the lesson, but it’s not hypothetical anymore and it never will be. I did what I had to do.” And that’s interesting! That’s meaningful! That can’t happen in a summer blockbuster. But it can happen in fic, easily, and that’s a strength of fic, I think.

jupitermelichios

I hope you don't mind me adding to this very good post, but in general i think the financial supremecy of movies and (more recently) tv has lead a lot of people to assume that the best stories can be interchanged between mediums. That every book can be adapted into a movie, every light novel into an anime, every movie into a video game etc etc

and that's the same attitude that underlies all the 'the goal of fanfic is to file of the serial numbers and publish it' or 'fanfic isn't real writing because real writing is novels and fanfic is usually structurally so different from a novel' type of takes come from.

this assumption that the medium is largely coincidental to the story being told

when that's just not true.

the very best adaptations always change things, because mediums are not interchangeable, and they fundamentally shape the stories told in them.

there are things you can do in fanfic that are simply not possible in a traditional novel, because you're starting from that possition of love and knowledge, and because you aren't bound by the need to be canon compliant, so you can ask questions like 'if these characters met in other lives, under different circumstances, what would they be like? how different would they be? how much of what makes them them is tied to the circumstances they found themselves in?' or 'what was it like to not be the heroes, to not be actively involved in the cool exciting bits? what was it like to be a minor character, left behind to deal with the consequences' because your audience is already invested, they'll show up for questions like that in a way a movie or novel or tv audience wouldn't.

there are things you can do in a podcast or radio play that are not possible in visual mediums like film or tv, because you're relying on the audiences imagination. there's a reason the best radio comedy tends to be surreal, and the best podcasts tend to be horror, those are both genres that thrive when the audience's imagination is allowed to fill in blanks.

there are things you can do on TV that are not possible in a novel or a movie. the way WandaVision completely changed its visual style with each episode is something that would not work in any other genre, but it's essential to the story. TV usually exists in very defined seasons, but cannot traditionally be consumed all in one go, which is not true of almost any other medium, and that dictates a specific type of pacing. combine that with the fact that it's a visual medium, and you get something like the overarching stories of the 9th Doctor's season of Doctor Who. No other medium could have delivered the resolution to that storyline as effectively.

Video games can force the audience to consider their own part in events. No movie could do what Spec Ops did, when it gives you a button prompt to commit a war crime, and then turns around and asks you why? why did you do that? was it too easy? do you think it felt like this when the US government committed the exact same war crime within living memory? Was it easy then too? A novel or a movie could show you walker doing this terrible thing, but it could never convey the point with the same effective simplicity, and it could never make you the audience feel culpable. only the author is responsible for the actions of the characters in a novel, but in a game, it's the audience who bears that responsibility, and that allows for moral questions other mediums struggle to effectively convey.

Comics can tell stories that take three decades and ten different writers to tell. Movies can use silence more effectively than any other medium because cinemas give you a captive audience and close-ups means you can reliably assume they can see everything that's happening (unlike theatre, which can use silence, but can't assume everyone has a good view). Theatre provides real time audience interactivity and a very special and unique kind of suspension of disbelief. Professional wrestling can tell ongoing stories in real time over years or decades, and walk the line between fiction and reality. Novels can immerse you more fully in one person's view of the world than any other medium (which also allows for information to be hidden from the reader without it feeling cheap the way it can when a movie does the same thing). Live oral storytelling allows the story to be adapted on the fly to fit audience reactions, allows for infinite variations of the same story, because no two tellings will ever be identical.

Fanfic isn't a genre, not really. Fanfic has genres, but it isn't a genre in and of itself. Fanfic is a medium, and like all mediums, it offers storytelling tools that are unique to it, that it does better than any other medium. and as OP pointed out, one of the big ones is that it can assume both familiarity and love from the audience to the characters depicted. We can stray far further afield from where we started in fanfic than the original creator ever could, because our anchors are not the narrative, but the characters.