ELISABETH KLINCK - Chronotopia | Elisabeth Klinck

ELISABETH KLINCK - Chronotopia

by Elisabeth Klinck

supported by

Carmen Carmen Unexpected and profound Favorite track: Fool.

magoski the laws of attraction, are at odds with the thoughts of a
personal life.
There's a difference of
opinion
a chasm that can't be
jumped
Look Down
into the abyss
And tell me
do you see the river far below
There's a difference of
opinion
a chasm that can't be
jumped
Look Down
into the abyss
And tell me
do you see the river far below Favorite track: One Day.

	/

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	1.	Dreamdealer 02:42
	2.	Off Day On 03:11
	3.	Night Bite 04:50
	4.	One Day 04:00
	5.	Here But Different 02:02
	6.	Magic Mirror 02:28
	7.	Chronotopia 05:08
	8.	Cadenza 02:41
	9.	Fool 05:21
	10.	Letter to Lethargy 03:36
	11.	Slow Life 02:40

about

After her debut Picture a frame (Hallow Ground, 2023), Belgian electroacoustic artist Elisabeth Klinck now enters into a deeper dialogue with herself.
 On Chronotopia, she takes a more song-oriented approach, embracing her voice as a vital counterpart to her violin, intertwining their sounds like threads in a dynamic, multicolored fabric. The record marks an essential turning point in her artistic evolution and opens up a rich internal world. It is a tapestry of sound, emotion, and curiosity spun from—both literally and figuratively—her growing voice.

Klinck, who works as a composer and performer in theater, wrote the pieces between tours and recorded the album in the same place as its predecessor, the Spanish Pyrenees, with producer Oscar Claus. Though the outside world isn’t as explicitly reflected in the recordings as it was the case on »Picture a Frame,« her sophomore album responds to the outside world by capturing both the expansive serenity of the mountains and the frenetic pulse of life on the road. Eschewing her previous, more atmospheric and abstract approach, Klinck creates a landscape that is built on the song and filled with intimacy. Her music feels at once vulnerable and deeply human, balancing the rawness of improvisation with the careful precision of melody-led composition.

Klinck describes »Chronotopia« as a playful exploration of time—its fluidity, its constraints, and its influence on how we navigate the world. These notions reverberate through her melodies and lyrics, which dance between moments of shimmering clarity and messy, beautiful chaos. These contrasts are further accentuated by the cunning interplay of voice and violin, which itself reflects the artist’s fascination with duality and transformation. Recorded in both organic and controlled environments, »Chronotopia« blurs the lines between intuition and design. The »time-space« into which Klinck invites her audience is a place where sound becomes touch, time bends like light, and every moment carries the thrill of discovery.

credits

released June 6, 2025

All music by Elisabeth Klinck
produced by Oscar Claus
Mixed by Peter Desmedt
Mastered by Lawrence English

Cover Picture by Jente Waerzeggers
Cover Design by Ran De Vos

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Hallow Ground Switzerland

For Music and Art that leads to Visions.

Record Label and Artist run no profit Organization.

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