taiturner:

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But I know that’s not true. That’s just fantasy. Kid’s stuff.

I SAW THE TV GLOW
(2024) dir. Jane Schoenbrun

carnageandculture-deactivated20:

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Detail of Falling Cherry Blossoms, by Tatsumi Shimura, 1953, Japan.

notdavidfincher:

There’s more to life than a little money, you know. Don’t you know that? And here you are, and it’s a beautiful day. Well. I just don’t understand it.

Fargo (1996) dir. Joel Coen & Ethan Coen, DoP Roger Deakins

zegalba:

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 Martien Mulder: Trees (Mist), 2005

tristealven:

“When people ask me what Emily Dickinson poems are about, I want to run away and hide, simply because for me, some poems are not about the ‘about’. They are metaphysical spells that you hold close and don’t really want to elaborate on. They help you to go on when you have nothing else left to go on with, the kind of poems you remember even when you don’t want to remember them.”

— Ilya Kaminsky, before reading ‘hope is the thing with feathers’ (via juliens-bakery)

gacougnol:

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Clarence John Laughlin (American, 1905–1985)

Memento of the Mae West Period, 1940

perigilpin:

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the scene where Carol is wandering around the factory with a flashlight in ‘Got Milk’ hit me with such a deep and all consuming nostalgia for the x-files that I had to sketch it

celaidu:
“photography by Kiki Xue for Harper’s Bazaar China
”

celaidu:

photography by Kiki Xue for Harper’s Bazaar China

deputyrook:

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digestion and assimilation, masquerading as inclusion, interconnection, and kinship -> Midsommar (2019) & Sinners (2025)