Jaye Williams
Troy Nelson sent me here. Turnmills is one of his favorite opening set tracks, and for good reason. I dare you to play this album and not feel that living in this world is worth the pain and struggle.
Favorite track: Turnmills.
Jean-Francois REMY
Wonderful song but difficult to choice between all these original and surprising music. So Great.
Favorite track: Nervous Tics (feat. Holly Walker).
Maribou State announce their new album “Kingdoms In Colour”, via Ninja Tune’s Counter Records imprint, their first full-length since 2015’s breakthrough debut album “Portraits”. The record features new single ‘Feel Good’ - a collaboration born of their friendship with Houston-based trio Khruangbin and a shared love of breakbeats, vintage surf riffs and a common desire to explore worldwide music cultures. "Sometimes a chance meeting plants the seed for something bigger,” say Khruangbin. “Such was the case when we met Maribou State at KOKO a couple of years ago. We are very happy to be involved in this project. And we ‘feel good’ already.”
The band continue their long standing relationship with Holly Walker who has previously vocalled fan favourites such as ‘Midas’, ‘Steal’ and ‘Tongue’. Also featured on the record is recent single ‘Turnmills’ - named after the legendary London club which closed its doors in 2008 - the release was accompanied by a sold-out ‘all-night’ DJ set at Corsica Studios raising money and awareness for the The Night Time Industries Association's #SaveNightlife campaign to protect the UK’s most vulnerable music venues from closure.
Today they also announce a new headline UK tour this Autumn. Returning with a 5-piece band, they play at London’s iconic Roundhouse on the 18th October. Ahead of this they will also embark on a string of European festival dates which include a headline show at Sonar By Day, Parklife Festival, Roskilde, Pukkelpop Festival, Nova Batida and recently DJ’d after Flying Lotus at All Points East festival in London.
Beginning life in 2011 as a project between Chris Davids and Liam Ivory, Maribou State had released a string of EP’s and singles before the arrival of debut album “Portraits” propelled them to the world stage. Spawning a live show that took them around the globe and included standout festival performances at Glastonbury, Bestival, a headline slot at Secret Garden party; a 32-date European tour with two sold-out London shows including the legendary KOKO; plus dates throughout Asia, Australia and America. They received radio support from the likes of Annie Mac, Zane Lowe and Gilles Peterson, addition to the BBC 6 Music A-list, a 5-show BBC Radio 1 Residency, a slot on the legendary BBC Radio 1 Essential Mix and performed a session Live from Maida Vale. Critical support came from the likes of The Guardian, I-D magazine and Vogue, with the album amassing over 80 million streams to date and drawing comparisons to acts such as The XX, James Blake & Mount Kimbie, as well earning them plaudits from the likes of DJ Koze and Bonobo.
This incredible success that followed the release of “Portraits” took Chris and Liam quite by surprise, “It was like Christmas every day” laughs Liam, “stuff like doing a show in Bangalore and having a crowd come and see us who knew the music and would sing all the words. It was an incredible experience”.
After more than a year of touring they returned to the UK to begin work on new material, but relocating their studio from The Shack - their home-built studio at the back of Liam’s garden in Hertfordshire - to a new base in London found them struggling to find their creative flow. The solution was to start looking outward and back over their journey of the past two years. They began making regular excursions out of the city, setting up a temporary studio space for weeks at a time, they started to piece together a “sonic collage” - drawing on ideas that were written while touring in places like India, and on field recordings from Asia, Australia, Morocco, America and beyond - the result of which is the stunning "Kingdoms In Colour”.
“The first album felt quite insular for us” says Chris, "not just in sound, but literally that it was all written in The Shack. We always had a bigger idea of what we wanted it to be, we wanted to create something that was palpable, that could in some way transport you to another country or another place entirely in your mind”. “The idea with Maribou State was always to draw on influences from different parts of the world” continues Liam "by traveling, sampling, recording, we wanted to create this all encompassing thing. Which is what this second record has ended up being for us”.
Beginning life in 2011 as a project between Chris Davids & Liam Ivory, Maribou State released a string of EPs & singles
before the arrival of debut album "Portraits" propelled them to the world stage, 2018’s stunning "Kingdoms In Colour” album followed. Now they return with “Blackoak” — a classic slice of signature Maribou sound. It acts as a reintroduction to the world and a statement of intent....more
supported by 137 fans who also own “Kingdoms In Colour”
Cloudpeople can be loved too. And I could be in love with one. I wanted to stand fast so she knew where to come arround.
But not sure if we will have a mutual future. Since she keeps repeating the lies to herself and meanwhile broke her promises. Being in someone's life is not the same as being absent. And wanting change without changing, doesn't work out. coen_holten
supported by 136 fans who also own “Kingdoms In Colour”
The album cover was my initial template to make my own poster work. Khruangbin, known by how Laura plays bass, has been a ecstatic series of flights they have taken me throughout my late 20s. suvendubrk
UK producer Run Bass offers a trio of lithe, jazz-influenced numbers perfect for slow dancing on a humid Saturday night. Bandcamp New & Notable Jul 15, 2022
The esteemed producer gives a spirited salute to ’90s house in this one-off single, backed with a remix from German upstart techMOUSE. Bandcamp New & Notable Mar 14, 2019
supported by 125 fans who also own “Kingdoms In Colour”
I know pundits like to throw around terms like 'breathtaking' and 'transcendent' with all the restraint of a toddler with a can of silly string, but d*mn if I can think of a more fitting set of adjectives.
Don't think I've ever heard anything quite like this. Pharaoh is the type of virtuoso that doesn't need to blow you out with tech to leave you speechless. Got me feeling emotions n sh*t. Ghuughra
