i love this tweet
The snow outside - Kaoru Yamada
Japanese , b. 1975 -
Have been playing lots of the remastered Oblivion, and just really really love the mud crab design. Just had to sneak a handful into this week's aquatic creature drop. Lookit himbs 🦀
me parece que se están yendo un poquito a la mierda no
This moral panic has to stop. How does a post that uses this kind of language has like 15k notes.
If you oppose AI, the corporatization of technology and polluting data-centers that makes sense. I think that the environmental effect of AI is overstated (and also conflated with the rest of internet activity) but I also oppose this waste of materials to feed a corporate trend that is feeding an economic bubble.
"ai viriginity" or the whole pride on never being tainted about an AI, you should have realized this is fucking weird the minute you typed "ai viriginity". What the fuck are you even talking about.
I don't want to reblog the OP because I don't want to get in arguments but then the reblog chain goes something "don't fall for the moral OCD!" and in the next sentence "you aren't tainted or sinful for having used AI once", you are the ones making up the moral OCD, what the fuck are you doing
16k notes by the way.
You ever see something innocuous, minding its own business on the clearance shelf at Michael’s and before you know it, it takes over your life for a few weeks?
So it was with this desktop greenhouse.
I took it home and after taking an appropriate time to “season” my idea in my mind (read: a month or two) I set to make my vision of a mini botanical garden a reality.
I started by removing the heavy glass panels and building a raised floor above the latch. I wanted to use the base as a foundation on the building.
I wrapped the foundation in plastic stone textured flooring (meant for Christmas villages) and built a pond at one end of the same. I then gave it a more realistic paint job and designed a rough layout for my plants and displays.
I also knew I wanted to make the ironwork significantly more intricate, but I wasn’t sure how just yet…
Up next - PLANTS! I went wild making all kinds of plants. Some were specific species and some were more conceptual.
I made several trees with polymer clay and moss, cacti out of beads and flocking, cattails out of raffia, hot glue and coffee grounds, and giant monstera leaves out of paper and wire.
This part should have taken me a long time, but it really came together fast. I loved finding ways to replicate natural shapes and patterns using bits of this and that.
I did make adjustments to my plans as I went like eliminating benches in favor of a simpler overall design.
Then I needed to fill my pond with water. For this I used resin. Lily pads were added to the top layer, and I wired in simple LED fairy lights. The batteries are kept in the box under the foundation.
In a weekend frenzy I added more plants, metal (paper) steps, new (plexi)glass windows, a roof, wrought-iron vines (paper again), doors that open, and a hose reel disguising the latch. Suddenly, a project I thought would take months was finished…
I love my desktop botanical garden. Right now it sits on a simple lazy Susan in my office. But I’d love to get it a proper display box to protect from dust.
Thank you for coming on this little journey with me. This piece packs a lot of joy into a tiny space. I always love building miniatures, and I’ll be doing more in the future I’m sure.


peac & love on planet earth
So this is interesting because entire thing is communication, and it also shows how important different threat/aggression postures are.
The first cat comes in ready for a fight. Low down, trying not to be seen, stalking/wary posture.
Second cat jumps in the air and then does the exaggerated arch. That's an absolutely terrified cat. No cool, no chill. A cat willing to fight would not have gone full arch because it's moving them out of a position where they could launch themselves at the other cat. However, a scared cat can move from this to a preemptive attack if they think the other cat is going to attack them and just moving slowly.
Realizing the second cat doesn't want a fight, the first cat comes out of the low, threatening slink quickly to roll around to say hey, whoops, they weren't here to attack, they don't want to fight either.
With similar speed and exaggeration as the arch, the second cat does the same wiggle that yes, I too have no desire to fight, look at me doing the same thing and conspicuously not attacking when you're vulnerable.
To function as a social species, you need checks and deescalation. Both cats don't have perfect information about the other cat, and they need to know that they could misread or be misread, and then adjust their behavior to fix the problem.
you’re doomed, there’s nothing I can do
hello Kiss You Stupid enthusiasts. I have made you a sticker should you want to bring Kiss You Stupid into the real world.
remember to cry for help without guilt-tripping. i know it feels like you’ve been abandoned and betrayed, but it’s probably not true, and it’s not okay to accuse the people around you of something they might not have done.
“i guess none of you like me” could be better phrased as “i feel unloved right now”
“but nobody cares anyway” could be better phrased as “i feel insignificant and i need reassurance”
rather than assuming others’ feelings, give them time to explain them. you’ll usually get a much better answer.
This is really important for future predictions, too. “You’re eventually going to leave me” is impossible for someone else to disprove without just sticking around forever, but no one wants to stick around when they’re being constantly accused of future abandonment. Giving someone no choice but to either stay with you forever in order to prove you wrong or leave you and prove you right is incredibly emotionally manipulative, whether you mean it to be or not.
“I get scared sometimes because I’m afraid of being alone again” is easier to address and doesn’t leave your partner(s)/friend(s) feeling as though they’re being preemptively accused of something.
art history will be like "this is the most revolutionary painting of its time!" and you will look at it and is just a normal painting of a lady sitting under a tree and then an art historian will explain "this is the first time a painting ever used this specific shade of blue which challenged all understood conventions of how to depict light and launched a movement known as auzureism, and also the lady is looking at a sparrow which in its time it was a sign of fierce sexual liberation and it was considered scandalous" and then you find out the painter was expelled from the academy of art of stockholm because of the painting and that the king of sweeden paid three thousand marcs (equivallent to ten million dollars now a days) to have the painting in his room and the painting still looks like a generic painting of a lady under a tree
So if you follow me (and aren't just stopping by because you saw one of my funney viralposts), you probably know that I've been writing a bunch of fanfiction for Stranger Things, which is set in rural Indiana in the early- to mid-eighties. I've been working on an AU where (among other things) Robin, a character confirmed queer in canon, gets integrated into a friend group made up of a number of main characters. And I got a comment that has been following me around in the back of my mind for a while. Amidst fairly usual talk about the show and the AU and what happens next, the commenter asked, apparently in genuine confusion, "why wouldn't Robin just come out to the rest of the group yet? They would be okay with it."
I did kind of assume, for a second or two, that this was a classic case of somebody confusing what the character knows with what the author/audience knows. But the more I think about it, the more I feel like it embodies a real generational shift in thinking that I hadn't even managed to fully comprehend until this comment threw it into sharp perspective.
Because, my knee-jerk reaction was to reply to the comment, "She hasn't come out to these people she's only sort-of known for less than a year because it's rural Indiana. In the nineteen-eighties." and let that speak for itself. Because for me and my peers, that would speak for itself. That would be an easy and obvious leap of logic. Because I grew up in a world where you assumed, until proven otherwise, that the general society and everyone around you was homophobic. That it was unsafe to be known to be queer, and to deliberately out yourself required intention and forethought and courage, because you would get negative reactions and you had to be prepared for the fallout. Not from everybody! There were always exceptions! But they were exceptions. And this wasn't something you consciously decided, it wasn't an individual choice, it wasn't an individual response to trauma, it wasn't individual. It was everybody. It was baked in, and you didn't question it because it was so inherently, demonstrably obvious. It was Just The Way The World Is. Everybody can safely be assumed to be homophobic until proven otherwise.
And what this comment really clarified for me, but I've seen in a million tiny clashing assumptions and disconnects and confusions I've run into with The Kids These Days, is that a lot of them have grown up into a world that is...the opposite. There are a lot of queer kids out there who are assuming, by default, that everybody is not homophobic, until proven otherwise. And by and large, the world is not punishing them harshly for making that assumption, the way it once would have.
The whole entire world I knew changed, somehow, very slowly and then all at once. And yes, it does make me feel like a complete space alien just arrived to Earth some days. But also, it makes me feel very hopeful. This is what we wanted for ourselves when we were young and raw and angrily shoving ourselves in everyone's faces to dare them to prove themselves the exception, and this is what I want for The Kids These Days.
(But also please, please, Kids These Days, do try to remember that it has only been this way since extremely recently, and no it is not crazy or pathetic or irrational or whatever to still want to protect yourself and be choosy about who you share important parts of yourself with.)
There is an additional layer to this thought, that only occurred to me this morning: it wasn't just queer people making this assumption that everybody was homophobic until proven otherwise. It was everybody. Which meant that homophobes were really, really comfortable with loudly and publicly sharing their views, because they assumed they were always in company that shared those views. And they tended to, as a rule, face far, far fewer social consequences for that than people did for existing and being known to be queer. I've seen commentary on a gifset of Anita Bryant (famous homophobic crusader) getting pied in the face on live national television that basically said the same thing: the moment the pie hit her proved to an audience of millions that, not only was that not always the case, but that the queer person you professed to hate might be in the room with you.
The general shift from social sanctioning of explicit, say-the-quiet-part-out-loud homophobia to it being widely regarded as kind of cringe and shameful has been due to a long, violent, constant, concerted effort on the part of queer people and those who love us. And I can never, ever take it for granted. I hope you won't either.
PSA: if you draw people who aren't stick thin, you should probably block isuggestagfetishcontent, who is an idiot who wouldn't know fetish content if it bit them on the ass and will accuse you of aphobia if you argue with them
Look I don't wanna bitch but if your Tumblr fic takes longer to scroll past than the Do You Love The Colour Of The Sky post then it would be kinda appreciated if you put the majority of it under a Read More button
just pinned a girl to the fourth wall











