theartofmoviestills:
“Toni Erdmann | Maren Ade | 2016
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theartofmoviestills:

Toni Erdmann | Maren Ade | 2016

fuckyeahwomenfilmdirectors:
“Orlando dir. Sally Potter (1992)
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fuckyeahwomenfilmdirectors:

Orlando dir. Sally Potter (1992)

“I have known only what I don’t want. I’ve always had a thorn in my side, and I’ve always thought, When this thorn is removed I’ll think about what I want. But then that particular thorn would be removed, and I’d be left feeling emptied out. In a short time another thorn would be inserted into my side. Then, once again, all I had to think about was being free of the thorn in my side. I’ve never had time to think about what I want.”

— Vivian Gornick, from The Odd Woman and the City: A Memoir

nobrashfestivity:
“  Harald Sohlberg, , Moonlight, 1907
”

nobrashfestivity:

Harald Sohlberg,, Moonlight, 1907

(via nobrashfestivity)

iwatchfilmsbut:

The sea waves

Marseille (Angela Schanelec, 2004)

(via fuckyeahwomenfilmdirectors)

ofallingstar:

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Corsage (2022)

“There is so little to remember of anyone—an anecdote, a conversation at table. But every memory is turned over and over again, every word, however chance, written in the heart in the hope that memory will fulfill itself, and become flesh, and that the wanderers will find a way home, and the perished, whose lack we always feel, will step through the door finally and stroke our hair with dreaming, habitual fondness, not having meant to keep us waiting long.”

— Marilynne Robinson, from Housekeeping

cinematicjourney:

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All We Imagine as Light (2024) | dir. Payal Kapadia

(via fuckyeahwomenfilmdirectors)

thunderstruck9:

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Barry McGlashan (British, 1974), The Ferryman, 2025. Oil, paper and varnish on panel, 40 × 30 cm.

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Brigitte Bardot