normasshearer:

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FEMME FATALES OF THE 1940s & 1950s (insp)

Double Indemnity (1944) dir. Billy Wilder
Leave Her to Heaven (1945) dir. John M. Stahl
The Killers (1946) dir. Robert Siodmak
Detour (1945) dir. Edward G. Ulmer
The Postman Always Rings Twice (1946) dir. Tay Garnett
Out of the Past (1947) dir. Jacques Tourneur
The Maltese Falcon (1941) dir. John Huston
Scarlet Street (1945) dir. Fritz Lang
Dead Reckoning (1946) dir. John Cromwell
Niagara (1953) dir. Henry Hathaway
Gilda (1946) dir. Charles Vidor

(via normajeanebaker)

mournfulroses:

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Anaïs Nin, from a diary entry featured in The Diary of Anaïs Nin Volume 1 1931-1934

(via wistful-giselle)

petaltexturedskies:

I'll die of despair. My head is so hot, but my hands are cold. Perhaps I am dead and just pretending to live here. There is, at any rate, no sign of life in me.ALT

Katherine Mansfield, The Diaries of Katherine Mansfield

(via melethrille)

petaltexturedskies:

I came home. I enjoyed my bath. I enjoyed perfuming myself. I knew I was born for this, to do it over and over again, the ritual of the dressing, the perfuming for love, for sensuality. I enjoyed everything sensually.

Anaïs Nin, from a diary entry featured in Mirages: The Unexpurgated Diary; 1939-1947

(via melethrille)

sentimentalbeing2001:

Obsessed with beautiful things, feelings, smells, language, sounds because that is all i have to remind me what it is to be fully alive. I can’t allow myself to miss out in what life has to offer!!! I need to be awake for it, because one day i will look back at the life that i was given and know that I loved it fully even in my grief.

(via dreamy-moments)

mournfulroses:

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Colette, from her novel titled “The Pure and the Impure,” originally published in 1932

c0ff33-and-tv:

Tomorrow? like the thing that killed Macbeth?

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yayodolls:

i’m in love.

(via delicatepetals)