Hi! New pinned post :)
I’m a writer and artist that tries to improve every year. I love horror and can sometimes let that show in my art. I work both in digital and traditional art (photoshop/ink) and my commissions are closed for the moment. Here’s where I stream on:
I post my Gaming and Art adventures on my
And here’s my Art gallery on
Hope you’re enjoying the posts I find on here as well as my own personal work. If you can, consider supporting me on my Patreon it means the world to me
vader handled obi wan disappearing upon death really well considering it was the first time that ever happened . he didn’t let out a girlish shriek or anything
When a small mammal scrunches up and cleans its face and whiskers with its little hands very rapidly. I just wanted to give you that thought for a moment did u like it.
It’s extremely important that you listen to this with the sound on
Ez duplán kiváló kontent. Hanggal tessék.
can we talk about how crazy this change in camera angle and lighting is? he goes from being this imposing presence when he says, "everyone has thought about killing someone one way or another" to a completely different "be it your own hand or the hand of god."
it's almost like he suddenly remembers where he is and thinks, 'fuck, maybe i should reel this back a bit'
Big emotions need space to land. If a scene feels rushed, pause the plot briefly to show how the moment affects the character.
Instead of explaining what a character feels, show it through physical responses, hesitation, or small actions that reveal emotion naturally.
If a scene feels thin, add one or two sensory details—sound, texture, smell, or temperature—to make the moment feel lived-in.
A line of internal thought can deepen a scene without slowing it too much. Thoughts show stakes, fear, longing, or conflict beneath the action.
You don’t need more things to happen—you need to show what matters. Focus on how events change relationships, decisions, or self-perception.
The environment should echo or contrast the emotion of the scene. Setting is not decoration—it’s emotional reinforcement.
Underwriting often relies on vague language. Swap “they argued” for one sharp line of dialogue or a specific breaking point.
Short dialogue exchanges without pauses can feel flat. Add beats—silence, gestures, interruptions—to give the conversation weight.
If scenes jump too quickly, readers feel disoriented. A brief transition helps establish time, mood, and emotional continuity.
If readers don’t know what can be lost, scenes feel empty. Make sure the character wants something specific and fears losing it.
After each major beat, ask what emotion is dominant in that moment. If it’s missing on the page, the scene is likely underwritten.
If a scene resolves too neatly or quickly, it probably needs more tension. Messy emotions and unresolved feelings add depth.
I primarily write non fiction in the form of journaling in a public blog. But I still want my writing to be good. These work for non fiction too.
