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Pablo Isola
Sound Department, Music Department, Composer
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Credits | |
| 125 titles |
| Films in Production (5 titles) | Budget | Status |
|---|---|---|
|
$1MM
|
Completed
|
|
Completed
|
|
|
€690K
|
Completed
|
|
Completed
|
|
|
Pre-Prod
|
| Past Film & Video (85 titles) | Budget | Opening Weekend | Gross (US & Canada) | Gross (Worldwide) |
|---|---|---|---|---|
|
€420K
|
|||
|
€6
|
|||
No Corre el Viento (2024)
Re-recording Mixer, Sound Designer, Sound Editor, Additional Original Music |
||||
|
$5K
|
|||
|
$2K
|
|||
|
||||
|
||||
|
||||
|
$206K
|
$547K
|
$2.1MM
|
|
|
||||
|
$400K
|
$6K
|
||
|
||||
|
||||
|
||||
|
||||
|
$16K
|
|||
Un Mundo para Julius (2021)
Re-recording Mixer, Sound Designer, Sound Editor, Sound Mixer, Music Editor |
||||
Flipper (2021)
Dialogue Editor, Re-recording Mixer, Sound Designer, Sound Effects Editor, Music Editor |
||||
|
||||
|
$500
|
$18K
|
||
|
||||
|
$295K
|
|||
|
||||
|
$1MM
|
$10K
|
||
|
||||
|
$4K
|
|||
|
$730
|
|||
|
$16K
|
|||
|
$2K
|
|||
|
$493
|
|||
|
$702
|
|||
|
$20MM
|
$17MM
|
$44MM
|
$46MM
|
|
||||
|
$5MM
|
$5.2MM
|
$18MM
|
$26MM
|
|
$1K
|
|||
|
||||
|
||||
|
$14MM
|
$10MM
|
$21MM
|
$22MM
|
Terrified (2017)
Re-recording Mixer, Sound Designer, Supervising Sound Editor, Additional Music, Music Producer, Thanks |
$367K
|
|||
|
||||
|
$12MM
|
$3MM
|
$10MM
|
$10MM
|
|
$3.2MM
|
$10MM
|
||
|
$10MM
|
$36K
|
$1MM
|
$4MM
|
|
$3K
|
|||
|
||||
|
$4MM
|
|||
|
$66K
|
$2.2MM
|
$2.2MM
|
|
|
$1MM
|
$1.7MM
|
$1.7MM
|
$1.7MM
|
You Don't Know Who You're Talking To (2016)
Re-recording Mixer, Sound Designer, Supervising Sound Editor |
ARS 5MM
|
|||
|
$200K
|
$8K
|
||
|
€3.8MM
|
$21K
|
||
|
ARS 1.5MM
|
$383
|
||
Benavidez's Case (2016)
Re-recording Mixer, Sound Designer, Supervising Sound Editor, Music Producer |
$24K
|
|||
|
$5MM
|
$37K
|
||
|
$5.5MM
|
$1.8MM
|
||
|
||||
|
||||
|
$11K
|
|||
|
$44MM
|
$1.8MM
|
$6.1MM
|
$12MM
|
|
$890K
|
|||
|
$77K
|
|||
|
$53K
|
|||
|
$83K
|
|||
|
||||
|
||||
|
||||
|
$13K
|
|||
|
||||
Un amor de película (2012)
Re-recording Mixer, Composer: Additional Music, Composer: Incidental Music, Music Supervisor, Composer |
€1.9MM
|
|||
|
||||
|
||||
|
||||
|
$20K
|
|||
|
||||
|
||||
|
$1.8MM
|
$35K
|
||
|
||||
|
$1K
|
|||
|
$800K
|
$2K
|
||
|
||||
|
||||
|
$2.5MM
|
|||
|
||||
|
||||
|
| Past Television (35 titles) | Episodes |
|---|---|
|
|
|
1
|
|
7
|
7
|
|
7
|
|
|
3
|
|
4
|
|
3
|
6
|
|
|
4
|
Kevin Can Wait (2018)
(TV Series) - Adr Editor (5 episodes, 2018), Re-recording Mixer (1 episode, 2018) |
6
|
9
|
|
|
10
|
|
1
|
|
|
|
1
|
|
4
|
|
|
|
|
|
|
|
|
|
1
|
|
|
|
|
|
3
|
Diálogos fundamentales del Bicentenario (2011)
(TV Mini-series) - Post-production Audio (13 episodes, 2011), Re-recording Mixer (13 episodes, 2011), Sound Engineer (13 episodes, 2011)
Episode #1.13 (2011)
Season 1,
Episode 13
-
Post-production Audio,
Re-recording Mixer,
Sound Engineer
|
13
|
Mundo Bayer (2011)
(TV Movie) - Post-production Sound, Re-recording Mixer, Sound, Sound Designer, Sound Editor, Sound Mixer |
|
El pacto (2011)
(TV Mini-series) - Re-recording Mixer (13 episodes, 2011), Sound Editor (13 episodes, 2011) |
13
|
|
227
|
|
6
|
|
177
|
|
|
|
7
|
|
15
|
|
1
|
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