muppet-facts:

Muppet Fact #1677

Sesame Workshop has announced that they have now uploaded over 100 full episodes of classic and modern Sesame Street to YouTube. This is now “the largest digital library of Sesame Street content.”

There are also shorts and 1-2 hour long compilations of segments organized by topics, such as STEM, counting, the alphabet, animals, play, and more.

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Sources:

Spangler, Todd. “YouTube Now Has the Biggest ‘Sesame Street’ Free Library, With More Than 100 Full Episodes Available to Stream.” Variety, January 15, 2025. https://variety.com/2026/digital/news/youtube-sesame-street-full-episodes-free-streaming-1236632267/

Sesame Street Classics. YouTube channel. Accessed January 16, 2026. https://www.youtube.com/@SesameStreetClassics

Sesame Street. YouTube channel. Accessed January 16, 2026. https://www.youtube.com/@sesamestreet

@/sesamestreet. “Our Street just got a little longer.” Twitter, January 15, 2026. https://x.com/sesamestreet/status/2011803179390820562

(via modmad)

quicktimeeventfull:

it is genuinely bewildering to me that adult human beings do not know this but if you are mean to people they will not like you. like tbh they are probably also not going to like you if you are mean to other people but they are definitely not going to like you if you are mean to them. it doesn’t matter if you are funny or if you can use r/aita rules to prove that you are in the right. people simply do not enjoy being treated like shit.

(via apostatehamster)

vocabulary-altering-posts:

beggars-opera:

Not to be that person, but if you remember this, how’s that newfound back pain going for ya babe

PHRASE ADDED!

  • LET’S DO THE FORK IN THE GARBAGE DISPOSAL
  • LET’S DO THE FORK IN THE GARBAGE DISPOSAL
  • DING-DING-DING DING-DING DING DING-DING DING DING-DING-DING DING-DING DING DING-DING DING DING-DING-DING DING-DING DING DING-DING DING DING-DING-DING DING-DING DING DING-DING DING

(via modmad)

bedupolker:

teomodo:

art books on the internet archive for you

morpho books

figure drawing for all it’s worth (+ creative illustration)

framed ink

will eisner comics and sequential art

will eisner graphic storytelling and visual narrative

understanding comics (+ making comics)

folder of various animation production art

burne hogarth drawing dynamic hands

perspective for comic book artists

michael mattesi force drawing

the animator’s survival kit

color and light james gurney

be free

I’ve recommended this one before, but for all the non-human vertebrate likers out there… the art of animal drawing

(via modmad)

jackhawksmoor:

arbitraryexistence:

lycanthrology:

[attempting to flirt] if i was stuck in a timeloop id desperately explain my situation to you every single reset

Ever since reading my first time loop-based book as a preteen, I’ve had a Secret Time Loop Code Word. It’s been the same word all these years. I’ve never written it down anywhere or told anyone what it is, just kept it tucked away in my brain. That way, if someone I know ever confided in me that they were stuck in a time loop, I would have a way to confirm it: I would tell them the time loop code word and instruct them to find and talk to me again on the next loop. Of course, if it’s a time loop, I wouldn’t remember telling them the code word. But they’d remember it. So if someone ever came to me and said “I’m stuck in a time loop, and the time loop code word is [X],” and it was indeed the word I’ve secretly held onto for most of my life, I would know that we had had this conversation in a previous loop and that they were telling the truth.

Will this ever be useful? Almost certainly not. But hey, there’s nothing wrong with having a completely absurd contingency plan. In case of time loops.

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(via modmad)

capsyst:

I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?

Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.

Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).

But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?

The answer is so simple I don’t know why it didn’t occur to me sooner:

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They just BUILT the models and painted them white with black outlines 🤣

That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.

That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.

(via modmad)


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