1. |
Colors of Sunrise
09:30
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2. |
Caribbean Summer
08:41
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3. |
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4. |
The Valley Beyond
14:23
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5. |
Summer Solitude
08:03
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6. |
Dawn Rising
11:09
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7. |
The Day's Last Breath
11:57
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Scott Lawlor Albuquerque, New Mexico
I am an ambient artist who composes in many sub-genres such as dark and light ambient, solo piano, cosmic drone, avant-garde and noise music both as a solo artist and as a collaborating partner. My music is created with intentionality, creating a sonic space for the unfolding of personal stories as well as exploration of spiritual and cultural themes which profoundly influence our society. ... more
Scott Lawlor recommends:
Meditations
by Michelle Qureshi
A sublime album, Her use of instrumentation to evoke sonic imagery to set the mood for the theme of each of the meditations is outstanding. Highly recommended.
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From The Dead Sea To Scythopolis
by Wings Of An Angel
A fantastic album, the low drones and darkly ethereal instrumentation convey what it must like to be at the dead sea. A quietly contemplative album perfect for any ambient fan.
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Monument Of Disambiguation
by Wings Of An Angel
One of the most beautiful albums I have ever heard. The atmospheric drones and pensive angelic choirs will present to you an invitation to ponder the nature of your existence in this mortal coil.
go to albumIf you like Scott Lawlor, you may also like:
SEAT No. 250208
by The Qualitons
supported by 65 fans who also own “a Day's journey”
Great flapping Jesus this is a fun record. Two long instrumentals that feel late 60s in a bunch of styles. The playing is top notch. The vibe is happy, positive, sunny day rawk. Solos, fun percussion, comfy late 60s sunshine mixed with spaghetti western, detective soundtrack, off kilter euro rock goodness. I listen to SO much instrumental music, so for something to really stand out it has to be intriguing. I'm really not describing what an effing treat this thing is.
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Swamp Sabbath
by The Swamp Records
supported by 65 fans who also own “a Day's journey”
Phenomenal collection. All great and, I reckon better than either the Nativity In Black comps. The last four envelope pushing interpretations of particular note.
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Minimalist compositions that take their time unfolding, bands of sound melting glacier-like from one end of the song to the other.
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