reigningdaily:

Now come, sit with me.

sleekbw:

sleekbw:

In the games of  q u e e n s  and kings, we leave our dreams at the door and
we make do with what we have.

Who the hell was March? Was he the ruthless professional killer…Or the gentle and slightly lunar guy telling me about his collection of ostrich pictures?

flawlessbeautyqueens:

“[Fame] creates a splitting of the self. Jackie obviously had it on a much larger scale than I do, but it was something I could see in her and empathize with—that there’s this idea of how other people see you, there’s who you really are, there’s who you want other people to think you are, there’s how you think you’re supposed to be. This film was an exploration of someone who is so well known, and yet so two-dimensional in the way we know her, iconographically. We don’t consider her humanity. Now we see that she really took her identity as her husband’s wife and was creating his legacy. She was already saying ‘I’m going to be the author of this story—not a journalist, not a historian.’ It’s so modern: It’s what everyone does now, showing the public what they want them to see.” - Natalie Portman for DuJour Magazine

aliciavikand:

‘I tried college for three months but I was desperately unhappy. I just wanted to perform. I was getting straight As but I had no friends and cried every day.’