i think its important to know and understand now more than ever that bruce didnt get like serious about safety and armour and kevlar suits and full length costumes and and and, until after jason died. you must always remember dickie was doing all that in a tshirt. you must remember dickie got shot and fired and then jason was then also out doing all that in a tshirt
Do you have tangible advice on *how* to research different disabilities for writing? How to find specific blogs beyond searching the name of the disability on Tumblr, forums, websites with good info, etc? I see a lot of advice that is basically just "research the disability and talk to people who have it" but with how Google has gone down in quality, I'm not sure where to look beyond the surface level info (plus how to find people with the disability who are willing to share niche details/answer really specific situational questions). Thank you for everything you do on this blog!
Hey!
I'd say that you should break the research process into a few steps.
First, figure out what you should actually look into. Think about the genre, intended audience, and role of the character. A background character in a comedy meant for elementary school kids and a main character in an adult romantic novel will have two different approaches. You don't have to (and probably shouldn't) overdo a character that doesn't need it - otherwise it can end up feeling like some sort of disability awareness PSA, and that's probably not what you want.
With that in mind, you can start the actual research. I think that the websites of organizations/foundations for people with that specific disabilities are the best, since they cover a lot of things from many different angles. They are also usually written in simpler language than medical websites (which are also great, but I get that not everyone can understand those, not everyone's fluent in English, etc.) and have more tangible advice for "how to function with XYZ" essentially. It also can give you a glimpse of what your character could specifically struggle with, especially in case of a recent disability - medical pages often won't talk about insurance problems, interpersonal issues, or actually coping with the new state one's body is in. Check the FAQs, or the most commonly visited pages, stuff like that to get an idea on what's important. For example, these are some of the most concise explanations of how someone with a complete spinal cord injury at a specific level might function and what they might need. Something like this can be a good start to figure out where your characters "is", so to speak.
Some organizations for common disabilities might also have some sort of "media representation" page that's made specifically for writers. UK's Down Syndrome Association has one, Face Equality International has one, Phoenix Society has one, US Foundation for the Blind has one, etc.
This alone is more research than the vast majority of writers bother to do. If you actually understand:
- what the disability is,
- what symptoms it has,
- how those affect your character in day-to-day life,
- how to avoid the most common offensive stereotypes,
you are doing better than a lot of published writers, to be honest.
Okay, but what can you do to make it even better:
Since at this step you know what symptoms your character has and which ones you will actually show to the audience, you can start researching them one by one.
Here you might have to go read some medical studies, and learning how to get information out of those is a skill that needs some practice. But it is necessary to figure out if your blind character's vision loss is more likely to be total with no light perception or 20/200 (and, to figure out if your character's eye condition even causes blindness... because I've seen "blind characters" who are blind from eye conditions that... do not cause vision loss) so that you can actually research appropriate accommodations or aids.
Knowing specific symptoms will be even more helpful if your character's disability isn't very common - symptoms are very rarely tied to just a single disability, and you might have more luck researching a completely different one. For example, if you can't find info on something related to being a unilateral arm amputee, try searching for solutions that hemiplegics use. Not all will apply, but a lot of this stuff will be the same.
Make sure you understand what you do or don't do with those symptoms. There might be treatments, there might be some lifestyle changes to be done, there might be some strict limitation that you will have to put on your character for them to make sense. I think it's better to fit the character concept to the symptoms that you want and not the other way around - if you do the latter, you might find yourself writing an essentially abled character or a disabled character that is just inconsistent. Not every disability will be compatible with every role or concept, and there's really no point in trying to put us literally everywhere. If you really can't find a solution for something you need the character to do, it might mean that there just isn't one.
Once you figure out the technical stuff and have all the "dry" information laid out, start seeking the real life equivalents. Start widely at first so that you can narrow it down later, not the other way around (unless you don't mind changing the character around a lot). If you have already done a lot of technical research before, you will have more specific questions (which are easier to answer than "how do I write a disabled character").
Look up daily vlogs and day-in-a-life videos on youtube from people with that disability (and don't be afraid of only very-low views count videos popping up as that's almost inevitable - there are very few big disability youtubers, so try giving the smaller ones a chance). Watch interviews where people with that condition explain how their daily life is, how their disability affects it. SBSK is one of the best IMO. Check out AMAs on Reddit. Read personal blogs (you can generally find some by just putting "living with Name of Disability blog" into search). There's a ton of people who sincerely want to help others understand the realities of living with their disability and name their stuff accordingly so that it's easy to find.
At this stage you should have a decent idea of how the disability affects your character both in the technical sense, and in the more practical one.
Try to write out their average daily routine - from how they get up in the morning to when they go to sleep. Try to actively think "how would they do it" - how would they get from their bed and into their wheelchair, how would they dress up, how would they commute to work, how would they communicate with others, how would they get from point A to point B. If you realize that you're suddenly stuck, you now have a specific question ("how to put on pants with no hands", "how do totally blind people use computers", "shower accommodations C5 SCI", whatever) which is much easier to research than just a vague awareness of Not Knowing how your character functions in general. All of these questions have been asked before - newly disabled people will be going through them in their real life, and they use the same search engines and same social media as everyone else.
If you get this far, you're doing quite great! I'd say that this is enough effort to make a good and complex disabled character that's important in the story, though maybe not the POV character.
For a POV character, if you aren't disabled, you probably need a sensitivity reader/consultant.
There are a lot of those in writing spaces already - a lot of disabled people write themselves. If you just drop a "I need a sensitivity reader for XYZ" and use the general writing tags, there's a high chance you will get a response (assuming the XYZ in question isn't something very rare and/or so severe it would prevent someone from using the internet in general).
You can also try the disability's tag (don't get discouraged if it's not used a lot, a lot of people lurk without posting anything themselves) since you're looking for a real person and intending to pay them (very different from abled writers randomly posting their blorbos in disability tags).
Some of the places where you can try looking are r/SensitivityReaders, WritingDiversely, FireflyCreativeWriting, even sites like Fiverr could work. I've also heard some good things about Facebook writing groups, but I don't have any personal experience with them.
You can also always reach out to an association for people with the kind of disability you need - tell them that you are a writer and are looking to pay a sensitivity reader to help you, and they might be able to refer you to someone who would like to do that.
Another thing would be to keep intersectionality in mind - if your character is disabled, but otherwise part of the majority in every other sense (in NA or most of EU: white, rich, Christian, cisgender, straight, non-immigrant), you will have less things to consider than if your character has the same disability but is also a Polynesian transgender immigrant. If any intersectionality is particularly important to what you're writing, you should include that as well (you can also work with multiple sensitivity readers to try and get as close as possible).
My last advice is to only seek out sensitivity readers if you're able to pay them a fair amount for their work. Don't ask people to work for you for free (which is probably obvious, but a ton of fanfic and whump writers on Tumblr seem completely unaware of this).
Technical tips:
For specifically avoiding AI slop, I recommend putting [before:2023] after whatever question you put in, it will filter all results made after 2022, eliminating 99% of AI nonsense (works for images too).
If you're constantly getting a specific kind of wrong result, use [-ThingYouDon'tWant] after the input, it will remove everything that contains it.
If you're not getting a specific result, put the word you need in quotes ["Word You Need"] and it will force only the results who use that specific phrase/term to appear.
So if you're trying to find a blog about living with quadriplegic cerebral palsy as an adult and can't find any relevant searches by putting just that into the search, try ["cerebral palsy" "blog" quadriplegic -parents -spinal -SCI] and you should get more relevant stuff.
That's how I generally try to approach research for writing and I would say I've had good results (including now). Researching is a skill that requires practice unfortunately, at some point you can simply tell when a resource is bad or good since you've looked at so many already.
Follower input is welcome and encouraged :-)
mod Sasza
i wanted MK's ( @mkthedingus ) AU Mikey to meet his little self from OSNT. BE UR OWN BEST BIG BROTHER, BUDDY! <333
also obligated Protect Raph at all Costs doodle
hehe and this was one i did in spanish. they are twinssss!!!! prove me wrong. still obsessing over @tmntzero 's iteration btw, that hasnt gone away
Mikey seeing lil mikey from OSNT is something I didn't know I needed. Dude's having revelations about big brother brain. As for the tots, they're getting some much needed lil mikey time.
and yes, destroy anyone who hurts OSNT raphie. He is my baby. Thanks for the visit from your goobers @epicartnerd !
I think a big reason why the dragons leaving in HTTYD 3/THW does not work is that the dragons are not shown to be unhappy with the humans.
It works in the books as we are shown that the dragons' living conditions are not good and that they are unhappy, so unhappy that there was a peaceful protest in the past, then in book 9 onwards, a dragon rebellion which leads to an all-out war because the dragons were unhappy. The dragons in the books have agency and are actively fighting against the humans. We also know that a good majority of humans were enslaving dragons or, in some way the power dynamic had the human in charge (including Berk at the start.)
It really was only Hiccup (and some others like Fishlegs and Camacazi) that treated dragons with respect.
The most we are shown in HTTYD 3/THW are that the dragons enslaved by the villains are likely unhappy (but we just assume that as it isn't really shown) (I'm ignoring the series for now) and that Toothless is having trouble deciding between Hiccup and the Light fury. Which, by the way, I hate the character has to choose between love interest and best friend troupe.
In the books, the dragons that were happy with their human stayed until the human died. In HTTYD 3/THW, the dragons just left never to be seen again. The director apparently confirmed that Toothless does not think much about Hiccup by the time the epilogue rolls around. (Which come on. Are you really going to reduce the friendship so many people love and hold dear to that!?!?)
The dragons in HTTYD 3/THW have no agency, and it just makes them feel flat. They just go to Berk at the start when they are freed (It's never shown that some could have gone elsewhere. Although the argument could be made that nowhere is safe, they don't really show us much of the world or how bad the situation really is if it is bad.) They relocate with the humans and help them. Then they just leave when Toothless says to do so. (I also don't really like the idea of an Alpha because the Red Death is an example of how that power can be abused. But that is a rant for another time).
Funnily enough, the Light fury for her lack of character has the most agency. Toothless could count, but it feels like he either listens to Hiccup or the Light Fury. Aside from Toothless wanting to hook up with the Light Fury, the dragons do not express what they want. They seem pretty fine chilling with the humans (so I feel it is unfair that they have to follow Toothless. They could have chosen to stay or, if Toothless has control over them, then I might have to make my why I don't think Alphas are a good idea rant.)
This did devolve into a rant about the dragon's agency, but I don't see this point brought up nearly as it should be, so I am bringing it up. There could be plenty of things that are missing. I am writing this late at night and competently improvised this rant.
I love animation history and one of the things that always baffled me was how did animators draw the cars in 101 Dalmatians before the advent of computer graphics?
Any rigid solid object is extremely challenging for 2D artists to animate because if one stray line isn’t kept perfectly in check, the object will seem to wobble and shift unnaturally.
Even as early as the mid 80’s Disney was using a technique where they would animate a 3D object and then apply a 2D filter to it. This practice could be applied to any solid object a character interacts with: from lanterns a character is holding, to a book (like in Atlantis), or in the most extreme cases Cybernetic parts (like in Treasure Planet).
But 101 Dalmatians was made WAY before the advent of this technology. So how did they do the Cruella car chase sequence at the end of the film?
The answer is so simple I don’t know why it didn’t occur to me sooner:
They just BUILT the models and painted them white with black outlines 🤣
That was the trick. They’re not actually 2D animated, they’re stop motion. They were physical models painted white and filmed on a white background. The black outlines become the lineart lines and they just xeroxed the frame onto an animation cel and painted it like any other 2D animated frame.
That’s how they did it! Isn’t that amazing? It’s such a simple low tech solution but it looks so cool in the final product.
New Ichigo Illustration by Tite Kubo
I can’t speak for other social media webbed sites but I really enjoy how tumblr seems to just completely spin a wheel on whatever media is hot right now. Like yeah sometimes it’s a new show that’s big and actively coming out but also sometimes there will be a solid month where half my dash is Columbo memes. Defy authority. Get really into an book from the 1800s. Watch shows that haven’t aired in 40 years. Celebrate the anniversary of the Boston Molasses Flood. Become unmarketable
oh shit i almost missed it!
Reading my third Hallmark quality romance and I don't even get to tell the authors that A Dashing Scotsman™ would NOT LIKELY have married an Englishwoman in 1821 and that there likely was NOT any form of running tap water in rural areas of Prussia in 1881 either
This is why I write fantasy instead of historical fiction btw
And now for a different kind of robot!
We have evolved beyond the need for illusionists. Stage magic is only performed by cardboard robots from now on.





