Engineering the Void, by Soreption

Engineering the Void

by Soreption

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Diabolus in Muzaka While it comes across as better than average tech-death initially, what makes this stick for me is that it's essentially a more technically demanding later Aeon record with more overt melodicism. The production is great, but really only for this album - again, strikes me as a more compressed "Aeons Black", but the compression just makes things a bit tighter, still leaving all instruments audible all the time. Killer. Favorite track: The Nature of Blight.

Lex Berdea What a fffffffffkin band , and I just came across them .... jesus christ , I'm high off this album , I can't even believe ...u fucking rule, people!

elax Great stuff. Extremely technical yet absolutely thight sound. This album is a gem and I will use any opportunity given to me to lay my hands on a physical copy. Favorite track: Breaking the Great Narcissist.

Wilhelm G Incredibly groovy technical death metal. This is an album any fans of the genre should own. Favorite track: Breaking the Great Narcissist.

Richard Lagberg Their greatness is their ability to make it alive and still have the extreme profession in tightness and sound quality which in many times can kill the "live feeling". The guitar sound is mind blowing with a fresh edge that is pretty rare! Let be that the vocals are a bit narrow in its expression but on the other hand its one of the very best in its class! Favorite track: Reveal the Unseen.

F̲̜̲̂ṷ̖͒̔t̨͉̠͒u̼̟͑ͅr̷̫̝̍e̶̲͔̐ ̖͔͌͜E̯͕̕͝y̢̪̟͞ē̛̙͞s̡̰͛̄ thumbnail

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1.	Reveal the Unseen 04:47	buy track
2.	The Nature of Blight 03:30	buy track
3.	Breaking the Great Narcissist 05:57	buy track
4.	A Speech to Survival 03:38	buy track
5.	Utopia 04:18	buy track
6.	Monumental Burden 03:59	buy track
7.	I am You 03:50	buy track
8.	Engineering the Void 04:36	buy track

about

On their latest full-length, Engineering The Void, Swedish death metal militia, SOREPTION, vomit forth a a multi-layered symphony of surgically accurate riff sequences, maniacal pace fluctuations, plenty of head-jarring rhythms and sprawling intervals of quietude

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released February 18, 2014

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