I have unfortunately once again gotten weirdly attached to a character who dies fairly early on in the story. Like in this case the second episode. Hoping we can still get some interesting flashback material or some mystical thing that will happen later where their spirit appears.

Also there will be fanfic. Probably because I will likely write some at some point.

Searching Wikipedia for more information on the yellow chat, which is apparently a bird and I just love how it’s described on the disambiguation page:

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Yes, make that bird sound like some kind of cryptid.

Crunchyroll plz stop torturing me and release the second episode so I can get something done today.

I’m sorta keeping myself distracted by reading Devotions by Mary Oliver, but I got stopped right when I read the second to last line of her poem “On Thy Wondrous Works I Will Meditate (Psalm 145)” where she writes the words “O Lord of melons” and all I can think of is:

weavemama:

shoutout to all high school dropouts, students who didn’t get accepted into college, students who used to be on honor roll but became overwhelmed, students who study for hours but still fail tests, or student who don’t study at all due to depression/anxiety, you are all stars and I’m wishing y'all the best luck possible to get back on your feet

darkcomedies:

darkcomedies:

my understanding and interpretation of Mary Oliver’s “Wild Geese” cannot be untangled from the fact that it was originally published to follow her poem about childhood sexual abuse, “Rage”

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i just don’t think it was unintentional that these were presented flush against each other

I mostly reblogged that Heated Rivalry related post because I thought it contained some good information on how the film industry works.

I have no plans on watching the show tbh. Good on you who enjoy it but I only have so much attention and time for TV. I’ve also luckily escaped having a lot of pictures on my dash about it. Or much of anything at all. To the point that it took me a moment about what that post was originally talking about.

meret118:

dat-is-chill-ghafa:

there was a bit of a tone in a line in the gq article that bugged me a little bit merely because it compounds onto the increasing narrative that i’ve seen a minor amount of heated rivalry fans espouse, where they talk generally about how there’s no way the sex scenes are 100% choreographed, they feel so real or things with a similar sentiment.

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this on its own isn’t a big deal but the “at the risk of ruining the fantasy” quote and it being insinuated that the interviewer maybe was implying or inquiring about the “realness” of their sex scenes wouldn’t be a huge deal, but seeing this alongside the increasing dismissal by wealthy actors and actresses of the importance of intimacy coordinators e.g. mikey madison (anora), julia roberts (after the hunt), jennifer lawrence (die my love), gwenyth paltrow and timothee chalamet (marty supreme) is so fundamentally problematic.

i don’t know when it became normal to almost brag about not “needing an intimacy coordinators” because wealthy actors started believing that by having one it was almost a diss to their acting abilities, to their and their costars “chemistry” but i hope more than anything, that normal people, young royals, heated rivalry, bridgerton, all of these shows keep on highlighting what sensuality and beauty can be achieved when intimacy coordinators are brought in. while it’s great and important that actors and actresses bond and can form life-long connections, sets are a PROFESSIONAL WORKPLACE. it would be a work place VIOLATION for people to just be fucking out of passion. it’s fucking weird to assume that some decisions in sex scenes are “real” and it’s weirder to be like “oh it’s hotter cuz its real”. it is a TESTAMENT to the work of the cast and the crew, it is more impressive to achieve the technical feat of following a choreographed sex scene and that should be far more talked about rather than speculation on how 2 costars MUST BE TOGETHER because of how they must have improvised a hand grab or a longer kiss. make no mistake, agreeing prior to the coordination of the intimacy coordinator what people are comfortable with, allows space for “improvised” movements, etc. but this is all part of the work!! the importance of this is espoused later in this article but also has been repeated by jonathan bailey, aimee and connor swindell on the set of sex education (who were at the time a real couple) and so many more.

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not only does this trend feel like a massive spit in the face to the #MeToo movement for enshrining intimacy coordinators as a necessity on sets but it also dilutes the necessity of them for actors and extras WHO ARE NOT WEALTHY HOLLYWOOD ELITES. if something happens on set that julia roberts, for example, thinks “hey that’s a violation of my autonomy and i was uncomfortable” you have in possession a fat bank account, a fleet of lawyers to helm an attack and protection that poor, broke extras and other actors do not have!!

the line being touted that intimacy coordinators are “optional” and that “we didn’t need one” is incredibly dangerous. they are mandatory and it is not just for actors but also for the crew!

THE BEST SEX SCENES YOU’VE SEEN ALL HAVE INTIMACY COORDINATORS!!!!!

this article does a great job on expanding: https://hungermag.com/editorial/what-do-intimacy-coordinators-do-anyway

and the intimacy coordinator behind young royals, one of my favourite and i would say leading the forefront of how intimacy coordinators TRANSFORM for the better sex scenes did an incredible interview talking about it all!!

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I’ve read articles about actresses who would shake, cry and even vomit after sex scenes in the past because they felt violated. Intimacy coordinators need to be seen as the norm, as the smart thing to do, not the weak thing.

teaboot:

pomme-poire-peche:

grovedg:

evilkitten3:

iloveyou9:

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context according to instagram:

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original image from the magazine:

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Found a scan of this issue on the Internet Archive (it’s the back cover). This scan is 4000x6000 for all your high resolution needs!

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The caption reads: “Defeated by roses. Near Turin’s Lingotto station, along a lonely path, Miss Guida Concetta Rinino, 28 years old, who was bringing a nice bunch of roses to a relative, was accosted by an unknown young man. The young woman, rather than losing heart, defended herself with extraordinary energy, using the bunch of flowers as a weapon. So it was that the scoundrel, his face all scratched up, had to flee. (Drawing by Walter Molino.)”

Incredible. At a distance I understand how the woman might appear to be the abuser and the man the sympathetic victim, but the second you zoom into the man’s face the pink-cheeked rage- not remorse, or rejection, or embarrassment- not heartbreak or despair- but RAGE- the deeper story speaks itself into your suspicions.

And the bit where they’re HER roses? Almost a relief, but also sadder, as she will arrive at whatever event without them, or with them destroyed.

Do you think when the righteous anger and anxiety and annoyance fade, when she arrives at her destination- will her loved ones applaud her? Will she be proud? Will her hands shake? Will she walk home with company from then out, and for how long?

In this moment, she is provoked into anger. Anger is good- it appears strong. But look at his face. Would you put it past him to linger there after dark, in case she returns alone?

What story will HE tell, of ‘I was perfectly polite, but she didn’t even give me a chance- women like that, they’d swoon for a jerk in a heartbeat, but kind and flattering men like me?…”

I love this piece. It paints both stories while illustrating the power dynamics and struggles at play. This should be shown in art classes

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