SHAKESPEARE IN LOVE (2 hours 17 minutes)
The language used in this screenplay is rather powerful in demonstrating the emotion of love while also making allusions to Shakespearean writing. Shakespeare In Love isn’t just a film that you fast forward through on VHS cassette tape to see Gwyneth Paltrow’s bosoms.
Italics are used to describe scenes.
There is a typo on page 38: “intotwo”
(VO) = voiceover
(cont’d) = continued
Some of the few film directions include: INSERT MANUSCRIPT:, ANGLE ON WILL, DISSOLVE.
An apothecary is someone who prepares and sells medicine and drugs. Polaxed is English slang.
Presented chronologically are unique words and phrases used throughout the entirety of the script
(apologies if some are repeats):
Pinioned, (the mathematical genius with a notebook), infrequent intervals, haranguing, apothecary, hubbub, idiosyncratic, sweetmeat, coarsely, intermittently, (dumbly), tankards, aghast, sovereign, brooding, factotum, lustily, nimbly, (twice as firmly), moving trancelike, insinuated, entranced, affably, anaesthetic, parapet, candelabra, glowers, (a girlier voice now), vainly, grimly, sober interest, letter-poem, drowsily, demurely, born-again theatre groupie, royal routs, gallantly, vortex, throng, gratuitously, venomously, titter, scatters of applause, vertical, copulation, sheaf, astride, rouses, pig swill, stave, rapiers, fray, engulf, barbershop quartet of actors, stone cold sober, horror-stricken, stagnant, demented, sidesaddle, catatonic, bedraggled, ravaged, paralysed, sobered, murmurs, appaled, octavo size, planking, peephole, agony, bewildered, dumbstruck, (triumphantly), berserk, polaxed, sock to the jaw, attitudes of despair or worse, sober-faced, tankard, flintstock pistol, paste-pot, entourage, extricates, inexorably, furtive, sheepish, audacious, luckily in an aisle seat, cowering, rapt, fever of nervousness, transfixed, recoil, arresting eye, inconspicuous, gaggle
Other examples of unique descriptive language include:
“Hawkers are crying their wares, tract-sellers, delivery boys, and merchants go about their business.” (6)
“in other words he reminds us of Hamlet” (14)
“ROSALINE is big breasted, dark-eyed, dark-haired, sexual” (14)
“Elsewhere is LORD WESSEX, our villain. WESSEX is in his forties, dark, cruel, self-important.” (19)
“replaced by a beanpole of a man” (32)
“WILL emerges from the theatre into a street throbbing with nefarious life-whores, cutpurses, hawkers, urchins, tract-sellers, riffraff of all kinds in an area of stews (lowdown pubs), brothers and slums.” (36)
“Her hair tumbles down about her shoulders, so we will call her VIOLA again.” (37)
“He turns to blood. Love at first sight, no doubt about it. VIOLA has not seen him. She is doing a daughter’s duty among her parents’ friends. The guests form up to begin a changing-partners dance (the very same one you get in every ROMEO and JULIET).” (42)
“WILL tries to speak but the silver tongue won’t work. He is dumb with adoration.” (44)
“WILL is burning midnight oil- literally and metaphorically. His quill has already covered a dozen sheets. He is inspired.” (47)
“As he goes, we see that VIOLA is love-struck by him, a riot in the heart.” (58)
“He kisses here with more passion that ceremony” (60)
*“WILL finds the loose end and spins her naked.” (69)* (nice)
“She is winning” (71)
“His life has turned perfect” (73)
“They lose themselves for a fraction of a moment.” (75)
“Clearly, this stuff is a cut above the normal” (81)
“SAM exits (i.e. enters to us) through the curtain)” (85)
“In a moment they are in world of their own.” (101)
“The place is already crowded with WHORES and CUSTOMERS. It’s a party.” (103)
“An awful lot of drink has gone down.” (105)
“The church is empty, but for the demented, grieving figure of SHAKESPEARE, kneeling, praying, weeping, banging his head, in his private purgatory, dimly lit by tallow candles, gazed upon by effigies of the dead and images of his Redeemer. He is wet, bedraggled, weeds and leaves in his hair.” (108)
“Will is a spectral, bedraggled figure, backlit by a great shaft of light, he would look like a ghost at the best of times, and this is the worst.” (110)
“But after a few moments it is definitely lovemaking.” (116)
“Bu now, her loosened bosom-bandage has been pulled away and WILL passionately embraces her nakedness.” (117)
“and now it becomes a parody of the Hamlet duel” (119)
“rigid as a pole” (124)
“Some of them are cloaked and hooded, slumming incognito.” (131)
*“As WILL embraces her, VIOLA’s eyes flicker open (shielded by WILL from the audience) and the lovers look at each other for a moment as WILL and VIOLA rather than as ‘ROMEO’ and ‘JULIET.’ Their eyes are wet with tears.” (143)*
THE END