DARK QUEER TALES
I will grab almost any collection of queer short stories that I can get my hands on. The other day, while looking in Giovanni’s Room in Philadelphia for a particular title that I didn't find, I came across In Darkness Peering: Tales from the Bent Side. I bought it, took it home, and had several days of exciting—and dark—reading.
In the foreword to In Darkness Peering, David D. Warner, the editor, writes: “It was my intention when I started this project to compile a collection of original horror stories written by LGBTQ authors and featuring one or more LGBTQ protagonists. What you hold in your hand is the result of that dream.” Warner spectacularly fulfills his dream with this collection of stories.
In any short story collection, the order in which the various stories appear is important. The fifteen stories by nine writers in In Darkness Peering are placed strategically, one after the other, in a way that kept me turning the pages. I was spellbound by the entire collection.
When you read the first story, David D. Warner’s “Ellie,” you’ll find out what I mean when I say that it starts off the collection with a bang. I was unprepared for the ending to this story.
I wonder if David Wolfhaven, the author of “Steamed,” a story of creepy happenings in an old abandoned bathhouse, is familiar with the novel Steam by Jay B. Laws. This story reminds me of Laws’s novel.
In light of what is happening in the U.S. today, I interpret David Berger’s “The Returning” as a metaphor about being gay and living in a deeply red state. That may not be Berger’s intention, but I couldn’t help but read the story this way. Also, Berger’s description of New York City at the beginning of his “The Blood of the Willing” is unforgettable, and his inclusion of characters based on Hermes and Perseus adds an intriguing layer to this story.
“Unholy Matrimony” by Daniel W. Kelly, with its virulently homophobic wedding planner, turns “Till death do us part” into “Till death do you part.”
If I had to pick a favorite story from these fifteen tales, it would have to be “Moving On” by David D. Warner. On what would have been their twenty-fifth anniversary, Aaron, at the request of John, his deceased partner, spreads John’s ashes at the summit of Huayna Picchu in Peru. The ending to this beautifully written story, although I guess it could have been predicted because of this story collection’s theme of darkness, is devastating. I had to stop and take a breath, actually a break, before I went on to the next story.
The other nine stories in In Darkness Peering are just as mesmerizing as these six stories I briefly mention here.
One quibble: The copy editing of this book leaves a lot to be desired. Wherever the word “Its” appears, it is always spelled “it’s.” In David Berger’s “The Blood of the Willing,” an apartment building is first called the Regency Oaks, then later it is called the Regency Arms. “Worst Day Ever” by Patrick Raith is full of copy-editing errors that are aggravating, but they don’t spoil the story’s relentless pace and suspense.
I’m looking forward to reading David D. Warner’s follow-up collection, What Lurks in Darkness: More Tales from the Bent Side, which includes several authors from In Darkness Peering.