Susan's Reviews > Speak, Memory: An Autobiography Revisited
Speak, Memory: An Autobiography Revisited
by
by
This is a beautifully evocative memoir, consisting of the personal recollections of Nabakov, recalling his childhood in Imperial Russia . Nabakov was born in 1899 to a family who were not only members of the aristocracy, but heavily involved in politics. His father was a liberal, who opposed the Tsar and, in fact, as his grandmother wryly pointed out, was working to bring down the way of life which would eventually see him exiled and virtually penniless…
However, this is certainly not a memoir filled with sorrow or bitterness. Instead, the author recreates his privileged childhood, with its recurring pattern of winter in St Petersburg, the spring and summer spent at the family’s country estate and the autumn in foreign resorts. We read of the many tutors and governesses who came and went, the author and his brother’s many escapades (including boarding a ferry and leaving their nanny wringing her hands on the quay as her charges floated away and an attempted elopement with a French playmate). There is the horror of hearing his father might have died in a duel, the joy of butterfly collecting - always a passion throughout his life – his early attempts at writing poetry and his final leaving of Russia after the revolution.
Mostly, though, what we get are little snippets – beautifully written – of a world that has long gone, but which can see through the eyes of our narrator. Places, people, a way of life long since vanished, are recreated. You can almost feel the cold on carriage drives through the snow, or imagine walks in the countryside, so vivid are the descriptions. As such, it is almost not what is written, but how it is written, that is important here. The eye for detail; of the memory of a room, books on a shelf, or how it felt to wake in the morning, is what makes the book come alive. I think it is an important memoir and one which paints a portrait of a certain era and way of life which the author obviously missed, but recalled with love.
However, this is certainly not a memoir filled with sorrow or bitterness. Instead, the author recreates his privileged childhood, with its recurring pattern of winter in St Petersburg, the spring and summer spent at the family’s country estate and the autumn in foreign resorts. We read of the many tutors and governesses who came and went, the author and his brother’s many escapades (including boarding a ferry and leaving their nanny wringing her hands on the quay as her charges floated away and an attempted elopement with a French playmate). There is the horror of hearing his father might have died in a duel, the joy of butterfly collecting - always a passion throughout his life – his early attempts at writing poetry and his final leaving of Russia after the revolution.
Mostly, though, what we get are little snippets – beautifully written – of a world that has long gone, but which can see through the eyes of our narrator. Places, people, a way of life long since vanished, are recreated. You can almost feel the cold on carriage drives through the snow, or imagine walks in the countryside, so vivid are the descriptions. As such, it is almost not what is written, but how it is written, that is important here. The eye for detail; of the memory of a room, books on a shelf, or how it felt to wake in the morning, is what makes the book come alive. I think it is an important memoir and one which paints a portrait of a certain era and way of life which the author obviously missed, but recalled with love.
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Reading Progress
December 27, 2014
– Shelved as:
to-read
December 27, 2014
– Shelved
December 29, 2014
–
Started Reading
January 4, 2015
–
Finished Reading

