Monica Casper's Reviews > Wave
Wave
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I study and teach trauma, and so I'm naturally drawn to trauma memoirs--a genre I know well. I'm also a mom and daughter, and this story of grief and colossal loss drew me in from the first page. Unimaginable to lose one's children, husband, and parents in one massive event. Deraniyagala does an amazing job of capturing the confusion she felt post-catastrophe, the sense of not being in her life without her loved ones there to anchor her. Moreover, her self-destruction--drinking, suicidal thoughts--make perfect sense and seem quite rational given the circumstances.
Told over a period of years, in which she increasingly comes to a place of remembrance rather than shocked, raw grief, the book is beautifully written. There is real emotion here, but also craft. The early scenes in which her family is swept away in the wave and she clings to existence are breathtaking, literally. Later passages describing her children's clothes, toys, the empty house; the garden and the birds; the places she used to go with them: these are all heartbreaking.
Ultimately this is a story about how a life gets rebuilt when everything that made it a life--the people, the relationships, the activities--are gone. Deraniyagala has to piece herself back together, and she does so, slowly, painfully, and not always gracefully. I loved her honesty when she wondered why others were alive when she had lost so much; her concern that she was experiencing a hierarchy of grief by mourning her children and husband more than her parents. In her grief, she reevaluates the contours of self.
I did find myself tripping occasionally on the narrative, when Deraniyagala's class status inserted itself into the story. There were references to nannies, drivers, and personal security guards in Sri Lanka; there is much cross-continent travel, vacations on the coast, a life of at least some ease and social lubrication. These references to privilege in no way undercut the author's obvious and profound grief nor her lovely prose, but I did wonder (sociologically) about the other thousands upon thousands of victims of the tsunami, including those without homes in London, well-placed friends, economic resources, and the cushioning of class that, at least to some degree, mediates trauma and loss.
Told over a period of years, in which she increasingly comes to a place of remembrance rather than shocked, raw grief, the book is beautifully written. There is real emotion here, but also craft. The early scenes in which her family is swept away in the wave and she clings to existence are breathtaking, literally. Later passages describing her children's clothes, toys, the empty house; the garden and the birds; the places she used to go with them: these are all heartbreaking.
Ultimately this is a story about how a life gets rebuilt when everything that made it a life--the people, the relationships, the activities--are gone. Deraniyagala has to piece herself back together, and she does so, slowly, painfully, and not always gracefully. I loved her honesty when she wondered why others were alive when she had lost so much; her concern that she was experiencing a hierarchy of grief by mourning her children and husband more than her parents. In her grief, she reevaluates the contours of self.
I did find myself tripping occasionally on the narrative, when Deraniyagala's class status inserted itself into the story. There were references to nannies, drivers, and personal security guards in Sri Lanka; there is much cross-continent travel, vacations on the coast, a life of at least some ease and social lubrication. These references to privilege in no way undercut the author's obvious and profound grief nor her lovely prose, but I did wonder (sociologically) about the other thousands upon thousands of victims of the tsunami, including those without homes in London, well-placed friends, economic resources, and the cushioning of class that, at least to some degree, mediates trauma and loss.
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Finished Reading
March 9, 2013
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John
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rated it 2 stars
Mar 15, 2013 06:42PM
I'm reading the story now, and your comments on her references to things upper class struck me the exact same way.
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I agree with your beautifully expressed admiration for Sonali's story and willingness to share it but don't understand bringing class into it. As the passage of time distills Sonali's loss and "unclenches" her mind, more and more memories unfold. If drivers and nannies are a part of what she remembers about her parents and her upbringing part of who she is - yes a privileged Sri Lankan woman who ends up at a place like Cambridge where she then goes on to meet the father of her children - then isn't all this an integral part of the story she is telling? I did not read about Sonali's loss thinking she was "lucky" to have had upper class resources or cushions in the tsunami aftermath or that she was any better off than those who didn't. Personal tragedy of such epic proportion seems to defy class when thousands of victims suffered equally that day. Sonali's story does not attempt to be anything more than what it is: one woman's very personal rendering of that day and the journey she's been on ever since. If we as her readers have decided to (somewhat voyeuristically) experience the unfathomable with her I don't think it's fair to begrudge her not holding anything - least of all her most fundamental memories - back.

