There There Quotes

“Kids are jumping out the windows of burning buildings, falling to their deaths. And we think the problem is that they’re jumping. This is what we’ve done: We’ve tried to find ways to get them to stop jumping. Convince them that burning alive is better than leaving when the shit gets too hot for them to take. We’ve boarded up windows and made better nets to catch them, found more convincing ways to tell them not to jump. They’re making the decision that it’s better to be dead and gone than to be alive in what we have here, this life, the one we made for them, the one they’ve inherited. And we’re either involved and have a hand in each one of their deaths, just like I did with my brother, or we’re absent, which is still involvement, just like silence is not just silence but is not speaking up. I’m in suicide prevention now. I’ve had fifteen relatives commit suicide over the course of my life, not counting my brother. I had one community I was working with recently in South Dakota tell me they were grieved out. That was after experiencing seventeen suicides in their community in just eight months. But how do we instill in our children the will to live? At these conferences. And in the offices. In the emails and at the community events, there has to be an urgency, a do-whatever-at-any-cost sort of spirit behind what we do. Or fuck the programs, maybe we should send the money to the families themselves, who need it and know what to do with it, since we all know what that money goes toward, salaries and conferences like this one. I’m sorry. I get paid outta that shit too, and actually, shit, I’m not sorry, this issue shouldn’t be met with politeness or formality. We can’t get lost in the career advancements and grant objectives, the day-to-day grind, as if we have to do what we do. We choose what we do, and in that choice comes the community. We are choosing for them. All the time. That’s what these kids are feeling. They have no control. Guess what kinda control they do have? We need to be about what we’re always saying we’re about. And if we can’t, and we’re really just about ourselves, we need to step aside, let somebody else from the community who really cares, who’ll really do something, let them come in and help. Fuck all the rest.”
― Tommy Orange, There There

“Before you were born, you were an idea your mom got into her head in the seventies, to hitchhike across the country and become a dancer in New York.”
― Tommy Orange, There There

“When they first came for us with their bullets, we didn’t stop moving even though the bullets moved twice as fast as the sound of our screams, and even when their heat and speed broke our skin, shattered our bones, skulls, pierced our hearts, we kept on, even when we saw the bullets send our bodies flailing through the air like flags, like the many flags and buildings that went up in place of everything we knew this land to be before. The bullets were premonitions, ghosts from dreams of a hard, fast future. The bullets moved on after moving through us, became the promise of what was to come, the speed and the killing, the hard, fast lines of borders and buildings. They took everything and ground it down to dust as fine as gunpowder, they fired their guns into the air in victory and the strays flew out into the nothingness of histories written wrong and meant to be forgotten. Stray bullets and consequences are landing on our unsuspecting bodies even now.”
― Tommy Orange, There There

“Lately I’ve become a little obsessed with the brain. With trying to find explanations for everything as it relates to the brain and its parts. There’s almost too much information out there. The internet is like a brain trying to figure out a brain. I depend on the internet for recall now. There’s no reason to remember when it’s always just right there, like the way everyone used to know phone numbers by heart and now can’t even remember their own. Remembering itself is becoming old-fashioned.”
― Tommy Orange, There There

“Maybe there were only sides like there were sides on the rocks at the edge of the island. On one of our last days on the island, me and my mom went up to the lighthouse.”
― Tommy Orange, There There

“Got more soul than a sock with a hole.”
― Tommy Orange, There There

“Death alone eludes hard work and hardheadedness. That and memory. But there’s no time and no good reason most of the time to look back. Leave them alone and memories blur into summary.”
― Tommy Orange, There There

“It’s about disappearing in the whir of noise and doing.”
― Tommy Orange, There There

“I like it, though, because when I do get it, I get it way down at that place where it hurts but feels better because you feel it, something you couldn’t feel before reading it, that makes you feel less alone, and like it’s not gonna hurt as much anymore.”
― Tommy Orange, There There

“That kind of silence just makes the sound of your brain on fire that much more pronounced.”
― Tommy Orange, There There

“When we see that the story is the way we live our lives, only then can we start to change, a day at a time. We try to help people like us, try to make the world around us a little better. It's then that the story begins.”
― Tommy Orange, There There

“A concrete chip, a slab really, heavy on one side, the half side, the side not white. As for your mom's side, as for your whiteness, there's too much and not enough there to know what to do with. You're from a people who took and took and took and took. And from a people taken. You were both and neither.”
― Tommy Orange, There There

“With my eyes closed, I asked my mom what we were gonna do. She told me we could only do what we could do, and that the monster that was the machine that was the government had no intention of slowing down for long enough to truly look back to see what happened. To make it right. And so what we could do had everything to do with being able to understand where we came from, what happened to our people, and how to honor them by living right, by telling our stories.”
― Tommy Orange, There There

“I want to bring something new to the vision of the Native experience as seen on the screen. We haven’t seen the Urban Indian story. What we’ve seen is full of the kind of stereotypes that are the reason no one is interested in the Native story in general, it’s too sad, so sad it can’t even be entertaining, but more importantly because of the way its portrayed it looks pathetic, and we perpetuate that, but no, fuck that, excuse my language, but it makes me mad, because the whole picture is not pathetic, and the individual people and stories you come across are not pathetic or weak or in need of pity, and there is real passion there and rage, and that's part of what I'm bringing to the project...”
― Tommy Orange, There There

“The spider’s web is a home and a trap.”
― Tommy Orange, There There

“I depend on the internet for recall now. There’s no reason to remember when it’s always just right there, like the way everyone used to know phone numbers by heart and now can’t even remember their own. Remembering itself is becoming old-fashioned.”
― Tommy Orange, There There

“Hadn’t you heard that it was getting hotter because of this tilt, this ever increasing tilt of the earth, which was inevitable and not humanity’s fault, not our cars or emissions or Aqua Net but plain and simple entropy, or was it atrophy, or was it apathy? —”
― Tommy Orange, There There

“Only those who have lost as much as we have see the particularly nasty slice of smile on someone who thinks they're winning when they say "Get over it.”
― Tommy Orange, There There

“If more people hadn't been at home, sitting around the TV, watching the game, they would have been on freeways, they would have been out in the world, where it was collapsing, just falling apart.”
― Tommy Orange, There There

“He probably used the quote at dinner parties and made other people like him feel good about taking over neighborhoods they wouldn't have had the guts to drive through ten years ago.”
― Tommy Orange, There There

“I'd give away my own heart's blood for her.”
― Tommy Orange, There There

“You can't sell life is okay when it's not.”
― Tommy Orange, There There

“One of Dene's favorite directors, Darren Aronofsky, used a Bolex in his movies Pi and Requiem for a Dream -- which Dene would say is one of his favorite movies, though it's hard to call such a fucked-up movie a favorite. But that for Dene is what is so good about the movie, aesthetically it's rich, so you enjoy the experience, but you don't exactly come away from the film glad that you watched it, and yet you wouldn't have it any other way.”
― Tommy Orange, There There

“An apple is red on the outside and white on the inside. But what we are is what our ancestors”
― Tommy Orange, There There

“You walk outside your studio apartment to a hot Oakland summer day, an Oakland you remember as gray, always gray. Oakland summer days from your childhood. Mornings so gray they filled the whole day with gloom and cool even when the blue broke through. This heat’s too much. You sweat easy. Sweat from walking. Sweat at the thought of sweating. Sweat through clothes to where it shows. You take off your hat and squint up at the sun. At this point you should probably accept the reality of global warming, of climate change. The ozone thinning again like they said in the nineties when your sisters used to bomb their hair with Aqua Net and you’d gag and spit in the sink extra loud to let them know you hated it and to remind them about the ozone, how hair spray was the reason the world might burn like it said in Revelation, the next end, the second end after the flood, a flood of fire from the sky this time, maybe from the lack of ozone protection, maybe because of their abuse of Aqua Net—and why did they need their hair three inches in the air, curled over like a breaking wave, because what? You never knew. Except that all the other girls did it too. And hadn’t you also heard or read that the world tilts on its axis ever so slightly every year so that the angle made the earth like a piece of metal when the sun hits it just right and it becomes just as bright as the sun itself? Hadn’t you heard that it was getting hotter because of this tilt, this ever increasing tilt of the earth, which was inevitable and not humanity’s fault, not our cars or emissions or Aqua Net but plain and simple entropy, or was it atrophy, or was it apathy? —”
― Tommy Orange, There There

“You don’t have to defend all white people you think aren’t a part of the problem just because I said something negative about white culture,”
― Tommy Orange, There There

“But for Native people in this country, all over the Americas, it's been developed over, buried ancestral land, glass and concrete and wire and steel, unreturnable covered memory. There is no there there.”
― Tommy Orange, There There

“We won’t have come expecting gunfire. A shooter. As many times as it happens, as we see it happen on our screens, we still walk around in our lives thinking: No, not us, that happens to them, the people on the other side of the screen, the victims, their families, we don’t know those people, we don’t even know people who know those people, we’re once and twice removed from most of what we see on the other side of the screen, especially that awful man, always a man, we watch and feel the horror, the unbelievable act, for a day, for two whole days, for a week, we post and click links and like and don’t like and repost and then, and then it’s like it didn’t happen, we move on, the next thing comes. We get used to everything to the point that we even get used to getting used to everything. Or we only think we’re used to it until the shooter, until we meet him in real life, when he’s there with us, the shots will come from everywhere, inside, outside, past, future, now, and we won’t know right away where the shooter is, the bodies will drop, the depths of the booms will make our hearts skip beats, the rush of panic and spark and sweat on our skin, nothing will be more real than the moment we know in our bones the end is near.”
― Tommy Orange, There There

“If you have the option to not think about or even consider history, whether you learned it right or not, or whether it even deserves consideration, that’s how you know you’re on board the ship that serves hors d’oeuvres and fluffs your pillows, while others are out at sea, swimming or drowning, or clinging to little inflatable rafts that they have to take turns keeping inflated, people short of breath, who’ve never even heard of the words hors d’oeuvres or fluff. Then someone from up on the yacht says, “It’s too bad those people down there are lazy, and not as smart and able as we are up here, we who have built these strong, large, stylish boats ourselves, we who float the seven seas like kings.” And then someone else on board says something like, “But your father gave you this yacht, and these are his servants who brought the hors d’oeuvres.” At which point that person gets tossed overboard by a group of hired thugs who’d been hired by the father who owned the yacht, hired for the express purpose of removing any and all agitators on the yacht to keep them from making unnecessary waves, or even referencing the father or the yacht itself. Meanwhile, the man thrown overboard begs for his life, and the people on the small inflatable rafts can’t get to him soon enough, or they don’t even try, and the yacht’s speed and weight cause an undertow. Then in whispers, while the agitator gets sucked under the yacht, private agreements are made, precautions are measured out, and everyone quietly agrees to keep on quietly agreeing to the implied rule of law and to not think about what just happened. Soon, the father, who put these things in place, is only spoken of in the form of lore, stories told to children at night, under the stars, at which point there are suddenly several fathers, noble, wise forefathers. And the boat sails on unfettered.”
― Tommy Orange, There There

“their hyper-PC gentle way of being while lacking all social graces and old-world manners and politeness.”
― Tommy Orange, There There