Babcom Programme Final
Babcom Programme Final
PROGRAMME
CORE ENGLISH LANGUAGE
COURSE STATEMENT
1. The course will retain Streaming. The structure of three graded levels of English language
learning is required to address the differential learning levels of students and achieve desired
competence in a diverse central university like DU.
2. The existing English A, B & C will be renamed as English Language Through Literature,
English Fluency and English Proficiency respectively. This will also remove any
discriminatory attributes in the existing nomenclature and refocus the pedagogic exercise on
the respective objectives of the three streams in an academically thorough and non-
hierarchical way.
3. The existing criteria for streaming was discussed thoroughly in the context of almost
complete collapse of English B & English C classes across the colleges. This has led to a
severely compromised language acquisition among BA/BCom students. At present,
streaming has become totally ineffective due to the changed scenario where 98% of BA/
BCom programme applicants are from boards where English is offered as a subject in class
XII. Currently in DU, a student with minimum pass marks in English in Class XII will do the
same English course as a 90% above scorer. Such guaranteed variance in competence
standard is a huge pedagogic challenge that stalls the aim of achieving concrete proficiency
in the language over two semesters.
In order to address this reality noticed in DU over the last 5-10 years, and further
compounded by the reduction in language teaching in CBCS to two semesters, the committee
concluded that it is imperative to have additional streaming criteria (NOT ELIGIBILITY OR
ADMISSION CRITERIA) to benefit the students in the classroom and in their careers. A
hugely participative, online student feedback survey was conducted. Thousands of BA/BCom
DU students responded to the detailed questionnaire and helped us to our conclusions.
Based on these findings and the consensus in our meetings, the BA/BCom Programme
Cluster Subcommittee proposes the following:
❖ As 99% of the BA/BCom Programme students have done English in class 12, Stream
them into three learning groups based on their Class XII marks in English:
▪ 80% and above: ENGLISH LANGUAGE THROUGH LITERATURE
▪ 60% and above up to 80%: ENGLISH FLUENCY
▪ Less than 60%: ENGLISH PROFICIENCY
❖ Retain the present DU Rule of streaming students who have done English up to Class X
and Class VIII to ENGLISH FLUENCY and ENGLISH PROFICIENCY respectively to
take care of the 1% who may not have done English up to Class XII
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❖ Provide 10% relaxation in Class XII English marks while streaming for students who
have studied English Elective in class XII.
This proposal is the most academically sound, non-hierarchical and inclusive one we could
arrive at and successfully addresses the pedagogical and learning imperative in English
language teaching.
4. The revised syllabus proposed here is in sync with the CBCS outline. Additionally, this
syllabus works out the specifics of language learning required to enable the students of DU in
the process of language acquisition and proficiency as it integrates critical thinking, reading,
writing and speaking capabilities without compartmentalising any one or two as the expected
focus or outcome of language study. For this purpose, a compiled list of suggested readings
collated by the Department of English, DU can be finalised.
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SYLLABUS
Course Objectives:
1. Thinking: To develop in students the ability and confidence to process, understand and
examine the different kinds of texts (verbal and written) they encounter in everyday life.
2. Enable students to identify and understand social contexts and ethical frameworks in the
texts they encounter
4. Learning to comprehend:
• listening/reading
• Skimming; summarising; precis; paraphrasing; making notes.
• Identifying key topics/argument/idea.
5. Writing goals:
• Creating an essay: thesis statement; topic sentences, paragraph development and
suitable transitions between paragraphs
• Being able to identify and use the characteristic features of various writing forms:
letters, programmes, reports/press-releases; newspaper hard news; feature articles;
fiction and nonfiction.
• By the end of the course, students must be able to choose between expository,
argumentative, descriptive and narrative writing styles to assemble their own writing
6. Confident Expression:
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• Students being able to articulate their own views confidently because their language
skills sufficiently empower them to converse, research and collate information from
various textual sources, be these verbal or written.
Aims to help students understand that we are surrounded by texts. So thinking about texts,
reading, writing and comprehension are necessary life skills, not merely language skills
Reading Texts may include reportage, open letters, campaigns, social reports etc…Skimming
and scanning
Writing: Descriptive passage (making notes, drafting points); Creating a program sheet
Speaking: Make short presentations (2-3 minutes long) showcasing their understanding of
any topical issues
Grammar/Vocabulary: Tenses: verb tenses and ability to use them in a variety of contexts
Suggested Readings:
Jadhav, Radheshyam. ‘Groom wanted: Trader, peon…anyone but a farmer’. Times News
Network, 1 Jan. 2018. https://timesofindia.indiatimes.com/city/chandigarh/groom-wanted-
trader-peonanyone-but-a-farmer/articleshow/62321832.cms. Accessed 1 June. 2018.
Knapton, Sarah. ‘Selfitis’ - the obsessive need to post selfies - is a genuine mental disorder,
say psychologists’. The Telegraph, 15 December 2017. https://www.telegraph.co.uk/science/
2017/12/15/selfitis-obsessive-need-post-selfies-genuine-mental-disorder/. Accessed 1 June.
2018.
‘13 letters every parent, every child should read on Children’s Day’. The Indian Express, 10
November, 2014.
http://indianexpress.com/article/lifestyle/feelings/12-letters-every-parent-every-child-should-
read-on-childrens-day/. Accessed 1 June. 2018.
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Unit 2: Understanding Drama
Dramatic texts centre human communication; the focus will be to see how speech is
connected to character and situation.
Writing: Rewriting dialogue for character; Write an alternative playscript for a scene with
stage directions; Practice of expository writing: what was the play about?
Listening: Watch plays live or recorded; study why actors perform the way they do
Suggested Readings:
Lakshmi, C.S. ‘Ambai’. ‘Crossing the River’. Staging Resistance: Plays by Women in
Translation, edited by Tutun Mukherjee. Oxford: Oxford University Press, 2005.
Poetic texts centre the use of language in clear and striking ways: students will learn how
poetic language can help them attain brevity and clarity too.
Reading poetry to identify tone, imagery, rhythm, rhyme and use of tropes
Write and review poems, with particular emphasis on formal elements; Paraphrase poem
Suggested Readings:
Angelou, Maya. ‘Caged Bird’, The Complete Collected Poems of Maya Angelou. New York:
Random House Inc., 1994
Ezekiel, Nissim. ‘Goodbye Party For Miss Pushpa T.S.’, Collected Poems. New Delhi:
Oxford University Press, 2005
Okara, Gabriel. ‘Once Upon a Time’, Gabriel Okara: Collected Poems. Nebraska: University
of Nebraska, 2016.
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Lawrence, D.H. ‘Last Lesson of the Afternoon’, The Complete Poems of D.H. Lawrence.
Hertfordshire: Wordsworth Editions, 1994.
Narrative texts use language to recreate experience: students will learn how to order their
experiences into meaningful narratives
Reading a short story to identify themes, plot structure, characterisation and narratorial voice
Listen to audio clips of writers reading their work/work read aloud to study how fiction uses
literary devices and also rhythm, pauses, punctuation etc.
Suggested Readings:
Kumar, E. Santhosh. ‘Three Blind Men describe an Elephant’, Indian Review, http://
indianreview.in/fiction/malayalam-short-stories-three-blind-men-describe-an-elephant-by-e-
santhosh-kumar/. Accessed 1 June. 2018.
Mistry, Rohinton. ‘The Ghost of Firozsha Baag’, Tales from Firozsha Bagh. McClelland &
Stewart, 1992.
Joshi, Umashankar. ‘The Last Dung Cake’, The Quilt from the Flea-market and Other
Stories. Delhi: National Book Trust, 2017.
Aims to help students understand that the creation of a unique personal voice is possible
through understanding the mechanics of language. This unit will study how different
audiences lead us to modify what we wish to say so that our thoughts become accessible and
communication is successful.
Reading: Texts may include columns, opinion and editorial pieces from newspapers,
magazines, social media, online news and e-zines
Writing: Examine the process of writing - drafting, editing and revising; respond to what
you are reading in the form of a personal essay (preliminary forms can include social posts/
blog structured as a brief personal essay)
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Listening: Students’ presentations can supply the core listening task; Listen to texts on
similar themes, addressed to different audiences (film clips from feature and documentary
films; multiple songs on the same theme);
Grammar/Vocabulary: Register, Tone, Appropriacy
Suggested Readings:
Dixit, Neha. ‘Justice Denied: A Road Accident That Wasn't, a Lynching That Was’, The Wire,
12 April 2018. https://thewire.in/rights/justice-denied-a-road-accident-that-wasnt-a-lynching-
that-was . Accessed 4 June. 2018.
- Questions based on literary texts: to test awareness of literary form and context through
comprehension testing (2 x 15 = 30 marks)
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Unit 1: Understanding Life Narratives
Giving students the skills to document their own lives meaningfully; journals, memoir and
autobiographical writing can be excellent tools for personal reflection and growth,
therapeutic as well as a method for organising one’s own thoughts in a fashion that helps one
live meaningfully.
Listen to public speeches (like Convocation addresses, political speeches, TED Talks) to
trace structure of argument and worldview; to observe use of description, persuasion and
argument
Suggested Readings:
Das, Kamala. ‘The Park Street Home’, My Story. Kottayam: D.C. Books, 2009.
Singh, Mayank (Mayank Austen Soofi). Selected extracts from ‘I Had Come Too Far’,
Nobody Can Love You More. Delhi: Penguin Books, 2014.
Bhattacharjee, Kishalay. ‘Back To Where I Never Belonged’, First Proof: The Penguin Book
of New Writing From India. Delhi: Penguin Books India, 2005
Issacson, Walter. Selected extracts from Steve Jobs. New York: Simon and Schuster, 2011.
Using the techniques of poetry to write in poetic form; understanding how the concept of
beauty works through access to aesthetic forms; learning how to say the same thought in
different ways and observing how form impacts meaning can become a tool for personal
confidence in linguistic use
Reading: Locating poetry in its social context; Identifying elements of poeticism in different
forms of poetry (prose poems / slam poetry )
Listen Recite/perform poetry; Listen to audio/video clips of poets reading their poetry to
appreciate the significance of pauses, rhythm etc.
Grammar/Vocabulary: Denotation/Connotation
Suggested Readings:
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Nair, Rukmini Bhaya . ‘Gargi’s Silence’, Yellow Hibiscus: New and Selected Poems. Delhi:
Penguin, 2004.
Charara, Hayan. ‘Usage’, Something Sinister. Carnegie Mellon University Press, 2016
Exploring the rhetorical possibilities of drama through understanding its form and
mechanics; students learn how to handle conflict, how to have meaningful conversations and
above all how one’s words and gestures impact others.
Reading a one-act/ longer play to understand the interaction of dramatic form/elements and
social context
Write a critical response to the dramatic text; Write the script for a skit/short play keeping in
mind formal features like characterisation, plot development, stage directions etc.
Speaking: Students learn to use their voices and bodies to perform/enact skits in groups
Grammar/Vocabulary: Direct/ Indirect Speech; Phrases and Idioms; Tone and register
Suggested Readings:
Sarkar, Badal. ‘Beyond the Land of Hattamala’. Beyond the Land of Hattamala and Scandal
in Fairyland. Calcutta: Seagull Books, 1992
Narrative texts as a tool for exploring reality, including contests of what should be accepted
as real. Students will learn how to write narrative and through narrative to examine their own
responses to issues confronting them.
Read a longer piece of fiction to discern narrative voice, narrative structure, character
development while locating the text in its socio-historical context
Write your own short story/novella; speculative fiction can be particularly useful as young
people are often in positions of contest with the social reality afforded to them; read and
review short stories/novellas/novels
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Speaking Students to initiate discussion about Novella drawing upon the critical reading
skills developed in previous semester; focus will be on broadening their repertoire of reading:
texts chosen and responded to for personal pleasure
Listen to audio clips/ videos of writers talking about what writing means to them; audio clips
of books being read aloud to enable discussion of reading styles, pauses, punctuation, etc.
Suggested Reading:
Cisneros, Sandra. The House on Mango Street. Knopf Doubleday Publishing Group, 2013.
Unit 5 Writing your own academic essay / paper for the classroom
Using language skills learned over the course to create academic documents such as term
papers, reports and assignments. Examine and revisit earlier such submissions to learn how
to improve and edit these better. Learning to identify, consult and cite the right sources to
avoid plagiarism; recognise and rectify bias in one's own writing: class/caste/race/gender/
sexuality/religion-related bias must be discussed
Speaking: Be able to tell the class what your core idea is in the essay / paper and why you
chose it; debating various points of view on the same topic
Listening to others views and being able to figure out which arguments are key and why;
examining ideology and location of speakers
Suggested Readings:
Patel, Raj and Moore, Jason. ‘How the chicken nugget became the true symbol of our era’,
The Guardian, 8 May 2018.
https://www.theguardian.com/news/2018/may/08/how-the-chicken-nugget-became-the-true-
symbol-of-our-era. Accessed 4 June. 2018.
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TESTING AND EVALUATION:
- Questions based on literary texts: to test awareness of literary form and context through
comprehension testing (2 x 15 = 30 marks)
(2 x 10 = 20 marks)
English Fluency
The course is intended for students who possess basic grammatical and vocabulary skills in
English but may not be able to effectively communicate in their everyday contexts. The
course aims to equip them with skills that will help them interact with people around their
personal, institutional, and social spaces.
1. The students will be able to describe or express their opinion on topics of personal
interest such as experiences, events, hopes and ambitions.
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2. Read and understand information on topical matters and explain the
advantages and disadvantages of a situation.
3. Write formal letters, personal notes, blogs, reports, and texts on familiar matter.
4. Comprehend and analyse texts in English, to organise and write a paragraph and a short
essay, and produce written language in a variety of rhetorical styles.
SEMESTER I / II
1. Introduce yourselves as individuals, and as groups (group discussion exercise). Take notes
on your fellow students' introductions
2. Introduce characters from the text you are reading via posters
Tales of Historic Delhi by Premolar Ghose
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Unit 3: In public places
1. Find out what the procedure is for making a complaint about trees being cut in
your neighbourhood
2. Draft a formal letter requesting information about the disbursal of funds collected by a
residents' welfare association
Where the Wild Things Are by Maurice Sendak;
rtionline.gov.in/index.php
consumerhelpline.gov.in/consumer-rights.php
www.jaagore.com/know-your-police/procedure-of-filing-fir
www.consumercomplaints.in/municipal-corporation-of-delhi-b100274
Book/film reviews
Punctuation
2. Record a collaborative spoken-word review of the latest film your group have all seen
theladiesfinger.com/yep-headlines-reporting-domestic-violence-are-
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crap/
SEMESTER III / IV
1. Prepare a presentation on a topic you have seen debated on television. Delineate the
arguments and textual evidence used by both sides
2. Write a paragraph on any topic you are studying in any of your courses at present. Cite all
sources of information you use
1. Write a letter to your daughter - in your own mother's voice (use a text you have read in
class as a sample)
2. Prepare a presentation on a fictional place, as though you have visited it
scroll.in/article/801848/to-jyotiba-from-savitribai-phule-these-arent-love-letters-but-tell-you-
what-love-is-all-about
Extract from Between Ourselves: Letters between Mothers and Daughters (Virago)
1. Group exercise: Prepare an interview between a refugee and her prospective landlord
www.aljazeera.com/indepth/features/2016/10/dear-donald-trump-letter-syrian-
refugee-161013173005294.html;
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‘We Sinful Women’ by Kishwar Naheed
Paragraph writing
Extract from ‘The Transformation of Silence into Language and Action’ by Audre Lorde
Evaluation:
Attendance: 5 marks
Semester I/II:
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Comprehension passage: 15 marks
Note-making: 5 marks
Semester III/IV:
Debate: 15 marks
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B.A./ B. Com. Programme
English Proficiency
Course Objectives:
The English Proficiency course is intended for students who have had inadequate exposure to
English and hence exhibit a very low level of proficiency in the language – difficulty in
comprehending simple texts, limited vocabulary, a poor grasp of basic syntactical structures
and inability to speak or write the language with confidence. The course that is spread over
two semesters aims to redress these issues and has the following objectives:
• To enhance comprehension skills and enrich vocabulary through the reading
of short and simple passages with suitable tasks built around these
• To introduce simple syntactical structures and basic grammar to students
through contextualized settings and ample practice exercises so that they can
engage in short independent compositions
• To introduce the sounds of the language and the essentials of English
pronunciation to students in order to remove the inhibitions experienced by
them while speaking English
• To acquaint students with social formulae used to perform various everyday
functions so that they can converse in English in simple situations
SEMESTER I / II
Course Content:
• Comprehending short passages
• Reading these passages aloud with correct pronunciation and pauses
• Learning to use a dictionary
• Understanding and using basic grammar
• Writing grammatically correct simple sentences
• Engaging in short guided composition of up to 100 words
• Carrying out short conversations in simple formal and informal everyday
situations
Recommended readings:
• A Foundation English Course for Undergraduates: Reader I (Delhi: Oxford
University Press, 1991) pp 1 – 36 (Units 1 – 6).
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• Everyday English (Delhi: Pearson, 2005) pp 1 – 15 (Units 1 – 3), 21 – 31
(Units 5 – 6) & 36 – 43 (Unit 8).
• A Foundation English Course for Undergraduates: Workbook I (Delhi: Oxford
University Press, 1991) pp 1 – 31 (Units I – V).
• Developing Language Skills I (Delhi: Manohar, 1997) pp 8 – 26 (Units 1 – 5
of ‘Oral Communication: Speech Patterns’), 186 – 195 & 206 – 209 (Units 2,
4 & 5 of ‘Grammar’).
Internal Assessment:
Reading aloud, dictionary tasks, brainstorming and writing in pairs / small groups
SEMESTER III / IV
Course Content:
• Reading and comprehending passages of greater length and complexity
• Learning to construct more complex sentences: negatives and interrogatives
• Writing short independent compositions of up to 150 words (paragraphs and
simple applications)
• Expanding one’s range of conversation in everyday formal and informal
situations
• Learning to present oneself at job interviews
Recommended readings:
• A Foundation English Course for Undergraduates: Book II. (Delhi: University
of Delhi, 1992) pp 1 – 7 (Units 1 & 2), 19 – 21 (Unit 6), 47 – 49 (Unit 13), 61
– 63 (Unit 16) & 75 – 79 (Unit 19).
• Everyday English 2 (Delhi: Foundation Books, 2006) pp 14 – 29 (Units 3 – 5),
91 – 101 (Units 16 – 17) & 121 – 128 (Unit 21).
• A Foundation English Course for Undergraduates: Workbook I (Delhi: Oxford
University Press, 1991) pp 32 – 63 (Units VI – X).
• Developing Language Skills I (Delhi: Manohar, 1997) pp 26 – 45 (Units 6 –
10 of ‘Oral Communication: Speech Patterns’), 183 – 186 & 209 – 216 (Units
1, 6 & 7 of ‘Grammar’).
Internal Assessment:
Simple conversations in pairs, short oral presentations
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• Reading comprehension 20 marks
• Vocabulary 10 marks
• Grammar 15 marks
• Written composition 20 marks
• Oral communication 10 marks
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