AK - Singh Projective Techniques
AK - Singh Projective Techniques
Constructive mcludes al
wsldey
Stuational Varable The constnuctive category, though apparently
similar to the constitutive aegory
to construct a speciied
ask He s equiredto
situations where the
examinee is fequired by the e u m n e s The
Genera Applicability those test
situation in the direction specihed
degree of structure upon the this would be included
in
impose a or female and
be asked to draw a figure of a human male to the
examinee may
intheconstitutive categury wheredrawng accordingallow
EANING AND TVPES OF PaOECTIVE theconstructive category rather than category test
a
situabors
examiners inclination
personalny The history oad projective assessmend dinical setting are the indirect measures o iree expression of the
goes beck to the 14005 when Leonardo da do nol give such permission.
sid to have seleced puplls on the
basis of heir atlempt to find Vino
boS lomn Piouowski, 1972). Galhon constructed shapes and patems Interpretative s equired adu i
a word-association test in where the examinee
ngalo used samilar tests for clinical 1879. Cn This category includes
all those test siluations lest ior TAD and the
Word
evolved nlo projective tests. In taca, purposes. These inlomal projective techniques graouly situation. The
Thematic Apperception
frank (1939, 1948) had comprehensive meaning to the
method tor describinga category introduced the term projecn Test are included
under ths calegory.
propecive lests the ndivedual s gventestsanlor siudying personality widh unstructured stimul
Association
unstruclured situation we mean a siluation unstrucured situation to which he responds. By which the examinee s gven as
Refractive through
indivadual to individual. Such siuatbons have whose neaning and interpretation vary Under this category are included all those techniques
oi painting, drawing
handwriting et
evakung tantasy materal irom the testees no right a wiong answers and are his personality
in the torm
of tha calegor
Capui
(Lindzey, 1961). The most important assumption o
oppotunity to express
has been cited by
Frank as the bei eumple
Graphology lor handwriting)
Methods in Bebanoural Scknces Pme tte Tecbnues 201
200 Tesk AMeasurements and Researcb
Expressive Techniques
Cathartic through includes those situations where the examinee
This category includes those situations whereby the examinee is given an opportunityare cited as its
This technique expresses his personality through
tasks for the release of his conflict, wish, etc. Play techniques some manipulative tasks, which usually involve some interaction with given materials. Play,
some manipulative
best example. drawing, role-playing. painting. finger painting, etc., are the common expressive techniques.
it can be said that his classification solves less and One impotant feature of expressive techniques is that the examiner pays much attention to the
In fair evaluation of Frank's classification,
creates more problems. One of the biggest limitations is that his classification overlaps so much way or process by which the examinee manipulates the given materials. For examples, he may
under more than one or two categories. For example, a
ask the examinee to play with a given set of dolls; he may pay attention to the process by which
so that the same test can be included
either the constitutive or constructive or refractive dolls are selected and handled during the play. Thus in the expressive techniques attention is
figure-drawing test may be included in classification of the given to the process and not to Ihe end product of the process. Expressive techniques, in this way.
category. Frank's classification, therefore, is not a widely-accepted
projective test.
are different from construction techniques because here much emphasis is given to the process or
The more convincing classification of projective techniques
has been recently provided by way of handling the test materials rather than upon the end product of the process (such as the
he has divided projective techniques content or theme of the stories, etc.). The lamous Toy-World Test is an example of expressive
Lindzey (1959). Based upon the responses of the examinees,
into the following five categories: technique.
the stimulus word and the response word) are analyzed for studying the personality.
still another important classification of the projective techniques has been done by Best
Construction Techniques (1978). He has proposed a four-way classification of projective techniques as stated below:
This category indludes all those situations where the examinee is required to construct a story Association
after seeing the stimulus materials (usually a picture) within a certain specified time. No record is is presented with
Under this category are included all those techniques where the examinee
generally kept of time but the examinee's themes andthemode of responding are considered stimulus materials like picture, inkblots, words, and is asked to tell what he sees,
cartoons, etc.,
relevarnt.The Thematic Apperception Test (orthe TAT), Children's Apperception Test (or the
CAT). the Blacky Pictures, the Object Relations Technique and the Pickford Projective Picture thinks and feels. The Rorschach test, the Holtzman Inkblot test, and the Word-Association test
(PPPare some of the best examples of construction techniques. In all these tests the examinee is belong to this category.
required to constnuct produce simple statements or complex statements in the form of story. A
or
discussion of all these tests is beyond the scope of this book. However, some of them appear in
a
Completion
detail in later sections of this chapter This category incorporates the situation where some incomplete sentences are presented to the
examinee who completes them in the way he likes. The sentence-completion test belongs to this
Completion Techniques category. Such tests have been found to be most useful in interpreting
traits like anxieties,
etc. Items
These techniques inchude those situations where the examinee is
presented with some guil-feelings, hostility, aggression, attitudes loward sexuality, paranoid tendencies,
incomplete sentences with the instruction to complete them in any way he desires. A few illustrating paranoid tendencies may be framed like this:
examples which illustrate the techniques are given below: Somebody is always trying.
Ifeel tense. *************" I worry about.
My ambition in life is.. *******
this silence by the examiner is considered as very important by most or meaning. Second, the inquiry
administering test,
when the examiner is in doubt regarding its location
Rorschachers. However, this can be interrupted when the examinee raises the questions.
In only non-direct questions have been
should be framed in a non-direct way. (Examples of
answering these questions, the examiner must adopt a non-direct approach. A few examples questions ones. They should be precise
and
should not be long
illustrate the point: given earlier). Third, the inquiry questions
Examinee: "How long should I keep the card?" brief and must be formulated to evoke answers helpful scoring.
which are in
However, this
Examiner:"As long as you like". is the third and final stage in the Rorschach administration.
Testing-of-the-limit
Examinee: "Should I tun the card?" In instances it is seen that examinees give responses
stage is not needed for all examinees. some
For example,
Examiner "l depends upon you." or "As you like." which are ordinarily
u n c o m m o n and not
found in most of the Rorschach protocols.
Examinee: "Should I report more than one thing?" whole responses are better than part responses
the examinee might somehow be convinced that In such situation, a
Examiner, "Most people usually report more than one thing." to all the ten cards.
and therefore give only whole responses
in by the examiner in order to see
Thus the questions raised by the examinee are answered in a non-direct way which, tum, lesting-of-the-limits is done through adequate encouragement
in order to evoke the responses
found
provides encouragement to him. Sometimes, it is found that the examinee rejects the cards whether the examinee is capable of changing the response
altogetherwithoutgiving any response. If such rejection occurs on the first or the second card, the to test the limits of
in most of the protocols. The stage is so called because the procedure intends
examiner should rethink his procedure or his choice of the Rorschach test as the appropriate test.
Howeve, if such rejection occurs on the eighth or the ninth card, the examiner should 8iving ordered responses on the Rorschach test.
encourage
the examinee by saying, "There is no hurry; try and see something in it." The examiner
that sufficient time intervenes before the examinee rejects the card. Beck (1944) and Hertz (1969)
should see Scoring into ditferent categories so
the classification of responses
in the Rorschach test 'scoring' relers
to
suggest a minimum of 2 minules time only after which rejection can be justified. Rorschachers Rorschach
as a whole. Regrettably,
the personality of the examinee
differ with regard to the maximum time a card should be kept by the examinee. Beck (1945) d he product may reveal his scoring system. Thereiore, it was left to his
suggests that the examinee can keep a card as long as 10 minutes whereas Piotrowski (1969) ced before he could have conceptualizedof Rorschach scorng. Five Americ an psychologists,
Suggests five minutes as a reasonable maximum time for keeping a card. Sometimes, examinees Ollowers to complete the systematization
(in case of exdremely compulsive examinees) have been found to
go on responding endlesslytoa
Sciences
terhrds in
Bebat ioural
Measunments and Rewvach Proyecte Techniques 207
206 Test
Iried their best and pro
and D Rapaport sponse'
opular respo of the content
B Klopfer, Z
Piotrowski
nuances
ofscoring vary category (to be
discussed later on), because the latter is
namely.
one
S Beck, M Hertz.
scoring method to another to the test.
therefore,
approach
I was lound
that
Exner and his colleagues have develoDed Exner
ferent
differe from the former. Rapaport, Gill & Schafer (1946) have
defined the D response as
Overlapping bul independent 1993
e belonging to the.area "which is conspicuous
by its size, its location and the frequency of the
their earlier approaches (Exner, onse it draws." Thus the "normal" or "usual" details
synthesizing of the blot are the areas, which
System (CSI by
Scoring ot scoring there are four main and out by virtue of their position and contour, A low percentage of D clearly
the point of view
Comprehensve
from
CsS agrees that response is usually
&Winer, 1995). The dicative of maladjustment. Klopter et al. (1954) have divided the usual or common
of details into
categories of
classification responses.
ads depending upon the size-capital D for large usual area and small d for small
two usual
are
These three categories area.
1. Location The Dd response (unusual details; The unusual detail (also called small detail
2. Deteminants nes by Rorschach) are based upon "usually the smallest responses
details of the picture almost always
3. Content oked by normal subjects" (Rorschach, 1942). In the words of Exner (1974:56) a Dd
and Original Responses onse is "one given to a blot area which is not used frequently." Thus when that part of the blot
4. Popular Responses below.
four categories is presented hich is rarely used by most examinees instigates a response, it is scored as Dd. Logically, a
Adetailed discussion of the
onse Can be scored as Dd when it is neither W nor D. Klopfer (1942) has divided the Dd
Location Location refers to the pat of onse into four subcategories and the symbols for each are different. When tiny areas evoke a
in Rorschach interpretation.
Location is the first and easiest system onse, it is scored as da; when an edge or conlour instigates a response, it is scored as de
Whether the whole blot is producing a response res
the blot, which produces a particular
response.
scoring when inside areas evoke a response, it is scored as di;, and when an unusual detail response does
whole blot is producing the response is indicated by this category of
or only a part of
the not fall into any of these categories, it is scored for rare detail as dr. A dr response is highly
whole response and the scoring is
direct and simple but in the latter cae
n the former case, it is a idiosyncratic and rare and sometimes the examiner fails to see in the way the examinee perceives.
is further dependent upon the fact whether the used part is a commonly used one or
the scoring location of the responses along Exner (1974) has, however, objectedtoKlopíer's division of the unusual details on three grounds.
discussion of the scoring based upon
rarely used one. A detailed Fist, the examiners tendtodisagree with speciic ypes of Dd. For example, a response can both
with its symbols is presented below.
be tiny and rare and therefore, can be scored as dd as well as dr. Likewise, some inside detail
When the whole blot instigates the response, it is scored
The Wresponse (whole responsest responses are not uncommon whereas others are extremely rare and uncommon. The fomer may
as W. Thus the criterion for the scoring of W is a sort of either-or phenomenon in which the be scored as di and the later may be scored as dr or both types of response may simply be scored
examinee either uses the whole blot or does not. In general, a W response is considered a good as di. Thus, there is room tor the scorer to vary and this unnecessarily lowers the reliability of the
response because it
indicates an overall view of the entire situation. There are two
subtypes of w fourcategories of Klopter's division. Second, there are no other evidences for such a fine division
responses: the cut-off
whole symbolized as Wand the confabulatory whole symbolized as DWor
ofthe Dd response. The limited research base does not make such a differentiation regarding the
Ddw. The cut-off whole response which was suggested by Klopíer Kelley (1942), one in
& is
type of Dd. Third, the frequency of any of these categories of Dd response is very low and
which the examinee gives the response on the basis of the whole blot excluding minor details. For
Contributes very little to the scoring summary. Keeping in view what has been said above, Exner
or side projection.
example, Card I may be perceived as "Bat" excluding lower projection
its
(1974) recommends that all types of Dd responses should simply be scored as Dd. This would
Cards 1, I and Ill evoke frequently the cut-off whole response. Card II may be perceived as
decrease the confusion regarding the differentiations among scorers and therefore, would tend to
Buffalo" excluding the red colour whereas Card l may be perceived as "Two women"
increase the scorer reliability.
excuding the red colour. Beck (1944) has, however, to the
objected whole
cut-off
response and is The S response (white space details: When the white space area is used as the basis of
d view that a response is either Wor it is not. He argued that since there are no evidences of
scorer reliability of the cut-off whole response and also because the literature does not make response, it is scored as S. The Sresponse is never scored alone. According to Exner (1974:57) it is
mertion df any such response, it is dificuit to accept it. The confabulatory whole or DWor Ddw always used in conjunction with one of the three primary location scores such as
response is one where "the examinee attends only to a detailed area of the blot, but then Ws,Ds or Dds" Rorschach himself regarded S as one form of unusual detail, that is, Dd. Beck
generalizes from thal detail to the entire blot". (Exner, 1974:57). When the examinee attends to has also expressed a similar view and said that S responses are a subclass of D or Dd so that his
the usual detail, Dw is used and when the examinee attends to the unusual detail, Ddw is used. symbols become DS or Dds. The chief rationale for using S in conjunction with other location
Such responses obviously indicate that the examinee has not distinguished the various areas of scores is to maintain consistency in the evaluation of the three main location scores-W, D and
the blot to have a clear perception but instead, he has generalized from a single minor detail to the Dd. Some Rorschachers have, however, attempted to modify Rorschach's original idea. They
whole blot. The DW or Ddw response, therelore, indicates perceptual cognitive impairment havesuggested that the space response may be scored separately as Sif the basis of response is
the white area. But when space area is used in combination with other parts of the
Howeves, such responses on the Rorschach test are very unusual. only space
The D response (common detailst The D response stands for a response based upon the blot,it must be scored as Ws, DSor Dds depending upon the nature of the response. When the
"usual or "normal" (sometimes called "large usual") detail or part of the blot. The fundamental white space area is scored separately, it is included in W, D or Dd. Hertz (1970) is one such
principle for a particular response to be rated as Dis that a detail should be easily and frequently Rorschacher who recommends separate scoring for white responses. Accordingly, she has
seen by most examinees as separate from the remainder of the blot. It should not be
confused with distinguished between two types of white space responses -the common and frequently used
Sciences
Bebatoural
Resanch
Methos in Pmjectue Tecbnkur 209
Mensuremenss
and
20 Tets
and infrequently space detail scored
used white space dets:
after
capital
Sand the rare and immediately seeing the printed carcs, Rorschach thought of the possibility of this ne-w
white spacedetail
scored as
symhoi
dimension (Ellenberger, 1974). Accordingly, he addeda sixih symbol for ashading 'chiaroscuro
detail response
as small s detaikst The
confabulated
Whole response
When all portions of the blot are used in giving a deteminant
the response which has
symbolized by the capital letter F is meantF forreserved
W The fom for the response
response because of the torm or shape of the blot. Thus is
urred purely have
other than shape or lom has contributed to the percept. Often, Rorschachers
DWDdw Confabulated whole When secondary emphasis is given to the where nothing of in many protocols is high. F is relatively easy to score when the
interpretation of the blot as a whole and the primary found that percentagereveals
the F
that it is only the shape, which has evoked the response. For
response
emphasis is on a detail portion either usual or unusual inguiry (done carefully) revealed that this is
I be wholly perceived as "Bat" and on inquiry if it is
of the blot example, Card may as the two wings and the middle part looks
like the
the two side projections appear
because
fail,
without score it as F Some Rorschach systematizers
should
the basis of frequently the scorer,
Usual or common When response is given on or
centre of the body, two F When the fom is clear and good, it is scored as
D
commonly identified area of the blot have divided Finto categoriesF+and -
detail response the form is it is scored as F
vague,
F+ and when
Unusual or uncommon When response is given on the basis of infrequently
Dd area of the blot
Deteminarts (M, FM and m)
or uncommonly identified Movement
detail response in the Rorschach test-human
responses are usually reported
Three types of
movement
with
uncommon or unusual detail area disagreed Rorschach characterized M responses
as being marked by 'flexion'
or
human movemer
T M lor wi
210
the symbol hedivides human Deteminants: Chromatic (C, C, FC and Cn)
accepted of Rorschach, Colour
has akso division to 5 cards
Exner
(1974:74) f l e x i o n - e x t e n s i o n
walking,
jumping and cr dre al oinally, Rorschach divided the colour responses having chromatic features givenbased
incomplete. lines of the a into which are
three categories: (i) those responses uponwholly
variations.
On the and pasive.
Running,
and thinking a r o
examples of Cads l, 1, VI, IX andX)
some lalking, smiling, scored as C; (i) those responses where colour dominates but also the form or
into hwo
parts-act/ve
and sleeping, theaddition of assuperscript a r and are
as C; and (ii) those responses where form dominates but colour
movement movement recommends
ofacthe
human
Foractive
movement
he
that the com
omplete symbol becomes M ape is involved and are scored FC. Thus colour responses based upon
examples
human
movement.
movement
so and en determinant. Such responses are scored as
a
passive and p for
passive
in scoring
for M.
atic features are C, CF and FC and probably these are the only scoring symbol in a
movement
assuma
disagreement, among the Rorschachers. Rorschacher
precautions c h r o m a t i c
for actve
There are
some
scored
because M aulomatically assumes fom o orschach testwhere there exists the least
when M is
naming, which was later modified by Piotrowski
Mrespectively. as
lor
should not be used added a fourth symbol, CC, colour
First F of these colour scoring determinants is as follows:
believe
to beli
that a response of human movement isnot A detailed description
shape. obvious fthe examiner,
reason
1should not bescored. (This is Cn. colour response, that is, ior responses where other factors except colour
there is the Cis scored for pure
Second when
provokedby
the inquiry of few examples ot pure colour response are blood, ice cream, paint,
etc. Pure
rather than For example,e, when
w theexaminee responds to Card irrelevant. A
rare in the Rorschach protocols. C or colour response
is
because the response
symbols) are
spontaneous
for all
determinant
spontaneous.
also lor the response
where content animal but the water, scenes, sky, Scoring too. For
etc.
when the examinee emphasizes that he
M is scored animals. For exampla
meat,
be Scored as C, example,
Third, sometimes humans and never among shese responses may it like a piece of meat, then obviously it would be
scored as FC
involved is found only among and "Two pigs playing footbali ercejves "meat" because looks
with each other" to Card l
and colour is Thus, through a non-direct
1orm is primary satistied that secondary.
movement
here
Two buterflies
like talking Father than CF becausemust get the has primary reference to
esponse M. fully percept
tiry the examiner relerence himselt
as
would be scored simply
toCard Vill Klopfer in 1936
FM, which was originally suggested by
and to tom in order to score it as CE
is scored as
Animal movement Rorschach himself did not attach
much signilficancato colour and secondary form dominates and the examinee also makes a secondary
Piotrowski and Hertz. a response where
Hertz and Klopfer have used th scored for
frequently used by Rorschachers except Piotrowski,
FCis
the
classification. A few examples of an FC
of elaboration or
such responses.
No other
movement such as "Two
bears going somewhere" reference to colour for purpose
the
a red dog, a red shirt, a brinjal, etc. In all these examples the form
involving animal scored as FM. Like ecnonse would be lungs, heart, of the blot may look like
scoring for FMAll responses is "The buffalo is going" are simply with a secondary emphasis on the colour.A
part
"The rat jumping",
Two cas fighting', ithe percept dominates colour. However, a skilled
examiner
animal movement may be
active or passive. Accordingly, the superscript a for it is first similar in shape and then, it has red
human movement,
for passive movement should
be added to FM. Precaution should be aheart because
the ingquiry. Even after that if thee examiner is in doubt regarding
during
active movement and p
those of animalmovement which are spontaneous and not should get this cleared
dominates over colour, testing-of-the-limit may
be carried out. As compared
FMfor only responses
taken scoring
in whether or not form use of colour. FC indicates control
over emotional impulses
provoked by the
examiner's inquiry or questioning. very controlled
a
are scored as moriginally to GF FCrepresents litle control over it.
insensate objects producing a movement indicates comparatively
Inanimateor inorganic or and Hertz separately in this system. whereas CF names a particular colour
and declines to
and incorporated by Klopfer found that the examinee simply
sugpested by Piotrowski in 1936 the for m. For all types of inanimate movements
Sometimes it is
in which only the colour had been' named,
were
Fwith m. When form or shape dominates recognized as colour-naming a Piotrowski, for the first time 1936,
in introduced
Piotrowski and suggested a combination the symbol
of much significance to CCesponse.
should be scored as Fm and when movement not attach has been frequently used by many Rorschachers. A
in the perception of an inanimate movement, it of CC and this symbol
and where there is pure movement, it should be thesymbol Cn in place are "Here it is pink",
"This is a red colour", "Greenish",
dominates over form, the symbol should be mf colour-naming responses
mF and m-did not prove to be few examples of "What nice variety of colous!" are
not scored as
simply scored as m. But these three scoring calegories-Fm,
a
at the colours!" or
has Exclamations like "Look
with FM or M categories. Here Piotrowski's suggestion etc.
popular because they overlapped
to which all types of inanimate movements should simply be scored Cn.
been very popular, according
be active and some may be passive. Examples of active Achromatic (C,C'F andFC )
as m Some inanimate movements may
and "Car going speedily" and for
Colour Determinants: achromatic colours. Although these colours are not
movement are "Aeroplane flying speedily, "Top spinning fast" regarded as
Black, white and grey
are
becomes t . or even by psychologist, they
are important they because are
such movements the superscripl a should be added so that the complete symbol a
Reeanh
Methoads tn Profecttpe Tochnigques 213
and
fied the
the scoring
M e a u r e m e n t s
FCrepresents the fom-achromatic colour response puTne xture responses only when
(1946) scored textur
they given combination
in
colour has only secondary reference for the
a
a
were with achromatic
rOon ses. It was Beck (1944) who modified the symbol of Klopfer as Tto represent texture
and the achromalic easier tha
upon the fom decision to score a response
as F'C is relatively
The
elaboration or
classification.
A few examples of the F'C response oonses and since then, texture responses are usually in the form of T by most
reported
because of the primary emphasis
upon the form features.
etc. Obyiously, a part of the blot may be perceived
Rorschachers.
"Gray cow",
"Black dog, White horse", form) and then because it is blar Texture is scored when shading (light-dark) features of the blot are used to represent tactual
blot looks like a dog first (emphasis upon
black dog because the the examiner should confirm this from the inquiry
li. The common features of tactual stimuli are cold, hot, rough, hard, soft, smooth, sticky,
to colour). However, stimuli.
a secondary reference c.furry, silky, etc. When these words are used by the examinee, it is highly probable that
Shading Deteminants
ading is involved and texture should be scored. Texture is scored in one of the three ways
and the most controversial category in the Rorschach
determinant depending upon the extent
or
torm involvement. T is scored for a response in which shading
Perhaps the least researched ures are represented as tactual or textual without the involvement of form or shape. In other
is that of shading or chiaroscuro responses. shading response is one is which
A
protocol T is scored for pure response. Responses like "Silk", "lce", "Hair", "Flesh" and
light-dark features of the blot are used. As earlierinmentioned,
Rorschach originally recommended wOrds, texture
only five symbols for determinant categories which no mention of shading responses was Mod"may be scored as Tif shading (light-dark) features of the blot
are involved and perceived
(Q as a sixth symbol for shading responses as form
texture with no pure texture response is, however, very
involvement. A uncommon
made. But later, he also included a parenthesized texture responses.
Since then some of the Rorschachers have worked over the determinant category of shading among
the three
responses and the nel product has been the emergence of a dilferent set of symbols with
TF
is the second category texture scoring. A response in which shading is
of
eture and fom is involved only secondarily, is scored as TE. In other words, TF is scored for a
perceived
as
diferent criteria.
Beck has divided shading determinants into three categories. The first category includes of shading as texture is primary and form features are used
esponse in which interpretation
of elaboration or classification of the percept. Responses like
those determinants in which shading producestheimpression oftexture and depending upon the secondarily for the express purpose
daminance of fom, this category is scored as T, TF or FT for pure texture or reflections, of ice", "A hard metal", "A rough skin",. "A rough piece of sandpaper" are likely to
A Soft piece
texdure-fom and form-texture responses respectively, The second category includes those features of the blot are involved.
be scored as TF provided shading
deteminants in which shading creates the impression of depth or distance, and again depending FTis scored for the form-texture response, that is, for a response in which form is primary
upon the dominance of form, they are scored as V, VE or FV for pure vista response, vista-form in FT
response and form-vista response respectively. The third category includes determinants in which and the shading features of the blot perceived as texture are secondarily involved. Thus,
determinant is form (that is, form is distinct and clear) and the secondary
responses are based upon shading features (light-dark features) in which achromatic colours are response the primary
or classification is the shading features perceived as
also involved. Depending upon form involvement, such determinants are scored Y, YF or FYfor determinant for the purpose ol elaboration
like "Fur coat", "Aglass made of hard metal", and "Smooth chair"
pure shading response, shading-form response and fom-shading response respectively. texture. For example, responses
are likely to be
scored as FT provided shading (light-dark) feature of the blot are involved. In all
Likewise, in 1936, Klopfer divided the shading determinants into four categories. The first
these examples the form is clear and distinct and hence, it is the primary determinant
category which includes shading responses that tend to produce the impression of texture, are
FT
scored
as Ccfor fclor pure texture response, texture-fom response and form-texture response Researches have revealed that of the three texture responses,
Cards except IV and
three-fourth responses
VI (Exner, 1974).
are
is used for vista light-dark features of the blot are perceived as representing depth and/or dimensionality, they
shading ldepth or distance), landscapes, reflections, elc. The determinant symbol
Rorschach made onlv a Pmfectitw Tonhniegtses ti5
or
vvsta
d e t e r m i n a n t s .
However. it was
assing e
shading-form response is
sored
eter the shading
to
dimensionality
which
imvolved dinmensionality.
for these responses
lopfer s are the YF as YF. A
primary determinant and the form s a response is a response in which
unfotunateh this symbol
shadingcoauld not be popular
respones
f was nol(FA)
as symbo clearly differentiated from ee useBu
of shadirng
nly ec ondarily purprse r elahoraticon or secondary deterrninant, that is, torrn is
reference to such scoing for the
separae
responses, which
who for the
first wereprovidd
time
a
atso introduced by Klopter tor responses involving
these vista
the responses
more dii à
the
nmore
d one has vague and non-spec i e torm but theclass1fic ation. Uwally, the content a ued
ffuse resp n of the content. Respponses like "Some light dark featyres are
YF
mpnrtant ton the
formationo
Deepness,
and "Height", provided
the shading features are
dimeionality is the form interpreted by the size of the blot response whereas in FD the basis
of the pure
vista response
are
rare.
o ed by Exner (1974). According to him, FD is
areas. FD is a new
scoring category
usually very scored for
involved. Pure
vista responses
are
FVis the third scoring determinant for the vista response. A response in which the primary
hading responses and retleclions based form
ways-reilections based upon shading
on
is
form as
Exners scoring ior
determ1nanm is form and the examinee provides shading leatures ol the blot as depth only as a responses is the most compressible as well as easily responses.
he form involvement, classified retlection responses into woadaptabie as Depending upon
one.
secondary interpretation, is scored as FV. Thus in FV responses, fom is dominant and primary he
and the shading features perceived as depth or dimensionality are vague and secondary. categories mentioned below:
The reflection-form
response is one category which is scored as rF. An rf
Responses like *A deep well". "A tall tree" and "A woman behinda curtain may scored as Fv be A h svmmetry features of the blot are response is one in
form is distinct and clear
primary to the formation of the response and the torm is
provided shading features of the blot are involved. In all these examples,
and is the base of the response. If the inquiry fails to satisfy the examiner regarding the dominance
decondarily ior the purpose of further clarification.
Usually, in an rf response the fomis
vague and non-specilic. Kesponses like
"Sky retlected
of torm or depth and/or dimensionality. testing-of-the-limits is recommended. Of the three vista
in a
something pond" and "A reflection oi
responses FV Occurs in greater frequency. Following Beck, reflections or responses based upon
in a lake" may be scored as rk. Ihe lrequency oi rf responses is very rare.
The íorm-reslection response is the second category of the reflection
reflections such as "Two women in a mimor", "A human face in the water of the well" would be response and is scored
f t The Fr response is one in which lorm leatures of the blot are
scored as FV. primary to the formaton oi
response and the content
perceived is
retlected due to symmetry of the blot
as
Thus in an Fr
General-Difiuse Shading Deteminants (Y FY, and YF) The general-ditfuse shading
response the form is distinct and clear, which distinguishes it trom an rF
response inciudes within itsell all those shading responses which are neither texture nor vista. As response. Responses like
A girl in a mirror" and "Own tace retlected in water" may be scored as Fr because oi
the
a matter of tact it is this shading response to which Rorschach used the symbol parenthesized (O.
dominance of the torm, which Is relatively clear and distinct For Beck, ali the above
Such shading responses are used in a more general and non-specific sense than those of the
reflection responses would simply be scored as FV, which is a kind of vista npes of
exture or vesta responses. Like the texture or vista response, the general-diffuse response. Similarty.
shading response Klopfer would score them as FK which also a kind ot vista response.
is
can also be scared in any ol three ways depending upon the degree of the form involvement.
Like reilection responses, pair responses are also based
upon the
symmetry of the blot and
Apure shading (general-difiuse)
exclusively based
response scored Yand is defined
is as asa response, which are scored as parenthesized
(2. A pair response excludes the torm
speciticity
s
upon shading
seatures whose content has form. no These shading features, Thus when the symmetry ot the blot evokes the perception of woness or
or torm
quality.
howeves, mus not be percenved ether as texture or as vista. Responses like "Darkness", "Ink",
used by Exner (1974). Responses like "A pair ot tlags", "A
the symboB is pair, 2
"Smoke" "og" are scored as Yprovided shading features of "A pair shoes", pair oi crabs". wo
of the blot have been used. bears", and "Two little girls, one vn vach sicde" may be scored as
(2). However, the examner
Alerbexds in Beharioural SCiences
Uwwwww amd Resnend
A
used when a the twno
pair o r the two
oukicareslhy ncae thar the symbol
(2) should
n e v e r be
objects are Profectiee Techniques 217
Content
peneived as neecad have been divides
Exner (1974)
determinants
int al task in scoring responses on the
following texture in
ally, Rorschach test is to
Thus s obvious that colour (chromatic),
colour (achromatic),
din
this final task is very
importantto for interpretation of theselect the appropriate
content.
d as f o m
movement,
dimensionality (form) and ropriately selecting symbols the responses and that is done by
agorKS general-diffuse (shading), lietion cymbols to represent the content represent
is not a verv diff. the Onient.
content. The
The selection
selection of
of appropriate
(shading).
m e n s a n a l t y or
vista for them. For convenience, a appropriate
symbols used the
altogether 24 scoring categories is presented in T Originally, Rorschach in
n d paies There
.nan, Hd (human detail), 1921 used only six symbols for the scoring of content. They were H
are
n a m e s and
appropriate response A
symbos along with sometimes two
or more than
two determinante12
(hun lanimal), Ad lanimal detail). Ls (landscape)
After Rorschach, several and Obj (inanimate
it
because
carefully blend responses which"ay be scientists found that these six
Reaciers should note Such
are known as
be oDate distinction amon8 the content categories. As such, categories did not provide an
combined in one response.
responses
response, or 2, while disce adeunon Rorschach's original symbols to represent the they developed their own symbolsS
Beck's Organizational the
detail along with
discussed in list consisting of 35 content categories was provided bycontent categories in detail.
nepretation of
Rorschach response.
determinants longno of 23 content categories was provided by Beck (1944), and the shortestThe
list
and description ofthe Rorschach
ts
Co Klopfer & Davidson (1962). Exner
Table 11.2 Symbols, category his mprehensive system included only 26 content categories out of which 22 the
has (1974 in
Description categories and four are the parenthesized supplementary content basic are
Symbols Category coneh sVstematizers not only give different lengths to the list of content categories. Various
but categories
category. For example, Klopfer has used symbol At for also
Form response
Fom use
different symbols tor
the sanme the
Human movement response
content whereas Beck has
used the symbol An for the same category. Since the lists of
tcategories proposed by most Rorschachers
vary widely. it is difficult
Animal movement response cone e to the
all. However, most common
to prepare a list
Movement Inanimate or inorganic movement response
acceptable
are reproduced below.
categories of content, which are acceptable to
FM
most Rorschachers,
Pure colour response Responses H, (H), Hd, (Hd)
Human
Colour (chromatic)
Colour-form response His used for wholeor nearlywholehuman figures. Responses like "Man "Woman", or "Man
Form-colour response n O hair on the head" would be scored as H. (H is used for mythological (or fictional)
Colour-naming response onlike whole human tigures. Ihus responses like "Giant", "Fainy", "Ghosts". "Dwarf and or
FC
Cn
ils" etc., would be scored as ( rather than H. The symbol Hdis used for parts of the human
Pure achromatic colour response hody or the incomplete numanom.Limbs, head, feet, hands, fingers, person without head, etc.
C" Achromatic colour-form response would be scored as Hd. Parts of the human body considered from the mythological or fictional
Colour (achromatic)
CF Form-achromatic colour response wtof view are scored as (Hd). Thus "Eyes of the devil", "Finger of a ghost", "Leg of a monster
point of (Hd) rather than Hd.
FC would be scored
Pure texture response
(A), Ad, (Ad)
Texture-form response Animal Responses A,
Texture (shading) Form-texture response
Tha svmbol A is used for whole or nearly whole animal figures. Responses like "Buffalo", "Cow,
or Cow having no
hom" would tictional
be scored as A.ofVWhen the response of a whole animal figure is
Pure vista response given from the mythologica or point view, the symbol A) is used. Responses like
Dimensionality EMagic horse" and "Flying fish", are scored as A). Adis reserved for parts of the animal body and
Vista-form response
Depth or Vista (shading) A is used for parts of the animal body considered from the mythological or fictional angle. Thus
VF Form-vista response
of frog", and "Ear of an ass* would be scored Ad
FV Head of the buffalo", "Tail of dog", "Head
a a as
Blood (Bi) Setting aside some minor variations, among Rorschach authorities like Hertz,
The symbol Blis used for the blood
of either human beings or animals. Mrowski, Rapaporn, Klopfer, Exner and Beck, the Mons,
enlisted shown below:
as popular responses evoked by the ten cards
may be
AM
and the seal, and the seal ol authority
are written as Art in content Card: Bat or butterfly (W), human figure (D)
Paintings, family, crest. 5coring.
scori
Card VIll: Animal figures commonly perceived as wolf, fox, coyote, dog and bear (D),
Fire (Fi bush (D) tree,
Responses like burning. electric bulb, burning candle, actual lire, Ilame coming out from a stove
Card IX A head or face of a male (D), camel's head (D),
or torch, etc., will be scored as Fi, In the determinant category these responses are scored as m tree (D)
because they denote inanimate movement. Responses like atomic explosion or blasl are, Card X: Many-legged creatures such crab, lobster, spider and rabbit's head (D),
as
however. given a separate content symbol, thal is, Ex, which denotes explosion. The determinan dogs (D)
Rorschach (1942) had also suggested scoring for the original response. He defined the
category will continue to be m. original or O response as à response that OCCurs no more than once in hundred protocols.
Household (Hth) Therefore, original responses are rare and creative responses. On the basisoneof the
Interior household items such as table, plate, chai, bedsheets, pillow, etc., are scorel as Hh Oresponse is divided into two categories. An original response having a clear andform quality, the
distinct form is
ceored as O', whereas O is Scored for vague and indistinct original
Landscape (Ls) Drschachers except Beckhave included the scoring of the original response response. Almost all
in their system but
Precepts involving landscapes or seascapes are scored as Ls. Thus responses like beautiful each of them has provided a word ol caution. Piotrowski (1957) has said that the
garden, an aerial view of the city, underwater scenes are scored as Ls. original response is highly subjective and should be accomplished only by scoring of the
trained
Dschachers. Likewise, Rapaport et al. (1946) have suggested that the decisionsome to score the
Sex tSx) orjginal score is a very ditficult task and only the trained Rorschacher should attempt it. Likewise
Responses representing sex organs or sexual functions are scored as Sx. Responses like penis, Kloofer &Kelley (1942) consider the scoring of the original response as "a hopeless
because the number of such responses is unlimited. enterprise"
vagina, sexual intercourse, breast, testicles, menstruation, and so on are scored as Sx.
Xray (Xy) INTERPRETATION OF THE RORSCHACH PROTOCOL
Responses invoving percepts of X-ray are scored as Xy. Thus X-ray of the bones, X-ray of the interpretation of Rorschach data is
The a
complex task and requires considerable training, skill
heart, X-ray of the intestines, etc., are scored as Xy. and experience. Perhaps, this is the reason why there is no complete consensus regarding the
interpretation of the data even among the prominent Rorschach authorities. However, in this
Popular and Original Responses
book an attempt has been made to present the interpretative significance of Rorschach data in
The popular or P responses are those responses which occur frequently in the Rorschach
the simplest possible form, which beginners may find profitable. Throughout the
protocols. Orig1nally, Rorschach (1942) made no mention of the popular responses in his work.
However, he recognized the importance of such responses in his posthumously published paper interpretation of Rorschach responses, the method of content analysis (also known
document analysis) has been assumecd to be the correct method of analysis.
as
in
1923. He called these popular responses vulgar responses. According Presponse to him, a
the total
ndicates the ability for conventional perception. Rorschach set up an objective criterion in According Rorschach,
to
number of responses or R varies between 15 to 30 for
normal examinee. Klopfer, however, estimated R to vary between 20 and 45 and Exner (1974)
a
defining the Presponse. According to him any response to be recognized as a Presponse, should
R vary
occur al least once in every three protocols. This one-in-three criterion of Rorschach has been estimated to between 17 and 27 under his comprehensive system. Thusdoes
Ror the maximum total R varies. A minor deviation from the above
the minimum total
adapted by most Rorschachers. Klopfer & Davidson (1962) for example, have developed a list of not range necessarily
sciences
Reseanb
Methexds n Bebai tOural Profectine Tecbniques 221
Measuwmens
and
Z20 Tiexts.
with caution. A
very Ve
it should be explained
traits. However,
examinee, that is,
he has rejected o oonses because iney represent the easiest perceptual cognitive mode to act when laced win
indicate psychopathological indicates rejection by the
such as 10 or
below make a careful note because o
of it, respo
icuity. A review of the iterature reveals that Card X produces the largest number of D
total R examiner should
cards of test and
the skilled
depression and organicity. However, Dony annses because of its unbroken features. Usually, in a protocol the number of D response
more
indicate defensiveness,
intellectual limitations,
the basis of the total R. Other
on
facto resp hecause Dresponses are easier to give than other location responses. Persons having stress
accepted or rejected solely o only
give only ffew D
or and anxiety give
aa
these traits can be wholly a very high
total R such as 90 responses. Even maladjusted persons yield a low proportion of
should also be taken into account. Likewise, 100
appear later
D r e s p o n s e s .
1957).
tendencies (Piotrowski,
indicates schizophrenic
the reaction time of the scorable responso in
The Dd response is
nlerpreted as a form of respite from the vagueness of the common or
Rorschacher has emphasized of the blo. For a
Almost every
elapsed during
the total time
the free associalion. Piotrowski (1957
largcos low.
normal adult the proportion of Dd as compared to Wand
each card as well as
and he never recorded the reaci
is very
responses is very It occurs at the rate of 5% in the
however, remarked that Rorschach never used a stopwatch action of 20 is Dd for a normal adult. When the protocol of a normal adult, that is, one
The general purpose of notina amount of
time with any precision, though
he noted down a longer pause.
reaclion ime to the chroma
respo of schizophrenics or obsessive compulsive neurosis, themental disturbance is high as i
of the average the 9 percentage of Dd may exceed
down reaction time was to make comparison Mere presence ot the
a
extracting adequate meaning from the pure form responses. One such comparison is don. Pmfectite Technugues 223
ne nd not easily modiliable
through caculating F*% =
100
. Recently, Beck (1945) has argued for another method 9anaport holds that M tendency to maintain uniform
R of responses indicate type of delay
a
attitude in dealing with one.
itive functions in bid a
to give a of
a
occurring due to somE
comparing pure form responses with non-pure form responses. His method provides for the of a resistance to a natural or
deliberate response. response
more
Thus, M responses are indicative
Lambda index. One advantage of the Lambda index over F%,
accordin8 to Beck, Is that it avoird ernalization or spontaneous response, the result responses
the problems involved in interpreting the percentages (in F%) specially when R varies. Th late M externalization. Recently, some
researches have been conducted in bid
CoLeh Mresponses
to different
Lambda index is calculated by dividing the sum of pure form deteminants by non-pure form overt and a
deteminants. Hence rm responses were examined in covert behaviours. Dana (1968) conducted to
estimation, intellect, creativeness, and relation to six
important one stUay
EF enses may be related to any all of theinterpersonal relati lations. constructs-fantasy, time,
above six behaviours. His observation was that M
or
Lambda index =
.Sum of non-F determinants respitive correlation between Several
intelligence and M responses (Abrams, studies have coniirmed
tner 1958). Cocking, Dana & Dana
The range for an (1969) 1955; Sommer
rage nomal adult lies fro 50 to 1. When the Lambda index exceeds
1, it indicates excessive affective constraint and when it flls below 0.50, it indicates afecti
cfantasies, and time estimation. M have
reported that
responses have also beenMresponses are related with
&
nses Oon the test, especially the
interpreted
instability. Several research findings have revealed, in general, that when the examinee is in
state of detensiveness, the number of
reted Sum C. A detailed discusSion
We
colour-responses, is, in terms of
of
that in terms
of other
this ratio appears later in this the ratio of sum M to the
pure form responses is increased, thus supporting Beck and ErlebnistyDus (EB) the or
'experience of the five chapter the context of
Klopfer's position. A low frequency of pure form response occurs when the examinees are balance-one in
Rorschach in the interpretation of protocol.
instructed to respond very quickly because this deprives them of the variables introduced
by
delay necessary for the EMresponse (or animal
formation of the pure form answer (Hafner, 1958). It has also been reported that
intoxication tends nhasized by Klopter, movement response) is another
to increase the
enciveness' of a person,Hertz and important determinant much
that is, thePiotrowski.
frequency pure
of fom but the quality of such
trait of a According
responses responses is reduced to them, FM
(Rabin, Papania, McMichael, 1954). Likewise, it has also been demonstrated that person in which he is responses indicate
tend to give fewer pure form psychopaths ediate gain or gratifica
ication than for more
guided by need for
responses than alcoholics. m among children and aged long-term goals. The trait of
The pure fom response has also been
interpreted in terms of its quality, that is, in terms com
Klopfer & Davidson (1962) that the
persons than
among adults. Accordingly, impulsiveness
it has been
is more
good form (F)or poor fom (F" According to Beck (1945), the F response indicates that of ed that in childfrequency FMas compared to Mis
of reported
Ames (1960) reported
the
Cme independent studies have beenprotocols the high foraged persons
examinee has respect for reality whereas the F" response indicates that he has no
respect for thee frequency of FM exceeds the
frequency of
reality of the environment. Some researchers have demonstrated a relationship between F* nses and the correlates of conducted to examine the relationship between
responses and the intellect. Klopfer & Kelley (1942) reported a significant pósitive onsibility, defensiveness, etc. In herimpulsiveness such as the FM
aggressiveness, distractability,
between a lower percentage of F responses and mental retardation. In one of their correlation lated with the different measures of study, Hannsuch (1964) demonstrated that FM
early studies defensiveness as substitution where overtresponses are
Beck&Molish (1967) reported a high correlation between
the lower percentage of F responses of imnulse is found, and with
and limited intellectual endowment. F oc not get overt
rationalization, regression and expression
intermalization where
responses also indicate the ability to deal with stress an behavioural expression. Sommer the impulse
effectively (Goldberger, 1974). Some Rorschachers have argued for the calculation of an F*% respons significantly correlated with aggressiveness&and
are Sommer (1958) have found that
FM
which is equal toFx100 For normal adult (who is neither disturbed demonstrated irresponsibility, a88ressiveness and
that assaultiveness. Thompson (1938)
EF)+CF
a
nor of low correlated with the
preponderance
ot distractability
FM measured MMPI as
by highly
responses. Berryman (1961) in this
intelligence) F% should be above 80%. F*% exceeding 80% is taken as indicative of the fact that artists found that FM responses were posilively related to their level of study of creative
the person has fim control over his intellect and behaviour. The responses (or the inanimate movement
m productivity.
Movement determinants (M, FM and m) are the second important are response) indicate impulses or thoughts which
'threatening' to the stability of the personality and
the Rorschach test. Out of the above three movement interpretive elements in (Klopfer et al., 1954). Hertz (1942) and Piotrowski (1957) usually beyond the control of persons
are
determinants, M is the most widely
investigated one. According to Rorschach, M responses indicate the different ways. While they did not consider such interpreted the responses in slightly m
phenomena of
internalization', that is, they indicate the ability of the examinees to handle the more representing impulses thoughts which are not properly
or responses as threatening, they took them as
and sophisticated inner deliberate
experience (marked by organization and reasoning) in a way that they No other Rorschachers the except integrated into the cognitive functions.
above three, have included the
can be controlled
emotionally. Thus M responses indicate ideational type of thinking, which The most common interpretation of m responses among the three scoring for m in their systems.
grows with cognitive maturation. Klopíer et al. (1954) and Hertz (1974) have responses are associated with frustration occurring due to Rorschachers is that such
argued that M
responses indicate a íunctional relationship between the inner world and the external world few researches regarding m responses have revealed imperfect interpersonal behaviour. A
reality. Beck (1945) suggests that M responses indicate awareness towards the external world and of
above. Majumdar & Roy (1962) have something more than what has been said
reported that m responses occur in
reflect some conflicts or emotions which do not among juvenile delinquents. Neel (1960) in her greater
Thus the three prominent Rorschachers,
get obvious expression in the world of reality.
increase with an increase in inhibitions, tension and
study has demonstrated that m frequency
responses
namely, Klopfer, Beck and Hertz, have agreed with conflicts,
Rorschach's view that Mresponses indicate the
phenomenon of internationalization because all integrate needs with behaviour. The active-passive dimension commonly created by the failure to
of the three movement
of them regard M FM and m is also of some
responses as bridging the inner world with the reality of the external world.
Piotrowski (1960) and Rapapor et al. (1946) while
interpretive significance. Passive movements of the threescores, M,in
agreeing with Rorschach, have maintained a general, are related io depression and active movements are taken to be indicative of
types,
slightly different position. Piotrowski argues that M responses indicate a sort of disturbances. character
deeply embedded
Niencx
Bebarwural
AMabNds n
Rivvant
AMNuments
and
A
2
of next important
and Cn) are nt
(C CE FC
colour
determinants
these
chromatic colour
responsoPre
relive
nses indicate eupho
ic
character espectaly when white
pfer, Rapapon and light gray features of the
or
uchhaand
response. Klopfe
chromatic (1942),
The Rorschach in which colourroe
significance.
According
to
C Cn and
CF responses
FC responceses grey features and Piotrowski also agree that when
blot become the
bas1s
affectivity or
emotional
excitability.
which has no capability
tor adaptiveness.
with the
nwh
hich
are blainales
iom dohilityover C" black-grey-white
responses (scored
features, they tend to the basis of C" responses
indicate affectivity indicate
dominant,
indicateaffectivity
is dominant,
hypothesis. As interprete
y fo is less intense and
as
FC), it indicates that the depression. When
the fom
rather than the colour colour-aitect
notional disequilibriu
eurosis and person is able to control his dominates the
produced by the them to his own
advantage
emot
(Beck.
Klopfer et al. (1954) agree affective
respond which is
can use
1945). needs
to respond, whaueto d
and Car Suggested that FT
seriously impaired ability issue ol colour-affect
hypothesis is related to reponses indicate "the awareness with Beck and
colour. The second the 'afferctipfer have tureion and and differentiation of a
affect produced by 8-9-10% and Beck
(1961) has called
Kl ratio' need tor d dependency." Where lexture dominates so that form or persons's
&Kelley (1942) have called
ratio is equal to 2R{VIl+IX : ERI VI).
+ X) to
has secondaryrole lrored as FT), it indicates that the painful affective shape plays onlya
Afn. The affective of the alfective ratio for a nor ing with proper interpersonal behaviour (Klopfer et al., 1954; experience is
(abbreviated as
ol percentage.
view in terms
The range ormal aduh interfer
Beck. disruptive and
expressed the same ratio 0.55 indicates withdrawal
below or The vista responses (symbolized as , VF and FVby Beck) are the 1945).
falls between 0.55 and
0.75. The alfective
the alfective ralio above
0.75 indicates that the Derso passivity dimensionality. Such shadingresponses based
towards affective stimulation and
thic aàn esponses are very rare and their absence from the
affective slimulation. In other words,
upon
Since the affect is not exposed directly, its behavioural consequences are nol so obvious as when
complete inability to respond, whereas FY responses indicate that the experience is a mild form of
withdrawal or passivity leading to a simple delay in responding. There are a number of studies
the affect is nol suppressed (usually reflected through chromatically coloured cards). The most
common experiences associated with C"responses are tension, constraint and/or pain, all or any supporting the shading-anxiely hypothesis and the shading-passivity hypothesis, the latter being
SuDDOrted more consistently than the lormer. Eichler (1951) has found that when the subjects are
of which may lead to disequilibrium to cognitive stability. Rapaport et al. (1946) considered the C
esponses to be indicative of conscious and deliberate control or defense against affective pud under an experimentallyinduced stres situation, the number of difuse-shading responses
harply increases.Levitt & Grosz (1960) have demonstrated that hypnotically induced
anxiety
expresson to the external world. Piotrowski (1957) has agreed with Rapaport and Klopfer in the
interpreation o C' responses. However, he has added that such responses may also indicate
Behautoural
Sctemces
Methods i n
Reseanh
Measurmens
and
226 Test
responses,
Other researchers ha faila
of the difiuse-shadingIscoe & Calvin (1954) have edadve Pruectur lechniupus 227
tends to
increase the frequency
shading-anxiety
hypothesis.
Holtzman,
there is no
relationship
(1954) and frequently computed
sudy that scale. Goodstein
scale. (195
one
Anxiety o0has to the
extendeaive relationship dibetween
shadin First ratio
the Taylor
reported
Manifest
similar
which
finding.
favours
Elstein (1965)
Beck's
has extended support
view. He found
a positive ng-passivithety Second ratio =
(These ratios alsoinclude (H, (Hd), A)
=H+Hd:A+ Ad
H+ A:Hd+ Ad
hypothesis, towards withdrawal. and (Ad)
and the tendency sonlv, the first ratio tends to fall in responses).
diffuse-shading responses a scoring category introducei Commonly, the range of 1:2.
response (FD) relatively new
is
dimensional self.3.Ekne, oto indicate impairment ot Any reversal or imbalance of the
The fom
(1974). FD responses
tend to indicate internalization
such responses are prone
involving self-inspection or
sensitive and self-critical.
to be
self-awareness. atio
en
second
ratio, suggested bby Klopíer, gives
cognitive
normally fallsin the range of 3:1 to 4:1, which
development
to
and effective
emphasis the occurrence of thesocial realtions. The
whole vs detail. It
Persons giving
were separately
scored and analyzed indicates ability to
Reflection (rf and Fh
and pair (2) responses
egoconntri Exner arspective. Reversal in this ratio perceive the things or
indicate excessive concern for objects
tends in
has revealed that reflection and pair responses indicate their with some kinds of pathological traits. toThe details often
(1974). His analysis estimates the egocentricity of a person:
only when (H), (Hd), (A) and (Ad) do notabove meaning of the two ratios stands
or
self-centredness. He has given
a formula, which n: ect only whe
correct
valid and dominate or occur at
ized responses occur more than the great frequency.
Egocentricity Index 3, + (2):R If
=
non-parenthesized
suchpaeaningless and parenthesized responses should be treated responses, the ratios
total number of responses on all the ten
where rincludes both rf
and Fr and R
means the cards appropriate meaning. separately to
convey their
range of the above ratio for a normal adulh atomy responses also occur irequently in the Rorschach protocol. In
Hence, egocentricity index =rf +Fr)+The falls ndicate excess preoccupaton with bodily concerns without general, anatomy
between 0.30 and 0.40.
If the ratio falls below 0.30, it indicates
a poor self-evaluation d
l
responses
on a standard method of administration and scoring. the hands of the researchers would cards. Both coloured and achromatic cards are included and a few inkblots are markediyY
asymmetric. The subject is pemitted to give one response per card and thus, the total number of
emain tied
Table 11.3 AGeneral Outine for Rorschach Interpretation responses for any examinee
is a fixed one,
thereby automatically avoiding many of the difficulties
inscoring of the Rorschach test. Each response is followed by a two-fold simple question: whe
was the percept represented in the blot and what the percept suggest about the blot? All the
Total responses tR=
22 response variables, which include the Rorschach plus variables
Totaltime (7= responses are classified under
variables like hostility, anxiety, and pathological verbalization. The main advantages ot te
Average time per response (T/R= of examinees
Holtzman test over the Rorschach test are objective and easy intercomparability
Average reaction time for achromatic series: because of the limited
and fixed number of responses and availability of percentile norms for all
Cards 1, V, V, V and VI)
the22 variables for samples ranging from 5-year-olds to adults. Dueto the abovefactors. many than
Average reaction time for chromatic series:
researchers have, in general, agreed that the Holtzman test appears to be better standardized
Cards l, , VII, IX and X)
the Rorschach test. A group-test form of the Holtzman inkblot test to be
administered to more than
Affective ratio=Umber ol responses to cards VIl, IX and X one individual at a time has also been recently developed (Hollzman, 1963).
Number of responses to the remaining 7 cards The major HIT scoring variables can be discussed as under
ot the
1. Reaction time It includes time in seconds beginning from the presentation
Egocentricityindex = *,F%=100
R inkblot to the beginning of the main response.
F 2. Rejection: It is scored when the examinee or testee fails to report anything or returns the
Lambda Index
Sum of non -pure F inkblot to the examiner.
whole blot, 1 for
3. Location: lt is scored on a 3-point system: 0, 1 and 2. 0 is scored for
x100 = and 2 for smaller area.
F)+EF) largearea
white part is the
4. Space: t is scored when there is a true figure-ground reversal where
C:CFC figure.
A% 100 = 5. FormAppropriateness: It is scored on three points: 0, 1 and 2:0
for poor, 1 for fair and 2
R
for good. It is a sort of goodness of fit of the concept to the form of the blot.
H%H+ 100 6. Form Definiteness: It is scored on scale ranging from 0 to 4; 0 for tormless
5-point
concept and 4 for highly formed concept
Blends:R 7. Shading: It is scored 0 to 2. Shading such as texture. fuzzines are scored as
W:M
determinant
W:D 8. Colour I is a primary determinant and scored 0 to 3.
Numixr ofP 9. Movement It is scored 0 to 4 and is reserved for those responses which implies energy
Number ofO or dynamic movement quality
Frequency of Z lor 2,) incoherent
(H +
Hd):A Ad) 10.Pathognomic Verbalization is scored for absurd, queer and
verbalizations to cards
Methods tn Behainunul Sc tences Profectte Techniques 233
232 Testd Measurements and Research
of
11. Integration t is scored 0 to 1. When two or more blot ements
elements are effectiveh
are
oresents a patterning of these two basic variables, that is, need and press. The second term
the response, it is scored 1 and otherwise it is scored 0. a clear perception involving definite recognition
refers to
or
integrated in
hetestapperception", latter may
like Human, Animal, Anatomy, Sex, Ahe different from perception in the sense that the
12. Contet scores It includes categories Sex, Abstracd and indentification. apperception
Thus, is fact that
is scored 0 to 2 based upon absence. partial or tull presence of the concept. The inclusion of the term makes justification for the
be or indistinct.
sometimes vague that is, the examinees not
13. Anxiety Each response is scored 0 to 2 for signs of anxiety only perceive but also recognize the implications
hema is apperceived, Rorschach test
of the card. In this sense, the TAT is different from the
14. Hostility: Each response is scored 0 to 3 for showing the signs of hostility of the stimulus situation only perceive the stimulus of the card without making any
hecause in the examinees
latter, implications.
15. Barrier t relers to any protecting covering thatmight be symbolically related to be
of its
image boundaries. If barrier is present, it is scored as 1 and if absent, it is scored as pod definite recognition in black and
consists of 19 cards containing vague or ambiguous pictures
The standard TAT
as 0.
one blank card) in
a
are thirty-one cards (30 pictured cards plus
16. Penetratio tis scored 1 if the concept is symbolic of the testee's feeling that hisor
body'sextenal parts can easily be penetrated. In otherwise case, it is scored 0. her white plus one blank card. There in various combinations depending upon sex and age. The
series and these cards
are used Murray 20. recommends
absence number of cards to be any one individual is
administred to
17. Balance tisscored1if the
Otherwise, it is scored as 0.
testee sees presence or
ofsymmetry in the desi maximum
has no utility tor
children below four years of age. Some cards are
used with all subjects
that TAT a particular age group.
Cards for a specific sex
refers and scored 1 if the used with one sex group or with males, B
18. Popular. to
commonness of the response response is and some are
distinguished by letter symbols: F for adult females, M for adult
group or age group are
common. Commonness is determined on the basis of 1 in 7 norrnative protocois under 14 as well as adult males,
GF
under 14, BM for both boys
14, and Gfor girls
Administration and Scoring of HIT
are well standardized. Its scorer
reliability appears to ba for boys underunder 14 as well as adult females, BG for both boys and girls under 14. Cards having
All the
highly satistactory. The various other reliabilities like split-hall, alternate-form and testretes forboth girls such as 1, 2, 4, 5, 14, 15, elc., are meant
for both sexes and all ages.
reliability investigations although show some differences, but their results are encouragine none of these symbolsadministered in two one-hour sessions, 10 cards in each session. The more
20 cards are usually
that is,
Validity data on HIT also have yielded satisíactory results. and bizarre type of cards are usually
selected for the second session,
unusual, dramatic less like everyday life siituations. Murray
(1971:5)
A recent variant of
the HIT called the HIT 25, a short version,
consisting of the first 25 cards
from Form A of HIT with two responses per card has been developed by Holtzman (1988).This pictures selected
for the second session are
The Thematic Apperception Test, also known as TAT, is another projective test commonly used in
cinical and non-clinical settings. The TAT was first published by Murray in 1935, under the head Instruction for Normal
Adults in the First Session
and your task will be
to
shall show you
some
I pictures, one at a time; is
This is a test of imagination. the shown in the picture, what
Amethod for investigating tantasies: the Thematic Apperception Test in Archives of Neurology must include what has led up to
event
describe a story. Your story and the outcome. Express
and Psychiatry. Later on, Muray Morgan (1938) working at the Harvard Psychological Clinic what the characters are feeling and thinking;
happening at the moment, about five minutes
You can devote
mind. Do you understand?
published book, Exploration Personality,
a in in which the details of analysis of TAT As appeared. your thoughts
as they come to your
to each story. Here is the first picture
compared to the Rorschach test. the TAT has less vague and ambiguous pictures to which the
Adults Or Psychotics in the
examineeresponds.
these two
As
the RT and the TAT provide complementary information, a combination Instruction for Children
under 14, Or Poorly-educaled
of has proved to be very effective, though the latter has been found to be much more First Session and for each picture
efecive the comprehensive
in study of personality and in the interpretation of neurosis,
disorders and psychosomatic diseases. According to Murray (1971:1) the
This is a story-telling test. I havewhich will be shown to you
some pictures,
has happened betfore
and what is
psychosis,behaviour Your story should include what
want you to tell a story. and how it will come out. You
purpose of the TAT is to reveal "some of the dominant drives, emotions, sentiments, complexes, are feeling and thinking
happening now. Also write
what the people You have five
understand? Here is the first picture.
and conflicts of personality. Special value resides in its power to expose the underlying inhibited
tendencies which the subject or the patient, is not willing to admit or cannot admit because he is
can write any kind of story you
want. Do you
which stimulates him into either coven or oven action. Similarly, Murray (1971) has defined press
asa force in the environment, which may facilitate or interfere in the satisfaction of the need of the
organism. The concept of thema is, thus, based upon this "need-press" theory and simply
e+uice
M t h x d s in ktrarzourul
and
Revanh Proecte Techtques 235
two assumption are
in the analyzed under the
Mezurments
Psychotics e These
Adults Or
e s M ,
under 14, r
Poorly-educated following categor
six
gories:
The H e r o
Children better and
Instruction lor
mOre
pictures
are
much intereing male or
female) ooff tthe
male ha.
Second Session pictures.
These
whether or not you can
The hero (either story is the central
show you
some
more
Now I
wan
to
see
fairy tale.
Here is the
first picture.
a special
instruction like this: the hero
of t
The hero of thestory identifies
plays leading role in the
s himselí quarrelsomeness, etc. It is
and in whom he is
is preceded by the
dream or
blank card there and describe the
story.
st terested
most
Card No 16
which is a
this blank
card. Imagine
some picture
ciated eginning
from the beg of the events to the story
outcome of the
and is the main character who is
can see
on
and comments
by the miner are
exami
three or four heroes, story. A
See what you recorded verbalim of is hero of s the hero which Murray has called story may have one
The of the
responses
examinee are
card is completed.
The purpose
for the first m e n t i o n e d , whether the e x a m i n e e has taken a
to
von.Know
comments
24 hours, he
second session starts,
is the abbreviation ion used for need.
avoidance,
n
n harm avoidance, etc.
a time gap of
one day, or life situations and an informati Murray further that
the same way. The
cards of this session
less resemble everyday
blank card is given to the examinee.an
The d c should be rated on a s-point scale ranging from 1,suggests the manifestation of
representing a mild fom of the
this session
to the examinee.
In the
all the 20 cards ha thesen reoresenting the intense iorm of the need. In
to this efiet is given moditied version of the
instruction. When need, to
recognizing the various needs, due
here the examiner gives
slightly
a
interview which may be held ei also given to the intensity, duration, frequencies of their occurrence different stories
recommends a process of
ention in
whereas in the TAT no such agreement exists among nificantly differ from the common and popular responses to each picture because these unique
Thema and Outcomes) of any fixed kind is used by the TAT
scoring lexcept Hero,
Need, Press,
In such a situation, Murray's
own proposals regarding the interpretation
rd unusual materials may have special significance and relevance in the examinee's life.
and u
users (Nunnally,
1970).
Rorschach test in one other basic Hero's Environment
The TAT differs from the Forces of the
of the TAT seem most appropriate. reveal the structure and organization of
of the Rorschach test is to aleder this head of the TAT stories emphasis is placed upon environmental variables or forces
sense, too. The purp0se contents of the personality such as
of the TAT is to reveal the lealled press), which can either facilitate or interíere with the gratification of needs of the hero.
personality, whereas the purpose
conflicts. The TAT is based upon the assurnption that when the Thece environmental variables include details of objects and persons noting their uniqueness,
drive, need, fantasies, complexes, he organizes the various
scenes by way of creating stories,
examinee interprets the ambiguous
oí his own personality. inensty and frequency. Special attention is also paid here to include objects and persons which
the different aspects
contents
which
of his personal experiences, reveal
basic assumptions:
aenotin piture
the invented
but by theexaminee. More 30dominance
than such (plural
press is also press)
In interpreting the TAT stories, Murray makes the following two
hve been listed by Murray. few
A examples are p
rejection, p ldivided into three
the focal figure by some TAT users) of the story nad-coercion, restraint, inducement or reduction), pphysical injury. plack or lost, paggression
1. The characteristics of the hero lalso called
broadly represent the tendencies of the
examinee's personality. divided into four parts-emotional and verbal, physical parts-associative
affiliation (divided into
and social., physical and asocial and
two and emolional),
2. The situation which surrounds the hero
of the story represents the various facets of the destruction of property), p p
1. Normally, about six out of the twenty stories, that is, approximately 30% of the stories test has two forms-adult's form (for 14 years and older) and
children's form (for 4 to 13-year-old
children). In both the forms each picture consists of cartoon-like drawings having two principal
should fall under the impersonal category. This category consists of impersonal elements like the
situation common in life
elements given in the picture, elements invented at the moment, fragmernts read in novels or characters. One of the principal characters is engaged in a frustrating
which calls attention to that frustrating situation. The
witnessed in movies, etc., none of which represents the important determining tendency of the and the other character is saying something,
to write in the box of each
caption what the reply would be of the
picture
personality of the examinee. If more than 30% of the stories fall in this category, it indicates that examinee is requested
that comes to his mind. In
either the examinee is not involved in the task or the content is psychologically irrelevant or the frustrated character. He is also instructed to write the very first reply
identities himseli with the frustrated
test itself has not been skilliully administered. administering the P-F study it is assumed that the examinee
form of the reply of that character. The
2. Muray (1971) distinguishes between two levels of functioning: the first level which character and projects his own frustrated tendencies in the
which stipulates that irustration
includes the physical and ovent verbal behaviour, and the second level which includes plans, P-F test is based upon the frustration-aggression hypothesis,
íor inustration tolerance, the
ideas, dreams, fantasies, etc. TAT has been designed to reveal the second level and not the first always leads to aggression but since the individual has the capacity
outwards or even be derived. The
level of iundoning, although on the basis of the second level a guess regarding the first level can aggression produced by frustration may not be expressed oi two may
frustrating situations included in the P-F stucy are ypes ego-blocking and
be made. in which some obstruction, mostly personal
3. Muray (1971) has distinguished between three layers of normal personality-outer
superego-blocking. An ego-blocking situation is onecharacters directly, and a superego-blocking
in nature, disappoints one of the two principal
layes, middile layer and inner layer. The inner layer consists of repressed tendencies or wishes, characters is directly insulhed or incriminated by
situation is one where one of the two principal
which are never (ar rarely) expressed in thought (that is, the second level), but expressed in action the other characters.
ence
ard Rrnarb
utd n Bhar varal Prectue Tmhnuquns 239
238 Tes Mnasn
and the direction of
The P-f shudy arns a studying the types of agzression aggpes further exploration of emotional complexes
of the indrvidual. Later on, Kent and Rosanof also
there are three typs f aggression and three types of direr instrument in psychiatric clinics. The test
is known
According to Rosenzweg,
direction are: extrapunitve or directed outwards or
developed their own test for use as a screening to the neutral
three types of tow Free Association Test, which consists of 100 words belonging
aggession. The directed inwards o r tOS as the Kent-Rosanoff
extra-aggression; itropunitive
or
ialso known as to each word of the exam1nees, the
and common category. On the basis of the responses
environment
both he siulus and the response are vertbal, whereas in the later the response is verbal and the several sentence-completion tests were developed. A iew examples of
Subsequently,
stimulus is pictorial. The word-assciation test and the sentence-completion items are as follows:
senternce-completion test are the bes
eaamples of vertal techniques.
Ifeel tens.
Word-Association Test I feel that sex...
My sex life..
The word-associatuon of the mos popular projective devices for
tes is one
This test requires the enaninee to tell the
studying personality Ifeel guilty about...
very first word that comes to his mind after Sex relations....
the stimuus word by the examiners. The examiner notes down listening to
the responses and the reaction The responses on the sentence-completion tests are analyzed in a more or less similar way to
time taken to respond towards each stimulus word. those of TAT stories, that is, in analyzing these responses, the motrves, expectations, moods. etc
The word asociation tes
was first described iew popular sentence completion
by Galton in 1879. Later on, the early are interpreed in order to arrive at a meaningful conculsion. A
eperimenal psychologjsts like Wundt and Catted introduced this
technique to study tests are the Roter incomplete Sentences Blank, OSS test, etc.
process The cinscal psychologists alo beame interested in the technique and startedthinking t
s a mears of
expioring ernotions, conflicts and anxieties. Kraepelin used this techniqueusing
in the
EXPRESSIVE TECHNIQUES
hs
to
epioraon d personality of mentally ill persons. Howeves, Expressive techniques are those where the examinee is given an opportunity express
Jung in 1910made a systematic efiorn role play, handwriting and tree
o insoduce the technique in his
psychoanalysis. He presented a standard list of 100 words (some personality in the torm of certain drawings, finger paintings, play,
individual manipulates works with
neutrel and one emotonally toned) and ways in which the
or
use of toys, etc. In such techniques the
analyzed the responses of the examinees from diffesent betause
the given materials are important (and not the end product of these manipulative
actsi
ngestopa varety ofi diagnostic cues. His main
analysis included the analysis of time taken in
sesponding teationime) and the contet of the is assumed that through these manipulations he expresses his needs, motives, emotions.contlicts
ndicatve d me conflics, axieties, repressed
responses.
A
longer time was taken to be etc.Some examples expressive techniques
of are the Machover Draw-a-Person (D-A-P) test,
experiences and a sign of enotional Buck's House-Tree-Person (H-T-P) test and the World test, etc. Some of the important expressive
erbarraumert. Dedays indicated that those words touched off
paintul experiences and techniques may be studied under the ioliowing headings.
threatened to
bring to light he anxiety-provoking or
presed eprencs The contert of the guit-laden materials or were close to the
is Figure-Drawing Tests
bladkwhae), being unusual chair-sea) responses analyzed from the angle of contrast
landhand. . A large number d unusual supraordinate (cow-animal), clang association
In figure-drawing tests the examinee is
given a of paper
sheetexaminer
and in such drawings he is assured by the
and penc1l to draw the tigures ofa
indicaive d mental ilnes. responses such as Pen-Bear, etc., are taken to be person that this
konger à test of his
drawing ability and thus, is encouraged in his efiorts. The two most common figute-drawing iess
is no
different parts of the body are shown. He also notes down the olher comments and procedural emotional expression and other overt behaviours. All these iteins of intormation are considered
details. The drawings are sometimes followed by inquiry to elicit specific information regardi important for providing interpretative clues.
thedetais ol drawings. Iin an H-T-P test the examinee is required to draw the figure of a house,
Artistic Productions
tree and a person. According to Buck, the figure of the house is taken to be the indicative of the
associations concerning the examinee's home and those living therein, the figure of the tree, of Artistic productions like drawings, finger paintings, brush paintings, clay modelling and sculpture
the associations relating to his life role and his ability lo derive gratification from the general are some of the common projective devices through which unconscious dynamics of the
examinee may be judged. It is a common observation that mentally ill persons display distortions,
environment, and the figure of a person, of the interpersonal relationship of the examinee.
Jack of symmetry, disproportions, stereotype and similar features in their paintings or drawings.
All such figure-drawings (emerging from the D-A-P test and H-T-P test) are interpreted from
three angles: () analysis of the general overall impression of the drawings; (ii) analysis of the Depicting ambitious mapS. plans, projects and complex designs have been found to reveal
structural features of the drawings; and (ii) content analysis of the drawings. The analysis of the paranoid tendencies. Emphasis upon sexual themes in painting or drawing reveals disturbances
in psychosexual development. The colours chosen for painting also provide important clues to
general overall impression of the figure concerns itself with the posture of the figure (giving the
the personality.
impression of action or being static), the facial expression, and other similar features. The overall
general impression may reveal the impression of expansiveness, hostilty, aggressiveness, and Graphology
submissiveness. The structural analysis of the fligure is concerned with factors like the size of the Graphology (or handwriting) is also considered as an important form of the expressive projective
figures, the pressure of the lines, the sequence of the parns drawn, their position on the gien technique, which provides a clue to the personality. One of the first attempts to siudy personality
page and the like. The size of the figure is said to be directly related to the self-esteem of the on the basis of handwriting was made in 1622 by Camillo Baldo, an Italian physicain. However.
examinee The examinee who thinks about himself in a degrading fashion (poor self-esteem) is the scientific analysis of handwriting as a means oí studying personality in modern times started in
likely to draw a very small figure whereas the examinee who thinks about himself with an air of 1875 whenH Michon, a French scientist, published his book System of Graphology. This
superiority, often draws a big figure, sometimes so big that it requires two sheets of paper fora attermpt to study graphology became recognized in 1896 when L Klages established the
singlefigure. The content analysis of the figures is concerned with emphasis upon the different Graphological Society in Gemany. Klages made a systematic analysis of handwriting of hysteria
parts of the body given in drawings and depiction of clothing and accessories. It has been patients. Robert Sandek studied the handwriting of different persons very extensively and his
demonstrated that emphasis upon drawings of head at the expense of other parts of the body attempt reached a point of culmination with the publication of his book entitled The Psychology
reveals several important clues to personality. A disproportionately bigger head is indicative of af Handwriting in 1925. Since the publication oí this book, a vast interest has grown among
organic brain disorder. In some examinees, it may suggest an overvaluation of intellectual work. scientists for studying handwriting as a means of evaluating personality.
Drawings of nude human figures with emphasis upon genital organs and breasts are likely to The study of handwriting characteristics of thildren as well as adults has revealed several
undicate psychosexual conflicts; emphasis upon eyes and ears indicate paranoid tendencies interesting points. Children having strong self-confidence and emotional stability tend to write
emphasis upon lips in male drawings tends to indicate homosexual tendencies, and emphasis
longer letters with strong pressure whereas bewildered and preoccupied children usually write
upon hands tends to indicate sexual preoccupations, hostility, agsression and also the short letters with low pressure and hesitating expression at the beginning of letters. In severely
guit-laden-tendencies. Sometimes, the hands are omitted from the figure and this omission is
taken to be indicative of self-punishment as a consequence of an unconscious feeling of guil.
disturbed children several alternatives of the forms of the letters such as the exaggeration of the
size of letters, splitting of the letters and words, etc. were found to be most obvious. Likewise
Such omissions are mostly found in the drawings of sex offenders and juvenHe delinquents. The studies of adults' handwriting have revealed that persons having brain disorders show erratic and
clothing and accessories have also some meaning in drawings. The emphasis upon pockets on iregular flow in size of the letters because of the impairment of motor control essential for smooth
the shirt of male figures drawn by a male examinee is taken to be indicative of homosexuality. writing. The writing of such persons is careless, showing frequent blotting and omission of letters.
Holding of a knife by the figure drawn indicates aggression and hostility. Emphasis upon the belt
in the drawing of a person (male or female) tends to indicate strong tendencies to control sexual
Avery slow writing witha downward tendency in words or lines as well as shrinking of the initial
letters of the lines displays the depressive mood of the examinee.
impulses. Incapability to draw a figure of the opposite sex is taken to be indicative of latent
homosexuality on the part of the examinee. EVALUATION OF PROJECTIVE TECHNIQUES
Toy Tests Readers, by now, should have a clear piclure regarding the different projective techniques. Some
of these techniques such as the Rorschach test and the Thematic Apperception Test are very
n toy tests, toys like dols (representing adults and children of both sexes), puppets and miniatures
popular, whereas others are little known-partly because they have emerged recentty and partly
are given to the examinees, mostly children, who are allowed to play with the given objects in the
because they do not permit objective measurement. To evaluate separately each oi the projective
way they desre. The examiner carefully notes down the items chosen by a child for playing. the
manner in which he handles them, his emotional verbalization and other overt behaviour (Bell techniques discussed so far is very difficult, in the sense that it would require a separate chapter in
tself. As such, an overall evaluation of projective techniques, in general, is presented below.
1948). A chids
play with these objeas is expected to display hissibling rivalries, conflicts, iears,
Standardization
Most projective lechniques are unstandardized, that is, they lack uniformity in scoring and
interpretation. The examiners have a free play in scoring and interpreting the responses obtained
on standard projective techniques like the RT, the TAT and the CAT. Not only that, it has also been
found that the sex of an examiner influences the types and number ofresponses that the examinee
gives on the RT (Masling, 1960). A male examiner tries to get a particular and larger number of
responses from a female examinee. Self-report inventories, on the other hand, are mostly
standardized and therefore, chances of free play by the examinees are the least.
Reliability
The reliability of most projective techniques is usually very low. There are probably two reasons
for this. First, there is no uniform standard way of scoring and interpreting the responses obtained
on projective techniques. As a consequence, scorer reliability is very poor. Second, these tests do
not yield consistent scores upon retesting of the same subjects. It is also not possible to calculate
the alpha coefficient (internal consistency of coefficient) of the most projective techniques
because the items are not usually comparable. The only logical estimate of reliability of such
techniques is through the parallel-form method. Moreover, most projective techniques (except
of
the Holtzman Inkblot test) do not have alternate forms. On the whole, the computation
whatever reliability coefficient has been
reliability of projective techniques is very difficult and
obtained, is in general, low.
Validity
Like reliability, the validity of most projective techniques is unsatisfactory. Most of the published
criterion-related of such
validity and most
validation studies on the projective techniques report
debatable. In reality most of the traits measured by the
validity coefficeints are inconclusive and
common and standard projective techniques
such as the RT, the TAT, the CAT and the Rosenzweig
has been obtained.
P-F study are such that they require construct validity which not
Pmtine Techniquer 243
Sithuational Variables
certain types of
like
physic appearance al of the examiner, emphasis upon
tuational variables influence the responses on the
TNnss by the examiner and changed instrue tions are likely to
Some may have a
examiners physical appearance, which
yery formidable
oiective techniques. examinees' to defensiveness. The
capac ity to imagine, think and resort
proje
likely to affect the is that they affect the response productivity on projective
all impact of these factors
overa
Review Questions
1. What is meant by projective technique? Discuss the major classification schemes of
projective techniques.
2. Discuss projective technique as a tool of psychological research. Assess its effectiveness.
3. Assuming some data explain the importance of different types of scores in
Rorschach protocol.
4. Evaluate the Rorschach test and the Thenmatic Apperception test as tools of
psyctological researches.