Welcome This is the second in the series that will help beginners and advanced artists expand your digital painting skills Welcome to The Complete Guide to Digital Painting Volume 2, the second title in our Complete Guide to Digital Painting series. Whether you're a raw beginner or a fully fledged digital artist, ou'l find a wealth of content in these pages to enable you to work from photos and sketches alike to create your very own digital masterpieces. We'll start off with a section on preparation and on some of the top techniques for established art styles, before moving on toa range of inspirational and sometimes experimental tutorials designed to help you take your creative talents in different directions and learn fabulous new techniques to enhance your artwork. We'll take a lookat reproducing the look of real media aswellas explaining some ofthe unique tricks native to Cores Painter software. We'll teach you how to build up a composition, from background detailing and foreground focus to lighting, action, pattern and much more. Well also take a lookat how some of the world’s _greatest artists painted, and teach you how to re-create theirstyles, And ‘you'll also find all the source files you need on the accompanying disc You hold in your hands everything you need to explore andl enjoy all aspects of digital art. Happy painting!78 Realistic light 84 Working with patterns Make compen paterson sod pater pene dloning 90 Create asports Cape action and! 96 Speed painting Dscover the art of highspeed digital painting age. (06 Prep photos for panting napumyorshsteronerasmge SE 102 Mixed media 14 Effective portraits f setinages 108 Create perspective 4 sDexanin 24 Monochrome pelec cy scene Dscoverhow to wseresticted colour to coeatea dramaticimaoct 114 Paint skin tone a butt lrealeie skin tones 30 Creative brushes 120 Create retro art Wink th Pliers brush variants and iscuet how to re-create avo poster 36 Palette knives Get thick, painterly palette knife 126 Add people to scenes tik ervup your bnescapes wih added action baking passers-by 42 Family portraits Make fiends faiylock ther best 48 Pen and wash 54 Bright pastels Tun pastel artwork toa it es 58 Turn photos into sketches Torsfo photos ito betble per 64 Painting theseasons Worknth seasonal exours ance212 Introduction 214 Plan a painting UGaenFownlanauFyur composition 222 Understand mark-making Explor the art ofmakingriatks 226 Understand shadows, sesaieles highlights and midtonies luring ace on shadow and 232 Linderstand stil fe scenes Topics and ps forse pamings 148 Traditional art effec ts 238 Understand painting eyes eae Top essa i orange 156 Paint like: 242 How to paint sunlight Rec Degas’ mou ‘Adda ray of sunshine to your artwork iJ 246 Howto paintstil water | hsstle ‘Crete rangul and wali 164 Paint like: Mun 170 Paint ike: Leonardo da Vinci Re-eatesome ofthe wor’ gents art 176 Paint like: De Lem 182 Paint ike: Klimt ivcustev Kim's signa tye 188 Paint like: Vermeer Recast ie eri erenns 250 How to paint meadows 194 paint ike: Lautrec fea bE pase ree Caplets Tae Laue 254 How to paint buildings Ure perspeceard terre pai vain wab and eae 3D ees 202 Paint like: Art Nouveau Reproduce Mucha'ssignatuestyisatior 206 Paint lke: Cezanne 258 Disc pages ieambow ite act re tol es tokbie Reece —od the express Rubbich in, Rubbish Out abel el itsexpensive equipment The message was thatthe must tof ah sytem could only be as good asthe ‘signal ret introciced into the system. This petty mich g0es for photographic manipulation too; in Rencral bad potas ale bt paintings ‘Yu can ofcourse, hope to salvagean unexciting photo inthe painting process butitis auch easier and much more un Pintingrem a photograph tht ook right and stimulates yo ‘You dont wantthe painting stage tote ikea chore sully eamatter of ‘waysin which photscreaed or retouched N nthe Seventies, high-end esupment manfacrarer BR conn forpaintingdiferor shoul fer, om patos made robe son primarilyas photos First ann general pains do nat hae the same evel of ‘Gatallacross the image that photos have. Paintersuse det “creatively so when we manipulate photos for panting, we nee to getthe best maton osinpfcation we can using Panter selective tring and sharpening to. Thiss important bec {npalntingwealto need simple areas where brushstrokes can breathe and be ead leat. This law Panta N's Sia verve development, ‘Second, se oghttachewe say atthe composition unt ieeright Ofcourse, photographersarejustasconcernel with composition as painters ut inphotos for painting we need to ‘se croppingin tandem with simpbiicatio to get the base mage settled. Thereisno excuse for poor composition in panting where the palnter has control over what appears onthe canvas "Thirdly, dynamic range. Paintings have avery wide range of tone and hue and this degree of subtlety is really only seen DR (higher dyamic ange) photographs HDR often produced bycombining three photos with liferet exposure ranges ina composite that lane painterly Pano dws not yothave hativetools todo this, but you can approximate tung three ‘ifereniyexposed butothervise Mentiel photosas lone Sourees fora single panting Iya checeout sie HDR mages, oll see what ean sing phot Feady for painting, Finally colou,Thisis ofcourse, alsorelated to dynamic range and he tensity, btn ol isalsa abot prodscing ‘oltrharmony nthe pho nal, this ca be chieved by using the source photo as lone sou tha diferent butharmonioashive These eanthenl nts he palnting Or you can use the Adjust Sslected Color tol tplay around with individual colours in your ner phate to achicwea colour scheme yolk ‘Sothisaril jgand editing photos for painting Iewillsuggest some preparatory steps that youare probably fami wth bur should also vee you seme ideas you nat have tried beforeOgee Getting the a composition right , ei ea a Fixing the brightness and contrast teas on px Blamed weston Reducingthe tome ed beter Dodging tolighten selectively Hiokghenthedeshead, Breneeded, er ifyou jst want to experiment You ca he easiest way'sto change the values swith the Brightaess/ contrast fnetion a Effecte>Tonal Contrel>Hrighmess/contrast When preparing do le the image” iehe(ryou wane Br he rule nl amehills tothe can ental (remeab tree tothe right lefeto make the compotion right! Io oto and paste them in before iwagedl and ve want to avd blowing wes angles are now detallwhen we adjust SM vers Under canvas, ceo aging the brightness and contrast will of course, affect cl saturation. OF Innage ro make econ ave thiea, RB ne Enhance the colour changing specified n Painter nthe ath EictsTonal opments inte 9. niall, PlntUsing focus changes to set Super softening ' up a loose painting we sete suger stener rate Salomowitensies io, © Bian PY < tooth bt saretnes No ePID q be ‘inangertstt. tangs our o neces te ‘penelope onaie zs ‘ser get te stare pata Ce tos nsec se eae pureed ene atins 0, Tihboterscnepen ane ‘rod uh rat oe Henan ltered wish Hackgrosté aunt ower Ch; Jn photograpty particularly in portraiture and pattern ofshapes with usta few point of detail and one focus parts, selective focisstsed to late subect attention. Theres justsomethingsatsfyingto theeye about rave attention tit Adjustmentsin dps o decal br aeas, sch the foreground the cation eanalsohalpto ison of distance. Sa background ofa photograph thatthe photographer feels are crudely things that are closer tous are more distinct that they distracting viewer irom themain subject By Reepingonly the havesharpe outlines, Thereforeobjete that aremiles away inthe fubjet infocus sometimes ust eves ina portrae ad infill = hot the viewer isnot dstacted dithesubject Thisselectiityaperates photos with motor racing with usta swipeata pale otal the photog by whats happen inthesame way neh tocreatethelooleaa blu forexample, wrth alarge brush ora trackinga mavingobiect Is alo stra Palette nifeoractaly simplify thedeallinanareabutleep the thiswith digital oe Boundaries and colours in that ar palette Real in-camera simplification main simulates camera shake -movinayourhand while ting photo and Depthot Feld ereatesabhrsimllar tothe stance roth byits Selection oolsand Bureflects Simpliicatonof iissort_planeof camera focus in photography. Sharpening Focus heightens Isratherdifferentto the eflectofblurring Painters mayuselt contrast by intenstving highlights us. This ereatesthe hecausetheyactuallypreferco seetheirimagebrakenupincaa _ilsienof greater sharpness. Softening Focus blurs the transition Sigal oaks Throaghot esbel eo a eee rea ian Tale ic Higa) aeily Ogee Portraits with impact ffect reate a classical paintin santegsaaantaenmcccsone ~eavers Bet ee eet emarefos cn Gal Eeceesetieseae | Transparency Creatinga dupicatelayer eso" byseetngAbCopy 2 aaa Preserve Transparency 7 Pick Up Underlying Color Applyingacomposite method need ney an Canvas. Lye Sect Shapes a|bu Ignore TidaRiFrt @ 25% owned hacked tend sar eae Prop. Inthis section we willook at how to choose and enhance the mood of 3 photograph or painting ‘moods that eect x rs, all sors ifierent emotions ~ happiness loneliness, ang innocence etc but we wil gofora portrait af youngmsn wit sertof quiet intensity an simplified palette carmen Seventeenth Cencury porrats- for example, see Rembrandt's ved! though, we willallow ourselves sight larger rangeo olurs, but we wil try to get something of his sense of dramatic ight nd shade Monds are show emotionsan iis dificult crestean wth a photo thats eles banal or with very Hatlighting. As astarting point there really needstobea subject wn which we sympathise niche respond So the frst Poin that the photographs subjects important Iedoesnt a porta ofA enosto see what breading quality the everyday we w Wyethspetures of oj ‘Once you havea photograph with suitable subject, youcan enhance the moed itercates Obviously what we do to tdepends on teemotionieinvokes,Theekements to consider are th composition coleur palette, the intensity of tae hues and the wales ~how dark, how light and the sharpness of focus, tthe Fiseofstaingthe abvions bright saturated colours rons a wide palette will sualybe aseociated with spontanety oF childhood Troma tinted palette are Ikay to invoke a sense of brooding mystery or thoughtfulness, However, dark, warm colours cov ‘work wal with postive o romantic subject, and vibrant Colotrpalettecanbeassacated withwar and chaos Se there are norules hen he trills to make sure that the element ofthe photograph and the painting orn it, arin ine with ts rood hat wat te emotion carvied bythe mage wil Inthe walkthrough, we use the teclsavsilableup to Painter 95, However, have to note here that within Paneer UUnderpainting feature, there tsa very usefil tel fr photo preparation. Indeed, the final result ofthe photo prepara te wil go through can be achieved easier and qlee usin UUnderpainting tools the photo colours we wl be aiming proximated pretty closely simpy by goingter the Classica Scheme. Such progress!vingthe SL pieture Reducing the brown Cee eee gongtoneediore O7 ssisceitetrannaiycire pctue edie Po eichiaieceaneeiase ae eerie eee Coane eaeeerneeeer ena let totheeyesingaror ue ce ako Seaman cme) Pre ran ea meeneetate bic creerFeature | Create effective portraitsCreate effective Dee ee ee ee gn enn eters) portral \ Peete cetera ee ae Se ete ec een eee Se Sone eros Posen ata nen meen ee en een ont et ee ee ec Prete egere eee eee rae et eet einen ts Ceeeent mieten ree ee See eae a es ees Pautelcoael tain) a arene Ur-(6( (10 1r- olme cao) fle ila ace ce Oe lm ecaeeST| Lawson shares the techniques needed See ten aes a ee eae ore er enn ernie ey eo tere ae en eee a ene eee ee a eee ree en sere eae eae ea ete ane Pee een eeereeeen ree erear eet te mene Pee ee ee rey See ee eee et eee ects Sr eee fee een et ee Sere a ene eee en ee ee ee ree Pete etre eet eee Pere All portraits must start with a good image, whether the subject is sitting forthe portrait or you are using a reference photo reiF Pea eee i") porn pd 9 Sent eet feesreeeteestr nace nies Pree eetive portraits Start your portrait start painting using traditional art methods combined with digital tool Setup ayers frsteo ese aiLighting effects PAPS Paintthe whites ofthe eves se Palntthe rises sessed News gnthebes tems phetoo! nese iend Small details eehand with cloning S ee Pain the ips sess Custom brushes yous dts Paintthe teeth U:ethesane nave onthesame befe portraits skin highlights dora thi FE them on the 99 Foreheadtones ‘me ‘scae Loweracatones andthe chin See SSimatranuctracyeovontetatent Thlownrgonacod i igh seo Srcdkebhetovare the ch ete oe 9) ra vanthe tapes ashen ‘Slow Ocre tga the ree 2 7 Contour thelips vs ipecieurand oosng oder LUpglow now srecrngng othe nvyDusttrahfounsin de sddmae Conta ote psy ping drkshadows io cca rrsranseseng nam tort hevepectthelorsr sian fata dave tan heaton gan ‘Add freckles fecilescanbe acute acksentoa pra. Eyehighlights nesjesse beens EF 7 sageed way oi then cemespatn gph ccna Redceskn opacity ow 1 heyiceategey onde > thesknl stheneseand ees NowColour value and tonal range Paint the background ysis one more tye sndveralsin ton Drawingdetallsbackin Now aos npssto The Biss sadajound anda TOerensnopinteve the retonibestn Oonetpaniiptonr —STahighopsaly benthaugh he se eadbik we aan ine Usehigh opty partand sty trsh bp rth, eval pa rebar rene bakgoundaderse back wha nceaccertorinschaming, capstsiespea Skin tones | Follow our skin tips Tes ZONES OF COLOUR CHOOSING COLOURS FOR ‘CHOOSING COLOURS FOR ‘HopsiNG coLOURs FOR Teetheesonerofcceurae pecert AFRICAN SKIN ASIAN SKIN INDIAN SKIN Brew ears Thebestwaj locates paieteter ——_Youcenexchnge uetSenms nthe For Fins eres theclous wile Zysionihese henfom the ovsta) Spare acanneme ands yaur——snle youn goes reste on ‘aan shintones ul ee many tretotomolthenmethe cet ety CobrSelbyiangihearon tatherghth mary feanstn ones Anda rroreconaetated ranges a ee ‘sim vahitsof eds a fon Oe srmca Van tay be aed theYeow ran ep non Ugh a otomot the oze othe ch ne coeur saiwcaste Odvet dere, fsa casi ong nase much a eee printing bow ee ee et ere eel eee msclourange is more roouneed sin thee shvonranoulessdewertaion whens thes ren et eer Fiderscervethessoternten — wilcantaxtwehtehigigte Asal evean fiterefess, cick anew neityne Aso reranbar tat the prininglees (Terectstaudbe SmourtelCenlesnbueasssiothe —srenthiwesswincuriheienned wero sees ae never calFeature fe portraits Brush techniques | Use a hair brush Inmet ore ata tose the ss pentarthe Fe aig FOR BABY HAIR AND FINEHAIR 4 a baby’s tibet omy utd FOR BEARDS OR VERY TIGHT CURLS The testtcrnage or tick essonde crfary tarsi een ‘engine Salud needa bjeronet 2ulow a buldupeeety FOR THICK AND. youbad uphghighs bello FOR THICK WAVY HAIR shethtest engtanete stioghl bose ard athe Puuggesntheh Hair raising part increatinga air playsa big pa esstul portrait 29) farstadovs ning 30% Foran ba 3 Hales non ueetebash tp 32 eee BainterBring the portrait together ‘Adding nd toa ‘small detai movement to ‘thehair | Finish hat detalls isso from ace vousttalconectio Sowa ad ssauggealioue thea, nd yh Background colours | What works best? highlights and shadows martha gos Cneaf theft evestion that wil ome toyournind hen ining veereourasa o tacks gat wat colar wor wel gst {he hes ay tafing ous tomake anew ayer ad experiment ith detabnshasweused rier clors Be dot war qe we, bt wer we led soe youre this sh htc cst wots cat vst = i on Bainter | *Feature Finishing touches Details, details! Explore your portrait to see if any are missing the baton by i svokes upd ~— Keep itsimple Backaound pro for 4B Fiatbcitihts ear ror thet wmoeamyenae | oneveryat strerpsaraat | Tiemeasyenan | rar dewease | opnenaeyauvor, | Yosarekapoyain | Vatyoave done » | interAperfect portrait | The elements that add up to the perfect portrait surrs you HAIRSTYLE IMPORTANT GESTURES Bainter | *Working in monochrome Edith Krueger-Nye reveals how she applies the fine art style of monochrome ‘to her paintings I i i 2 Tutorial info rom my days ofbelnga photographer, 1have captured mary black-and-whitelmagesas they areoften in demand. Theres something about ‘monochrome photos thar carries sense of seriousness almost like an stant ae frm, Teame aeross this photo ofahorse that basalways that prefer itthat way, bute upto you which areas, i any. you wanto remnant. Tomake my monochreme painting look more ikea palnting and lee lkea photograph, laded a border of bout 0 pels. This gives me morcarea to paintane flows the averlappingstrokes o show ust ie anal PH Feshecusechve Tee intermediate ‘been ane o myfavourites. At university we learned ll painng by starting ff with one-colour paintings. The ‘alo I wasgiven happened tobe Payne’ gre, and las offand running! ‘Thispalntng fsa build-up of very thin pant You can perfect the painting according to how realisticyou ‘wantto print Very tin paintallows you toletdetalls, "how through or remove they, anya you want. 1 Rave let theeye portion athis palntingreal. as Thave ound painting. which gets pail over theedges. ‘Only Your judgement applies nthismethod. used a araphletabler From Wacom; withoutit ths would not work, frbe mich foc erratic frthissmanth panting Plan yor painting out st do nt just palnc away. mn ust running through the techaigue luse here, butitinspires you te tryyourown horse painting there are lotsa great photos Edita for fee from MorgueFlawerwmorguefile, om). particulary lke 71000 or 98356, Start at a trot Set up your painting with a border and some texture eo | iia scanediage gral magenes sheen 2 Atoudhoftexureconnros soucanaadienretajeurangral mae remo from tsphologantic og sk ‘i Soueanusehe furbexsrevnstove bc tneuboebeter! Souageyourouninage’s nese (Cones erste hie, Thelin ne) Indoutntot sce Movetowork wih Nese t3 tne toasdawfvisbadee The whore ‘tardy pamtastrensolerovtotte tere Seegheamererivestngete (2 Breborte senat leurs anastepe abr Dropper ne wih heeled ck newfie pace 998 aves sha mah courbonts ore snd atonal cou bee Iswhieaswel i CarassCanvasSzesAqustSce no ad20 plo tonmalencicke = Bainter | >Tutorial | Workingin monochrome Gain pace with a canter Cone. Paper. Brushes. Done OG Mites ej iol tan yuientattenetas sles onzon cache Thay low outa contelwimages dks and igs Aiton eeaa sights inentcltensndaynenaaneytsionystonmeyarme” [> Slartheclone ere reymaacon ere ‘ct he ayo. ant tole. vas taught sre hat alec andwhte magehos thawte dorgsobyfle-OuckChnedioutidot Gre tstynr 3s) tsk anda utes ee ese sly Tose baton sacs th Cone cr sampssectadron he ol he oem paper diner our engl owyastsoriy needed fem hte ousrokeaein he erect ple Onthe slo pte 2 the Seog acing Paper bute, eens 6 98 ino usta cee pei my onal ocak tourna a Selectbrushes basis iets ObtetO Benn yrucanaeay 7 Srraticensenot teinagnid Youosstouste ce ebusses titerattonsh rahtsae it opsct an escoty, end Sndvwetne? Charge them jour nec ce yaaa ingetadok loptetn riymads Witsthepantsiynthebrvanond mth oe other clos Whenhaeys det st pepe Sinothpspe as wel srtstwdiadsiotee Soathiodkct eur poring & Cloning from monochrome Sere ace heoe ec eam al a ferret dostieoy eee 4°) Adingsome black aon te ‘etter atthestapeyounaed io hadowrandgetihe "ol youvanttostdewhyeurongral witwrehose aivaniastherosetocome —pantinsomerchback,eghturde ahead! pectctosnetss. —ponredinage Toran of isbn. Trenose eT srcenpiy barecignstrae,)C)Softenthestrokes rt ee‘andomand mes Painting theface in tnehess heckthestrokes zoominon AWOJPOUOLU Ut SuUPLO;, FROWN, - ssclon peas be ara above oberg ‘ccaon a beavateciyourpouess.On ares Roughiyfnished Te biceyound ——nahchareenthehar fons Trebotes thelaceyouhnemnyaanesoltanyawenin Same a4 ‘rosy inhednow Note he Sullshousttough anayeuravekesneedto —_aidacons Revel otheCorensvietOt yaar fae tego aicessrebodendhelrenchonesergresie —acknovledgethat Sey sole ccuntznoy,20 Cones drut focucktedrechorwol eh foramarerana resoncr aon yetmiesricny ie Irayaehtchange nese ofthebaahoréne | theace Ge warect he sl uncerthe Spero bat eighbrng one presi aed toy down itreedstobepwtotepaiing Sremor de Focus on the mane area ; Gallop towards the finishing line Themane frihad hte rough Scot hetaee ven toughest most difcuk parcttrepartng. The Inplcesyherethesun ihneronttetore.| sede Gonesosmeay sine Sonate Softblending stspons gotackts st 207 Insane thefts ist Oly Bender wth fresh to gre nthe savot25 stoblendtnemane i Note theb, ‘clo wates largess Emphasise themane feos ue (Conese Cher toserinsannsuero pute mone oom ‘isis done Oty tree Sar your uth Htvetepelthe ave Sapuldoanvnbont Fees your sy Seep ayounarti meno Tee pant dour. Te aca Faieos ee Blenders Now isettediendemSalt Beer sture 20tcxmeoth ave sol wedthesare utthesvolervundthehghlgwsotthemane Youneedthe. shee us on the Sukes obeperectoncausethsstelghastpatottheparing andyou rane pulhe!acal ‘anatijerinvedenntovetgiost pat Faieotaans Bainter | ”Workingin monochrome The final hurdle Add areas af interest to finish the ime ‘Theeyes ttn pars The Sprmesbeeiatig tty anil es Ted Tredenasostaxht Chomrsand vest 100% aries he ‘pet ontren sth srioong stir: The ighighisa eee renceste be eecy flaced 2 napened Theeyenn ee 0g whens Theborder Fone sip, head snstmyoretes aa nme shomgonthaviteedge Theorepitg Stckes ge seta strays. agiieestond Shovingtneonabes pacts Horsing about | Groom your horse painting ee ‘9 galloping ahead with your ‘hepantng tt ‘They maybe the ditterence ‘aeaie some motion, Dsesens net Sphinn. Seessestalneto do Touwantogathe viewers | tisbovrtetoce a foes usght na monachrme | te rome stone Ernmtomer au pete | Anion mntobect Ips placed carey at nencranmooones | | ey ftvetatoodaet alge . Sein oases ‘ the paper ancmaten te roertart pao hepa sed ery sree remccthen son aca ae atenton ‘othansshes Thehore snare te DEMAND ATTENTION. ae dothetistodenethem Soh fem te eon rroge was FOCAL POINT Harejouness iopracise fist athe manecanmokeor beseyourparseg Thehae eek town Fee Sorta re tp themeneandcorntaeie thecuserotlyounsve edt he pane rere you wanthehario sop SORTING THE SHADOWS Thebaclesipataftte arcs Suldbetere, dagenaly om he whtes par ak ste tebruheote dota Seton tamales ath is postodaposr ( ey a 28Subscribe to the Official Corel Painter Magazine today and pay only £3.60 per issue if you subscribe by Direct Debit! RMU UMUC le-lad inspiration, why not take out a subscription to the Official Corel PVM eevee Subscribe today and save up to 40% De meee Wn Caer | Cian ac hel melee ee een late eesti Ue) any unmailed issues ‘About the magazine Subscription prices (by Direct Debit) £21.60 every six issues @ (by cheque or credit card) £62.40 every 13 issues (22) £70 every 13 issues sta ES: Topp eae} reenter www.imaginesubs.co.uk 0844 848 8410 +44(0)1795 414 611. ) . Get creative with brushes Being loose v appealing art theme to play with few everyday objects stranged nara scenery tas been ie popula among, the painters af Weer ar ever since he tra conury. iit panings ve the artista imorefeedor inthe arrangement ofthe ‘ements withina cmpostton than ote types efsujece such alandscape or patrature als, thy ean be the perfect fslaontoabad daa weather or due tothe aeenc ofa model to sfor you Mneent Van Gogh bet kur oi laczcapesand portals discovered in stilt greateppertunity te express hisartror 4 Par Shes wa Ye with Treks Snowe esfes ther coneelences asi ifs agreatthemeforpractsinga loose syle lpaintingItyoustartaeth sto ate ‘will proatiyetbrterchances play h custom brushes can render ks, and asi till life is a great ‘with brushwork styles than yon were ‘workingona portrait where thelikeness Feacrucial matte. Forthis tutorial, most ofthe lose feclwllbe provid bya category of brushes not incided on the oil Pointer diss, Donbrushes are a Denise Laurent creation and this setofbrushes ‘sincaded i fremy Suton’ Pamer Creativity book (www palntercreativity ‘com)as wellas in Marilyn Sholins Punter ‘tori! CDs (wwewanshotinprasales, com, Forthe sake of simplicity, only three of hem vl be employed inthis tutorial Dont worry you havent got thesebrushes, though, We've given the Painter Xalteracives so you can sll enjoy the ror ‘Thesturve pho is nchided on the D, ‘nutyou caneapture your own hott use ‘There also a box on page 33 for some tips on setting theenvironment for shooting {your own composition Bainter revo, sausrug Yi annea.2 199,Tutorial | Get creative with brushes Get started In the beginning, there was an apple. settings Youve comgces Youranishsetings conta or exch spotter ‘hone Restore ett Vartan rom the drop Seca, One (anurethe cettnge seveguenandbe eeyaut pte ‘Srereae _ OD Seectabrst sees cae henge OL Bicone seeeycesnsteseace mas tente ote prestheCene oer bttonn the col peter aden atthe Iefereipg) Forthstsona, wevilcerettecngaa phos jsttoceurfemewctigna zhao as you pat. Change theOsacty to 10 and Sostoarad 0 Erave that ace oper secede heconasmen salen theman hes eunware chev Fleck Clone 3 tniesinane vonntsonatseg ‘tucks Seoesotourcompestion Forthesep youdon 4 Eabiteccous oney r hovetobesorradseout nthespplespesireandrisnber cor icoprece Useyou Foertanng bustsiokes nsome ate fe Respect saa apratesenre reagan be at sn Snddrectonotin Cargereateortty coco tecsonal thevalues ontsacalteandovry ie Bocce More mporantitan —unpareedarasfoveur ‘ouareat, whtersoanatne segsnesst9 feepectngthweslur —_nogeta bret, sound. Soe imantomte sia photo acorn raablodtrntin stash Mis took atau ‘resalconedand trove aus and ‘graye Neersans ers need nine aor tine (widest Paleo Coes reuse 06 Bassa serentraem ctesnnon SStamitacide (YD, eal lstrush Mets eis sfinenalnglysin tomrene heerened energy Be boxe heenirermoge, ut ‘Shetosbe value Drertoinsnctwth chooraceaesAEatsCogy edteanein allw/some portascl he cans yeti up nthe ole pa, gecnineapand dow PSce-slceiey leSeR Wettom ealnsleGranes cetoaetoQDand aernstehornsaecong lone Clr getsreporboneat onl Ththetmide tangle. OpiyiogD¥ and ote are on ayer seca. phoveh soda oberangetec, > | painterO7 fetacnseenee ssh composts mera ndopscy kee 8 Bestitep etsooateasnoate earoe ane te Tiytocangethecpacty wove vaueserd haven Babes rycurParvarat coos Ol Br lender em spesientwinlherconpetemetnoss Th, thscaegery Othe ise endesnceaOl end 30h Mere nszesrourd30, Cone epresureand deco, ighalimege mover ‘Shorea xoveed by coesng Gla 2 100 ryrowotenk Opacty Set arr, bg reproduce JQ) Peiorcinretectons rctonsix estes ‘thsomebtatokesinesthg erections Use bench icsdous cag iter 130 Sue 2 eptonay Govachetne B30 ce cok abe a ars changing iho Ioerentacalau 1 Bistiomtetets vp yey cry Spores hleshogingte magetnarser gets tre Dranngucmeara ordain tepel shape UseDer = as sects ee Spay, esac ine bce) thes spat dre, sa 5 foraddoansleietlaningsoms \psseshave nstherte Pees.ey PO, S850, Op 20 Setting up the environment for shooting 9 Petinetneorms shapes Use rsh zeoue tom Den Bratisto esl eshopes tts optional Geuseesse treo Fem noon bcd ‘long. see tay sect acelo shes Inthe worengcanas and range ver 0s thehug susten over ode adie rmarespeeangreis, Take light and angles into consideration you cet set up yur own compaction, Start af elements experimenting tnt ft ard cameraconros though Ne Somat settings generally ane nee Shots as ov can see her) ‘ato placefo the be wth heats Is deste widon- Tsay hey wl be Tuminte yaar! source ditined Tig Forte paoste ss om he reing Nigh Youmaraieate the shaw by lng Shargmaderetectarcncuctebyaung metal foes acacboard Thet/ool sane accessor asithepsto ‘mann tat the aera rng eset. [etheceindorseenesgenealiyrenure Tewapedbees he weak sources "ehtee efor tever honest price fara mesg atrpstani hang spate valuable ouster. ‘isan stan othe sho el ne ke Inthe sanyo depress the shat be, Dring tothe Ty vary poston the tects cathe conan sone theca ‘ply inorder to get beter eclng et ‘achat angeren Use at, evberinentiog wih tere psllosor even tenable pt, fothat you car wart upihescene a et inerestng tes Materials: Diptera trod pina amp lepers tale, surnam opera, ‘aboard towel tira an some sets ‘rloostocompon the scene Bainter |» ty eyo, saysruq YIM Annee. 129,Tutorial | Get creative with brushes Create an organic feel Don't forget your greens! — Bebold with your layers 12 mens 13 fearing vesetables 4A Surrounngslement thecorecns ead 1.8, toPvngsometextre cx , ng mgtPut it into perspective few adjustments Finalise your painting with the Toolanaes eset strep Digth ot andethas rom thempatocatepony nae th ayer a some tale dea ana taconite your QI figlowces rr nebutneretccbetenstteens 19) Resrecvetnes nsenesesac! 2 C) nterateclements ere goesingsae orerialand uetonestom hetowelandvarg the ‘etcainerin rebacujeundondsbriedta; BereDspoterBrharsae49 crate some tetova abuystyngtebeloomendtovayin sarsonthebacound Repth tether helalembelanners sgn youre petal nanenlayer felarveuerdeipesionelthetnsnince — eloastolagaieinecemerisontmeere.—Soyoucinmoehedyand sus ances peti C ive with | - » Brushes to get creative with | Experiment with the settings paseo Erect Youcanget one Builingupa enact hek ere vate < Fat prety sy en yu ise bush by cononing es tea ya fri anes you cent eve elk than ou tsledon fe gst: Snahigher ves for ere tmaney Drover onrlthe cusTOM BRUSH ough ate fare vasnuntarot brates ts oth Fegpting soe of theenes cata by Portree Tree taxis andofen gue presomenalatens TONAL VALUES. friynatafen soe, urenyeu reverting tema J shoo, eve you we doar the fleur shao-toeessn ae a0 thetonl as Keepoothy ibe gat nasour prtng Ineugnralcesed ees suns vang, bl #3 Peo yf ‘eengihetones DEFINE THE ELEMENTS ytenouoeveingntotnesiesctes | | Uistaconmrentor ements togelsrudgesond thitscted. Ate yng doom eu bagrthe workin ne deeseapes reyown, ‘SaUSTUg YIM anea.D 139bern el nc NgCreate a bold painting Turn an average image into a work of art 02 cart bold srce vweeceatngabald aang esta afew rremersiorampup thecolur ste oe rrboidactesvake ‘ule Usa eon Contests (oes set heck Secure the rane Move Hand Sotuaton fateh one fotheb nel asda Trreinresngcotan Faroe he ag, QO] Smtyinacimamicimage isesternsramersege eos andchargethecertattoad sone ees. icadtem hese the esto ContetsanertnssCertast Now youran Sythe Conrastshirtondsength 2 trephotogarh 3 Merasto bret as uersusgscece cess mist te neutal ones rhe iage Sekhar cau athe youtdondodkal thee othe elt ames sven Towle Srv bngpines dss ontatnerenseingeobur ihe pte, i Paintthe foundation withartist'sOlls ow wsteeadyio OD partsaertecerecourenrinecone pace sence Fikret feeyorecory wen tttsek airy tereSninantpeaieysnrerescan eta ok chen bw actrees ope Pe sediscesandaes O4 Azim doning technique co: FesClonesuree and pecjour prota cick Sorete Seer ah oy ‘dines ateince, Reduce the Opsctyon Inscopedion 5% seddccreaje concn Insc Cente Srowlgrsegn panongon ersushck aunseingcek Iselacedandglocen aoe ecole Pamngie owt eeblesyoutosee ube vera OG Aterpaetssetas cornet weraneaete pomnn we needinadsme cee erfence ering te Pete ote Onasecond lye pantaare slr stoesn Hera andy "ie move Wise er babe ones ariedta done ec fo theongralmageagon When ou fnsed, move bac tothetopothe bers ‘ew pant pushing Sound thundering bane the hearer Sndtiee eook Sresurevanoh fotestys i! sl sre store Uinaeing er. Suter coaur Pre Youean poy {opus hewn ng Smo cor nd ates ps tpasta ange (eta ettngot {Gar wetner Den, {Color ad beth Broth iol a {elon tome, ‘abot open the Bchcretorand ad tropast toate hth eps ‘ryan msge. Duinibecmer ae you Seat wht hues. hare the cept effets as you work ‘troup apa. -_ Bainter |”Tutorial | Palette Knives Impasto and Palette Knives Ise Impasto to bring added spark to your painting Merging Scuptantbuid ‘Add impastoDifferent directions for The right dir ci mn Sanu aHaled — FEMONL,Tutorial | Palette Knives Playing with knives | experiment and then create! > ‘Hoge Zz maces | ‘he alten a Tasos; met etSeen c et indo" een subject for paintings ispeople Visit us online at www.paintermagazine.com Cer eee eg Pee ee een Eee R UL NESCreate family portraits A combination of drawing, painting and some gentle cloning creates this portrait of Jameslynn and Peanut Butter. Read on, then apply the techniques to your own images Tutorial info skanyhody what makes 2 good family portrait and they'll probably tell you thatcapruring -gondliKenessis the most important thing People ‘commission fray poreaitsto represent whe they are. Sos good likeness surely whatwe want? Wel, not quite. good parratshald healt marethan an sccurate representation We want acapturethe character fd personality f those involved In dhe panting, and to geta ‘rong sense o them presenti the picture. When planing a portrait you should ink aboutwhat makes tharpersan ek Are they lively and outgoing, cr qulet nd seuious? I's importantto putall the energy and focus fr the painting nto expressing Jour sitter seharacter I your subjectlvesto read, pain them curled up witha Book, rif they lve the beach, paint them jumping the waves Digital fameras ane reatfontakinglotsaf reference photos ready for ‘your informa porta 8 Brush, clone and adjust Three rules for beautiful art austin te campos Incurpaintingofamestynn seen here, Mum wanted a palntingthat shows her dughter's wide-eyed beaaing sill reflecting her lively personality and he love fr animals. Shedidt want anything formal Weéecded ona simple ‘composition that woul focus en her stile and neue a {avourite fury friend. The phot af amesyan has anice pose, DbutPeanuc Butter (the cat salt off alance and toks ike ‘e'ssiingoutor he arms. Wel adjust is postion when we ‘work onthe sketch, siuillgive the painunga better balance “Toereatea light and casual portrat well use avery lose styleat palnting,keepingthe brushwork very simple or rast ofthe panting nd allen same of these to Temain. More dealled brushwork wil define the focal point Tamesiynns face and the cat~and some ight, gentle cloning willadel some ofthe stricture around her eyes, nase ahd ‘outh- Once hats dane wel epaine hose areas blending them back ntothe rest ofthe painting. repo swesiod Awe aa.Create family portraits Set up your document Working on the background frequently! suveuey ig featyeptf aster ‘las and youneed {ogotack tine sieht ‘reste, aha the ‘iene advanany of Jmpreback mo Thepaiting proces ‘epaining tiny ental new recon, Soi comin % ‘The Smeary Wet Sponge ‘Thesmeary Wet stoner rah Tomateahlontrto mmackupa tacigroed Settbe pact 0, that bckoun if (Glorsttrnpthe ‘pactiarurndown tata ee ()] Szeandresolution ose eur OD ssiceahota sty suing este sndceokaoncrthe tie We adh tests ot Dursaucetletofthe sec! thefind mage we ‘naredt pnt thedlacksbertotfeleta rrerecealn neocon ) Ay Quick cone Nowineptaeas tea erp, “nemodeadone exdude Core rdiumad Tacha Faperot Woe gongtorakea Ercgo.ndtis song a, OG Letbwith brushes ungorgectok omrgeanshioe aous(oruhchevet lous ude) we parted stack bacayouns ih terentontes Ines creat ay sspears ses esas rok, pst lps ord spore () > Adjust tonal values cas Hlectsferl Conuesequae ard aisteslde toe mage eine ‘rts Hiab tcheradthe dtsbymoang CYR Caleu wetcsctnesatatona QS itetonarnitestintcres Ins bet donewatheHussauaten common ann {he fon Canosopton withsemephetosjou Imgitwant toads! tehuetecarect ay colour prtiensics ie Ths wt ea bt i ‘reatea background s¥ev.atsbackyourd oipnsses )D inss astese se iresynsioostecoous Aleprkrg abe cpetr(ant)wefinstnacons cau iean sey nay orming sara He peserispeseraly 7 Blend the colourstogether wtiheiowsassed, mes up ttebackeure bran ardsoferng austen Te Smears Spang ¢anondarl steve Use tlogary ston he ‘pace Tours a tes Dende8 Paint over the background Let the portrait come forth OS Perninesamesivon jon asra Paperbteon cit anlar Secovngyu suet We sete THe a0d Thi peel tsresporsie wo hewnaconper areigentorsichng,eepthedionraloose J] Bekintnedarsandtighs son bypaningin tease nigh ponte ‘heii tie wed Oibnees hrs ey ‘heen oud, ereugheut he dake 13 St cerstnnestow nurse Lpcelas gaia ing dowmrae incfevotesisonralgets Megheryou more cent ftnecoeursratecuetbansynetoly Sum asdcolaa oak ores, 9 beinaPeanat ater rn Rutereavitqutenght soweadssted Hefaceaphytonvke hin noes esesdot ledingacun You melt india yeu stato ae yeurirage tha wilbe sects as is fhatneed hong 1.2 Tewnter painting Folovthecomnrsct Your augectsfaceare gna gay sit On Fre Feng (8 isang Revd re vnate calc tyocisyeu per Sento. 1A Bending cera, reiterates carey (eisblnder tener one colar itanherledersante Fran cone satu he poet onyeur Bender nghtdennansse mary rrevestokesio acre a. et Fairing wher makes elo thesia futofher ame Sowe cee doth pave tsong ‘Sevan, anehvillancherhin me Fame cloning! Myanincate 00 md decd Soarabenecasink Sucanen nth tomers or ceiyeonir! ‘en motopapte Ita nee Fr ‘aiokat fennt pete 1.Q Mistnattepaws otaxpon spans aceringoutttrebotomotte —stianesinmsteeth, Stdifweleep these intadoesteeh ‘heriiookurong either of Sepaning eae ieee 115 Saftetes ro tes arsand eset ot adthebusenokes roe Yau sontnanrasistegesi hee Lae iteacersiovrginplics nop ose repo swesiod Awe aa.Tutorial | Create family portraits Layering the detail Rushing isnot an option! Makeaskin blender barratre one ounsnneer Sapna ites per {haanceteosb ‘besten we tosat caw Paintthe hair Tec opsquersieseaysgat that Se home Welandset | JLO) icsopactybspresson to Mesure nourpaning weusespurpe ‘Clone the details use nese clonerat 0% ro verse clone fsa (0 53° euro aes anwar ges fr eights Yay PecoNs Cie noah ep tio on erat Rs ee Meactananeseee = youisetDqkeamerenatuallok Ihepantngioshow treugmhesonns Vartan, angie rome isenied sot mS (7) Define shadowsand highlights Makea 2.0 iveatisotnscinsonsove it c ‘restandurine wh ave ight gsangbaeh hair brush <_ el sore aah ‘os Gino teat Aw pri The oi opsque 1.9 Blendintheclone veaccrbrason brite sray's rest eigauzdlyesalpanianasottendeg — bighthgightsycung ageot here chek dele ecu Dont focpsntnensin, jiregstneconsdsseetisiae nistne pete cbaehah 2 bearadetinmmdiang encrskpulenta butitdoesneedan | pariedares {hetaolessctieresourandioe, thestadows Ssusimentto met toatines ed Open tnd General seth | turn p tne ae, B57 pot Stutian anne D 21 aatter we Siete ara or leedgrengevsinthe ‘ek Purl gee Gisturaswel dak usenet, boars puplesand thems ou : shal Bue Hoes Refine the eyes csarirpvtnt reat chee ae geen nthe mdse inary patra Add ny deta bot colow. eneteransve Steyslevrrunsine Greene Seal truant sine sneejeticwn Varn anagielts igen Welepthelwr andpuloultheeyebes Addosot pga mae Wecated i Toowesnd ft etre horgelis eit warmgierengotate Ha Say close tre fihetsdgeundstone comactthelis,Addoqes beers ee ner B igh oinie meFinal assessment Don't be afraid of tweaks: repo ‘Adjusting the background Now J eneedioponttnebaigrund no them srnrot camaro aed We ke the cpporuntyodaen hewhclebacigtundts fry snes fend te par J Making changes ive urine 23 sojvarttanen arses Iinsmarecomtertatlepesiten er ramban Me ses ate kn fr thenobors A Tootighe? vinenvonng rom chewstsesy eure eepprg inage on ceo eect Ve ue pe Shtmerebadarensoourlonesin sowe esamesoxe ind einage sn Gana syeniod Aquey ae—.9 Family art rearing antepngrec Aerts such paling ‘sem, 2765 nd har, ps you gett to er thnk about neorperatingeta he badroune Sentech eats Hares smpeardsctto erro foasol ‘nmr ou metho theportingtorwars ‘ne lanedymand t | Feat ber CLONINGWITH CARE Cling ny hl to Cceatewbte lomandsnape. Batre sea waRM sHADoWs Gaulstodny nse pis lacs and eels dtomanddepiiothe ince gungitonarmaien KEEP IT Loose inthe eortntoraso the fasminghecp he Busha loose ard event the sath ‘ra te badgjoundsiow | tug ne ae cowposiion _asronger composition whch ean ‘aces / &= | 1. : . 8 Tutorial | Tacitional pen and wash eat Traditional pen and wash Pen and wash is regarded by many as the prince of drawing media and, as we demonstrate here, it’s especially suited to architectural subjects. Sharpen up that quill! Tutorial inf oR a ‘in shelbourne B= Cia Bie > SS lineresiae qe aa) S Pinaimage \ ) » A sketchy start Prepare yOu Ose: paper andcoour fe, in termsoftinear less ts more, Pen and wash ‘sandal example this, anditsamedium that Can eally estan artist's mettle, Here yee Feying onthe power andimmedincy of spe. very fine lines, which can both delineate complicated cutines and éreateareasof subtle shading lesa technique that dat almost as longaspicoralart itself and is one that ea ‘create very beaut and sophisticated iustations. les also ‘amedium that vory suited ta sketching ‘onthe spo’ mainly because af the simple equipment required todo thejob. Al of these points stil ring rue within th realms of Corel Painter, landhere we've goingto tale this age-old medium and giveit the digital reatment he mast Importancchings about dravlng wich a penis the ability to create many diffrent tones, imply by the placement and density of line work and we've ineloded ‘bowruton page 52:0 illustrate this point Inapen drawing, cated by placingeliferent thicknesses lines larkcones a farther apart for Highter tones. Unlike pene we carly on varying opacity to ereate dierent shaces,so you have to rely on an ston of tone, ‘rested by these hatched ines rnsingopeically We lea need lines antachniques that can deseribe éitferentsurfaces:and textures, such a bulldings and tees and youl earn howto dothis her, too, “The wash is sed toreinforeesome a the main tes nthe drawing anl toad interest to areas les dota For this ‘wellusea couple of Pointer watercolour variants, ith a basic outine Geel poe tern ier cr hen Sraeais Bout oni90 Gre er heerrton (Pept aig iene tviononns ——QY Mrtotins corn rei tes ide eae Preerdosstretiye tough Sein ror dere cuielteriecane: | creitnpecttecsnorke teaeniSonisumlonciranicdatanse nterhoisd nacsngietenaetaepar ba inte Pepe Sucsoywanasnubarnasonindbeseeicnivente syatotbesetaroevdl eisedorreaveaincpacly faanhasn eaasparingrevo a 5 a 4N Tutorial | Tracitional pen and wash Tourist attraction Define your painting and add more detail _~— Usinga ghost image iaatosaesproec Sovsrenshy nang soto str si ope Sartimage sto Fisauiet one ie tottocantdet Sboitdommgsich fenton ie, egesinageses Bodetoyaurdowine. feresnoming wang wring afer Miheobec ofthe Someta dain noe cereus Aste seme stains Unt wen ote tinderenewie sabre tanto on esc rven Brg “eens ‘Resear rene vos conaotrewenone hors on haart timers tort too oy Siete! i tutes sheer te Aisin ein talon OG Waterton espana sulsbetodsestaghtmaththepenapan andster teas rmeredeal However sore etlo dine eran aes ie pig tthafewighawesnes sochangetathe Watrcirategor snd eane the Way Sot Salers 6 Basttnevensttins roves ‘erfdekbrountemtne esounmes Adda newinpttheimage Now chomethe Persvaratcondsacet ne Croglens Hes.ce Thea Opsatyeaound 20s tat nek "lgityranducan nce beGean oun ‘so:romathepeninessootra 0 often Follow thecontours ‘cre romentconcenintemaniyon themdtoneaeasintheinoge ord we the pesto vey rolsee cfsound’ pals Ty toe yur soe flo th contro eae Sousrshadngdrenenibertolavzany noha ese sean psoer Sensing rough 09 rile Apan concertatemshiyonhevaty Sra areata uangagrecrbae ry foinaeatshapeate handeaw ham exact, fyesabng es dk Setaysoon sae he avast igtershadg een ge OS Fistuasessayonsns arenes en tc ‘slg ihe snaceotsnza fromthe our afeland static ligujbashin tremor hadowaess nite bang Sokesue resto ‘Reseda attnemomnent-wetestllustesabisheaomanstonet thst, O8 testaneund epiroe beng emtrunisieaes dove radof resin stadt tosh gops heveandihereoreplaeng arf inewrh sometry hating sok Werenet dong isda sawn eres esses seasadsto he sponta afte sch. thspenat3very teresio thes pose part eno Fraeasng tepensie fee teaunsé pat, bigger, aching ste tng cect fetta thes instru nagesss yun © | BainterUsing layers p22 Inada ra oie sbrertenestotheestt LA Besinetones heres futsraceinsode tsagood dete ‘stevia talsveles pec easy neared Buildingtones aon seshowmportatis stor shading foltueiteconusetitebuldng Tasos Ferenbertaty se esingenspsrther formandenhtosne sacs We3 gro0 St Tandawngthen ech Oferyoutneedto fst thearawahmonestal, presen wllaganr Yeuaadnrequsy somata, Spam inuanycvaytornsinagesarendaiety ny nghigraten sen go edn na Fompuriaungiopdgetesctonescropety. tre dlaedshadhg ponatalagersceio ads fenvea ds, 14 ties beteesedtoonso thes — Rotating the canvas 17 ee: — ricer fone tra: fon di aucanatays adore inimamSeeotthetnsh 78 iaposton _Tutorial | Tracitional pen and wash a Just add water Ise brushes to give your paint the pert 19 Lomsenastes sar ster veshiottedoni sng ished insgeasaguce Thsbsh because thew} wevestiip.sgseetiorakrgdre-so}eu ; : 2 ete seteun 20 imalascoetenornsctsninow ne Gieclmtocrdtes anne fetunnabgeuachepeeesanotie” Srendetwunclasut Agesisorencetaseiwodnediie srysrwatedpemonbycoomgenedl te Shading techniques | Emulate traditional effects Indu tne an eres agen andi ean ave cata prey bythe lace of ne. Tere are many Shaling teaver bun is rain we se may he ne show bion vary a Shading tedlues nt env bebst esablhllecive nes, but ae adas suas rest to thetinshed crane. s Fouace rcrnique FoUAGe ark roves CROQUILPEN HATCHING Tidedghimigeaniacungnenbon Srenfeawrlefiainnathideduth he Tutti trey enstn meee pettes Sees eae hore" Sete ieenre epee ter denne mi eer gee ied Hecgatetoereticrmat tse. sateeen ec baeutiete ci tr yam ean renslipeses ee ne acy ne Necene ae eee eee cements earn eerie cate Mean eee Tee ROQUILPEN SHADING DARKS uci InoraTNG DETAIL Thesetwotechnques reusedtormitoresteason _Theesretwoficlasthtgoemhowittor dark Sal deta arindcstedth ave sme, athe thabuiling ardihedrecion oftienanduaduding shadrgappeasinapenatdrk daving narelthe andstnty dawn Thrkofthisass kr aig Intsheldielotnecartausa! tear hatioute Gunes nestles tht make tesadng aed therthand ther iher eed rom 3 detance ues, Sising Thetutherapetyoupiceteselresto how dese ogee bey are Telule’ apathachng eimprescnol iretecetabana/eau, Pato Sscnctestelgptr instil thn anpearinshe neve themersvitepspershovethousn betes thecormetferayinsee tha cone hea ey Finahecomeg, ‘hem andthelgher etre appea revert es. x a | iainter XxF visite official Corel Painter Sp ‘online opal worimagineshon.cok g for backissues fj anid subscriptions. 4 .paintermagazine.com Cer eee eg Pee ee een Eee R UL NESBUC Meee inn eee lelepe cyTutorial info Tra (zhu aw eres lhe via OL eee Fear ‘enaljcutone my Gotn selec ce tont dre your magewllbeabove hewstecoics ier Byclkingenthe ge eer othe he image by rarejoucantum evs cfjeur Use brightly coloured pastels Infuse energy and vibrancy into your portrait with the glorious hues of Painter's pastels! sand pastels canhalp you achieve framatic portraits. Over these pages you willlearn about choosinga colour palette thatmay seem unrealistic but actully follows the rilesofeolou, valueand saturation, Yo iscover haw ta use Corel Pointers pastel in rich, vibrantand brillant bus. Although pastel suggests pale, muted colours, the word aceualy originated from the French ‘pastiche (meaning paste). These challeke sticks nade roma mixture of povadered pigment and binder are sold in hundreds of colours and tones Soft and ard pastels are water-based dissolving {nto a semb-transparentcalour wash, whereas ll pastelscanbe spread with turpentine or white pirit-Thecoloarbrllanceand direct law from band to painesurface makes tan interesting medium to work with, and mich of its impact fomes rom the lansa extn, flat Bock colours And ine strokes used or exciting markings. familar domestic setting can become apoveerful painting flight and form, Get started Its time to put your : Quicktrace cickon anew dtr Speanstaing ie ta Pe Cae, voces sect ck oad theomersons an theargeso! hepa of Yrursbeet meehonn cheegetnecempaste FeMutehoestleyotoaeknagulne Feryourparing Keep thsi sepa tit neces trond ich de ure the Vato! vetonce mage or he rtong, ‘TheImpressionistsloved pastels, with Edgar Degasbeing the most experimental combiningie with every other medium and sursacesafpaper And canvas. Many great contemporary artists use pastels ina combination of bold colours an subtle tones for theircrentions THewever ral pastels canbe rather fic used cothefragie and crumbly nature, and the chalky powders nat xsy control, Real pastels haveto bemixed onthe worksurface Itself by averlayingor blending nee ether Paints which use a palete fr sich purposes. The Abrasive, textured nature o surfaces gives you a Timited choice of material, one that hast ip the pigmentin its tooth’ or adherence x poor Nove have te wennderful Corel Paincer’s versatllearray of Pastels, enabling uso ereate The effect of traditional masterplces with an ‘expressive, contemporary twist So lets explore ‘theaqialitieofline and linear shading, andthe ‘effects ofbloce ns blending and surface cxture inanexplsion of bold and tiliant clout 3 ornare mscu guises ele THeerte uoralsbxadons tig Tcl acheme of colandvarm elo, tbcreste val vba anda, ues and urnerorehosan te ninethenceed ange ‘rate orheto of complementary ues = goed esta pl ur ets belo stat Yourpaneng snstha wertehemeortnucuy jou Sonne, sjaised paunojo> AnYBLIG as) rewOINL, mSTutorial | Use brightly coloured pastels Let your inner child run free a Bring out the fun-seeker Ww Colour zl) techniques (© ‘re pvogtoa, suamerss 2, Selecta Eee bras ed with eam) A. 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An Snerestingpaintingseries would be to palntthesameperson nseason colours Sel [Petra ei eee ae signs of autumn , 7 a oie rremraa <@ Ls Pee eens Persea eee ee Preece est Perera eocmet seer Autumn online Cee Late U ATOM oc eer eet es Scorer erst tier Sine ce oreenen tee eae eT a ore elanalecotcom, Perec een eee cee ee) ee peer e erate eal eebeetacy bee ieeeme Peter rer et ert eee ar eee eee ee Pari eee er eens Boece tiers : bere ne eae cer perenne mat ict Image! 56 emer Earn eee ere mie an ere Coenen) eee tts Pog »Feature | Paintingthe seasons Asyou paint this scenario, you'll be excused for imagining yourself walking in a Winter Wonderland.. swe nu thisane ns tao ene thal eng hy Richard Smitha Pol Romar seems neary pert For sting themed for our winter painting Isso fanniar exe playingitin your ind sou ead imnuvasthe time of harvest then winter surely season fewer respensbltiesofbliday gatherings and finaly of chilly evenings reading, contemplating and nodding bythe ie in ‘woolen socks. Ne can harly recall ourlast deep, drifting snow, bhutsnourremainsapartof rveinter payee, Do yeu celebrate Christmas or Kwanana or Hanulekah oF ther winter lilays? ‘Their colours wl kel appear inyour winter pate. alongwith restful greys and whites, blues and browns Winleresloursare oo recessive, and provderespite and healingfr our minds out boise and cur senses, © ) The truth about snow } There's no business like snow business ie hana sreyouwouldnly decreas ly t ee ee Se eee OL Sretatsescite ste stsractotaeaespusng up dveugh esiow, teres rardyary wheal bude Cool reread asncnoeraceoftnecaion spibecaseweerpectcolgrystobetre ifweradchonentaneand bowra ten Zpotabl waushe endatalow fons (gowngnbeachso azote gradation among the any shades ofthese coloursand the white high ight ‘willimmediatey red aspanterlysnovs Checoutte ‘ Se j OD srarsstations romans theparngi leah bras, Ren wecangetavay wt pang shores vitesnon, ce bacmes en Fight whtacescf anon onthe eps of lanes doersprandtltnge Our ej fhawnfetta tent, andthenwesigorethe ‘estotteganing, OB raevetsicoery snine soe chomte tae vee Sats ‘theo hauteur panting n sone, ‘heecedbepacresctsnoun te alejand onterrurians buthosemghtbeginse! “Enlght and ourpaningcanbelies posCrank, Pastel snow Snow sneer pe The sky’s the limit Choosing a style for your landscapes oe Wechoseasot rather realistiestl PNT roc sesons patinguint yourmay wanttodoyoursinamtore Abstract, cellaged fashion-simply Irecanse would begreat un Wil youchoose todo them perfect Fealismtransparentandsplashy ‘watercolor serumptous past ilseraeryic coloured pencil = pasulsorevenamosae? {) Painting winter BD there’ 2 of mistaking: hlconkesymb wer inno doubtastawhatseason they re forthe most obviousin he paling, Namely snowy vena appr ashy us sbetogwetheteei Ieedwater oncagnin we he sollte . ‘gps fie Syrefatng unin be wey od keeprg rawngsral vat ree! Henvever even en ventforamore ste Preis ped ae Sern cer ee mi Poet tsrnt Pee eta ree Romeneeerts ere ee ors Sema arear ty emt Seed ere eat ees= i Create painted borders In this tutorial we'll take you through a step-by- races to show how a painted border can really add to the overall effect of a portrait painting Tutorial info G reatimoderm mastersallthink thefocalpontsofyourplnting sich leavingtheborder uneven and rug i Caretllynotjustaboutthe asthetaceandthe vesofthe subject. __Oryeucango backand purposely paint © Daieica subject, but also hovrthe Drtheffecteanbesubtle,where the theborder Thiscan be tricky though, fubjectlts nthe caneas Not artist leaves dlaimingto be modern masters, wedo afew stray brush asthe effect needs tolnkechaoticand ngaway from the subject. unplanned. We've found thatittakes tillty, however, to think about using Painting e's cottages time getthat effect, others printed borders effectively nour work lth effectcan be much ‘Thesehorderscanadd gencral interest holder, usinganuneven horderas# maior ‘othe painting because they.canbebold, _parcofthecompesitian {look you didnt plan tt Wel take strong brushstrokes or even sof lost Intermsof approacies anaristcoukd you through how we would approach fecges Eker ay because theydont _etherstart with rough borderaid then _addinga border in these steps ust a ‘contain etallthey can elp accentuate render thesujectighter,purpesely quick demonstration bt shoud he useful. ; Usea bigger Where neutral colours and negative space are a positive thing! canvas,and croplater! fF rossing the border a | O2 srtistne Poin part mo feportedherpeletal mevyiothe basa is aloo th re veryhogey witht Repartng Wek OA coset colour/value Sinemet To Dt goss hat 06 senses 5 Besser omens nese tools he vewers oe igessecisted| revo iapuog paiuied area. csTutorial | Create painted borders Borders and boundaries Crop your image ance it’s reacty to lose unnecesse 7 Teureendersand russes nse agdyhees tm endo Newartoblensthedak eve olher clbvintote borcegectine dont worn beaks edge Usethe Core (lyBener tsa 4.0, Opa 7) pulthe diner ae io helght ‘ele indogsosdarg ie teandiersove lees or eye Everythingislost irloo¥ng vant stot ose tee edges. 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