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 Solution Manual for Introduction to
JavaScript Programming The “Nothing but a
Browser” Approach, 1st Edition, Eric Roberts
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Chapter 1
A Gentle Introduction
1. In your own words, explain the meaning and purpose of a
programming microworld.
A microworld is a simplified programming environment that allows
students to learn the fundamental principles of programming
without being overwhelmed by the details of a full-scale language.

2. Who created the Karel microworld?

Richard Pattis

3. What is the etymology of the name Karel?

Karel the Robot is named in honor of Karel Čapek whose play R.U.R.
(Rossum’s Universal Robots) introduced the word robot into English.

4. Define each of the following aspects of Karel’s world: street, avenue,

corner, wall, and beeper.
A street is an east-west sequence of corners running
horizontally. An avenue is a north-south sequence of corners
running vertically. A corner is the intersection of a street and an
avenue.
A wall is a barrier between corners that blocks Karel’s movement.
A beeper is an object that Karel can pick up and put down on a
corner, which Pattis describes as a “plastic cone that emits a beeping
sound.”

5. What are the four predefined Karel functions?

move
turnLeft
pickBeepe
r
putBeeper

6. What are the two functions included in the Karel library named turns?
 turnRight
turnAroun
d

7. What is the meant by the strategy of stepwise refinement?

Stepwise refinement is the process of solving problems by starting
with the problem as a whole and then breaking that problem into
smaller subproblems, which are in turn broken down into successively
smaller subproblems, if necessary.
8. What control statement do you use to execute statements only if some condition
applies? What are the two forms of this statement?
The two forms of the if statement are illustrated in the following
syntax boxes:

9. What two statements does Karel offer for repeating a group of statements?
The repeat statement and the for statement, as
follows:

10. What condition would you use to test whether Karel can move forward from
its current position? What condition would you use to test whether there are
any beepers on the current corner?
The frontIsClear and the beepersPresent conditions,
respectively

11. What is a fencepost error?

A fencepost error occurs when a programmer fails to take account of
the fact that the number of intervals bounded by a set of dividers is
one less than the number of those dividers. This situation is
illustrated by the following diagram, which illustrates the fencepost
metaphor:

12. What are preconditions and postconditions?

A precondition is a true-or-false statement that is true before executing
a function; a postcondition is true after executing a function.

13. The collectLineOfBeepers function in Figure 1-7 includes an if

statement that checks the frontIsClear condition before moving. Why is
it important to make this test?
This statement is necessary to ensure that Karel does not move
forward if a line of beeper extends all the way to a wall.
Exploring the Variety of Random
Documents with Different Content
hidden though it was by the strings of beads and
jessamine flowers dependent from her head dress. The
next moment however, she had humbly knelt down on
the floor. One of the bridesmaids handed her a basin full
of water, and a towel; and she proceeded to wash her
husband's feet, in token of loyalty and loving
submission.

"The men sat down to a repast."

When she was done, he took her by the hand, raising

her; and led her towards the middle of the apartment,
where a piece of matting was spread on the floor. On
this she squatted down, holding up a handkerchief; and
the bridegroom threw into it some rice, some "peteh"-
beans and some money, symbolising the sustenance
which he bound himself to afford her. The symbolical
ceremonies were then concluded by his sitting down
next to her, and putting three spoonfuls of rice, kneaded
into little balls, into her mouth, after which he ate
himself what was left in the dish. The solemn part of
the proceedings being now over, the festivities began.
As a preliminary, the bridal party was to go in solemn
procession through the village; and they were
marshalled in order before the door.
A curious cortege it was. At the head appeared two
"barongans" the images of a giant and a giantess,
carried on the shoulders of men who were hidden in the
large framework; then came the gamelan orchestra,
bells, drums, kettles, viols and all; next a group of men
mounted on hobby-horses, and beating on the sonorous
"angkloeng."[A] After these came some half dozen
women, carrying the bridal insignia—paper birds,
bunches of green leaves and paper flowers, and tall
fans made of peacocks feathers. A group of priests
followed, beating tambourines and chanting a sort of
epithalamium. Next came the bride and her maidens in
a litter, carried upon the shoulders of four men; and
immediately after her the bridegroom on horseback
followed by a group of musicians. The wedding-guests
brought up the rear.
 Native policeman.

In this order the procession took the road; went

round the dessa twice; and finally halted at the house
of the bridegroom.
The father appeared in the door, as soon as he heard
the music approaching; came out to meet the
procession; and advancing towards the litter of the
bride, lifted her out of it, and carried her into the house,
where the bridegroom's relations were seated in a circle
to receive her. To these she was now, with great
ceremony, introduced as the daughter of the house,
whilst she and the bridegroom saluted every member of
the assembly in turn, by kneeling down and kissing his
or her feet.
The guests were then invited to enter, and the men
sat down to a repast, at which the women served them,
whilst the bride and bridegroom took their meal
together, separately from the rest.
We took advantage of the momentary bustle to slip
away unobserved. There was not a soul to be seen on
the moonlit village street; the huts were dark and silent;
and at the entrance of the village the watchman on duty
for the night had left his post vacant.
A din of laughter and buzzing voices pursued us as
we descended the hill-path to our bungalow. And all
that night, long after the last cricket had ceased his
song we heard the thin clear notes of the gamelan
resounding from the heights.

[A] An instrument composed of a series of

graduated bamboo tubes.
EPILOGUE
 As I write these lines—adding a last touch to the
slight sketches in which I have endeavoured to render
my impressions of this country—the shrill whistle of
steam and the thudding and panting of powerful
engines are in my ears, and I see the radiant sky
blackened by volumes of smoke. The "campaign" has
begun in the Cheribon plains. In endless file the
lumbering, buffalo-drawn "pedatis"[A] creaking under
the load of luscious green sugar-cane, jolt along upon
the dusty road, on their way to the factory yonder,—a
great, square, ungainly building, all around which there
is a stir and bustle of dark figures, like the swarming of
ants around an ant-hill. The gate is thrown wide; tall
black shapes loom through the semi-darkness of the
interior; and, now and then, the sudden flare from a
furnace reveals the bulging, sooty-black mass of a
boiler, or the contour of the gigantic wheel slowly
revolving. The nauseous smell of the boiling syrup taints
the air.
I went to the mill, the other morning, to watch the
transformation of the beautiful tall reeds, which, only a
few hours ago, so gaily fluttered their pennon-like
leaves in the wind and sunshine without, into a
shapeless pulp, and a turbid viscous liquor. The
"mandoor" showed me the first sugar-bags of the
season. I looked at them with some interest beyond
that which they deserved in themselves. We were to be
companions on the journey westwards, and already the
steamer which was to convey us hence, was riding at
anchor in the roadstead of Cheribon.
Last impressions, it is said, are the strongest, and
those which ultimately fix the mental images. If so, I
will remember Java, years hence, not as the fairy-land it
seemed to me only yester day, in the sylvan solitudes of
Tjerimai, but as a busy manufacturing country,
prosperous and prosaic.
I will remember a rich soil, an enervating climate,
alternating droughts and inundations and fever-
breathing monsoons; a mode of life, comfortable and
even luxurious, but monotonous in the extreme, which
taxes to the utmost both mental and physical energies.
I will think of white dusty towns by yellow muddy rivers;
of hills, and vales, and marshy lowlands overgrown with
thick, sprouting rice; of admirable irrigation works; of a
system of political administration, apparently wise and
equitable and conducive to the well-being of a
prosperous native population. And I will be at a loss
how to reconcile all these hard solid facts about Java
with the airy fancier, the legends and the dreams, which
must still, as with white splendours of zodiacal light,
illumine my thoughts of the beautiful island.
It seems impossible that both should be true. And
yet, I know that the fancies are every whit as real and
living as the facts, that the poetry and the romance are
as faithful representations of things as they are, as the
driest prose could be.
 Even now, whilst in the factory yonder, fires roar,
engines pant, and human beings sweat and toil, to
change the dew-drenched glory of the fields into a
marketable commodity some hamlet in the plains is
celebrating the Wedding of the Rice with many a mystic
rite. Some native chief, celebrating the birth of a son,
welcomes to his house the "dalang," the itinerant poet
and playwright, who on his miniature stage, represents
the councils of the Gods, and the adventures, in war
and love, of unconquerable heroes, and of queens more
beautiful than the dawn. And in the sacred grove of
Sangean on Tjerimai, the green summit of which
dominates the southern horizon, some huntsman,
crouching by the shore of the legend-haunted lake,
invokes the Princess Golden Orchid, and her saintly
brother, Radhen Pangloera, who live in a silver palace
deep down in the shining water, and who shower
wealth, honour, and long life upon the mortal, who
pronounces the names the spirits of the lake know them
by. Nay—on this very estate, amid the smoke of the
factory-chimneys romance still holds her own. The
mythopœic fancy of the country-folk has enthroned a
"danhjang," tutelary genius of the field, in the branches
of an ancient waringin-tree out in the fields. On their
way to the mill, men and women pause in its shade, to
hang little paper fans on the branches, or deposit on the
humble altar jessamine blossoms, yellow "boreh"
unguent and new-laid eggs in homage to the agrestic
god. Now, the waringin tree stands in a field of
sugarcane, where its wide-spreading roots exhaust the
soil, and its broad shadow kills the young plants within
an ever expanding circle. Clearly, it should be cut down.
But the owner of the estate, warned by recent events,
wisely forbears. He chooses to put up with these
inconveniences, rather than expose himself and his
property to the revenge which the votaries of the
Danhjang would undoubtedly take, if a sacrilegious
hand were laid on his chosen abode. And so, the Sacred
Waringin thrives and flourishes in the midst of the
plantations of sugar-cane, a fit symbol of the romance
which, in this island, pervades all things, even those the
most prosaic in appearance.
It is this, I believe, this constant intrusion of the
poetic, the legendary, the fanciful into the midst of
reality, which constitutes the unique charm of Java. This
is the secret of the unspeakable and irresistible
fascination by which it holds the men of the north, born
and bred among the sterner realities of European
civilisation. A spell which becomes so potent as to
countervail ills which otherwise would prove
unbearable; and to temper, with a regret and a strange
sense of want, the joys of the exile's home-coming.
And this, too, is the reason why, to me as to so many
who have beheld Java not with the bodily eye alone, it
must still remain a land of dreams and fancies, the
Enchanted Isle where innocent beliefs and gladsome
thoughts, such as are the privilege of children and
childlike nations, still have their happy home.

[A] Carts the wheels of which are wooden discs.

 ILLUSTRATIONS
PAGE

* Mask used by Topeng-players I

* Batik-freme for the exclusive use of ladies of
quality V
A "brownie" of that enchanted garden that men
call Java 2
* Batik-pattern 3
"Fishing-praos, their diminutive hull almost
disappearing under the one tall whitish-brown
sail, shaped like a bird's wing and flung back, as
if ready for a swoop and rake" 6
"The ship lay still and we trod the quay of
Tandjong Priok" 7
* Sekin. (Interior of Sumatra) 11
* Four-armed Çiva 12
* Lamp.—Garuda the Sun-Bird in the shape of a
winged woman 14
* Landing of a Hindoo Ship.—Relief to
Boroboedoer (Java) 15
"A seller of fruit and vegetables his baskets
dangling from the end of a bamboo yoke" 17
"Pine-apples and mangosteen, velvety
rambootan and smooth-skinned dookoo" 19
"The big kalongs hanging from the topmost
branches in a sleep from which the sunset will
presently awaken them" 21
* Ivory Mortar and Pestle, decorated with
representations of scenes from the Life of
Krishna 26
* Mask used by Topeng-players 28
* Wayang "bèbèr", drawing, representing the
story of Djaka Prataka. (Vide: Vreede Catalogue
of Javanese and Madurese MS. Leiden 1892,
page 196) 29
"A triple row of branching tamarinds" 32
"The idyllic Duke's park, very shadowy, fragrant
and green" 33
The business quarter of Batavia 36
A footsore Klontong trudging wearily along 37
+ The Chinese Quarter 39
"The West-monsoon has set in, flooding the
town" 40
+ "The Kali Batawi on its way through the Chinese
Quarter" 41
+ Entrance to a rich Chinaman's House 43
"A glimpse of the river as it glides along
between the bamboo groves of its margins" 45
+ Procession at the funeral of a rich Chinaman 50
+ Funeral procession on its way to the Chinese
Country 51
+ Burning of symbolical figures at a Chinese
Funeral 53
"The deliberate stream sauntering along at its
own pace on its way from the hills to the sea" 55
* Bamboo case. (Java: Preanger Regencies) 60
* Batik-pattern 61
 "Compound" of a Batavia House 62
+ The servants' kitchen 67
+ Native servants 71
+ Native gardener 75
+ Native footboy 77
+ Sacred gun near the Amsterdam-gate, Batavia 78
* Brass flower-pot, modern (Java: Resid of
Surabaya) 80
* Wayang bèbèr, drawing, representing the story
of Djaka Prataka. (Vide: Vreede, Catalogue of
Javanese and Madurese MS. Leiden 1892. page
196) 81
* Mandau. (S. E. Borneo) 95
Raksasa (Demon) 96
* Mask used by Topeng-players 98
* Creese. (Java) 99
+ The River-Bath 101
+ A Laundry in the River 103
Native Lady travelling in her Litter 104
A Litter 105
+ The Market at Malang 107
+ Street-Dancers 110
Musicians 111
+ The native cithara and violin 112
Clasp for fastening a kabaya in front 113
+ A native restaurant in its most compendious
shape 115
 "For the morning and evening meal he prefers
the open air and the cuisine of the Warong" 117
+ A kitchen 120
A native restaurant in its simplest and most
compendious shape 121
+ Native restaurant 123
Breakfast in the open air 125
"Here they are: without playthings naked and
supremely happy" 129
+ A Chinese Carpenter 130
+ A Chinese Dyer 131
"The miniature stage on which the lives and
adventures of Hindoo Heroes, Queens and
Saints are acted over again by puppets of gilt
and painted leather" 133
Scene in a Wayang-Wong Place 136
The Regent of Malang's Wayang-Wong 137
The native orchestra which accompanies every
representation of the Wayang 139
Wayang-Wong Players missing a Fight 144
Wayang-Wong Scene 145
Scenes from a Wayang-Wong Play 149
"Topeng" played by masked actors 152
"Topeng" actors 153
"Slowly they advance gliding rather than
walking" 155
Street-dancers 156
"The dancers stand listening for the music" 157
A Wayang representation 159
 A Wayang representation 160
Wayang dancers. 161
* Wooden model of a boat (majang.—Java: Res.
of Japara) 164
* Batik-pattern 165
* Balinese crease.—Stabbard made of "Kajoe
pèlèt" 181
* Padi-Reaper.—Java 182
* Laksjmi seated on a lotos-cushion 184
* Batik-pattern taken from a Head-kerchief 185
Buffaloes at grass 188
+ Avenue leading to the Botanical-garden 189
A Nipah Palm 194
The Brantas-River.—Malang 195
A Javanese 197
A Hill-man 198
+ "In the depth of the ravine" 199
Watch-men 201
+ Prinsenlaan-corner, Batavia 202
"The beautiful tall reeds of the sugar-cane, their
pennon-like gleaming in the sunshine" 204
Avenue of old Waringin-trees, Botanical-garden,
Buitenzorg 205
+ A cactus in flower 208
+ Gum tree, Botanical-garden, Buitenzorg 210
+ Palmtrees in the Botanical-garden 211
+ A Waringin-tree 214
+ "A path leading from sunshine into dappled
shade and from shade into sunshine again" 216
+ "A bamboo-grove where was an incessant
rustling and waving of foliage though no wind" 217
"Carriers walking by the side of their lumbering,
bullock-drawn pedati, which creaks along the
sun-scorched roads" 219
+ Palm trees and Arancaria 222
+ "A tall gloomy avenue of Kenari-trees, the sky
but faintly showing though their sombre
branches" 223
Submerged rice-fields 225
+ Bamboo-bridge near Batu-Tulis 227
Bamboo-bridge across the Tjitaroon 229
Bamboo-bridge across the Tjitaroon 230
* Brass water-kettle.—Java: Res. of Surabaya 231
* Copper Dish, decorated with Wayang-figures 232
* Javanese girl 234
* Relief to Boroboedoer 235
A village couple 237
Near Garoot 241
A "brownie" of that enchanted garden that men
call Java 246
Girl from the Preanger-Country 247
Javanese of the higher class 249
Girl from Kadoo 251
+ Women pounding rice 253
The rapids of the Tjitaroon 254
 Pangeran Adipati Mangkoe Boemi (Djokjakarta) 256
Javanese Lady 257
Waterfalls 259
The Tjimahi falls 260
+ "Through the darkling stillness of the grove
there break the splendour and the sound of
living water" 261
Pedang. (Interior of Sumatra) 264
* Ganeça.—The God of Wisdom 266
* Priests with their Guru or Teacher 267
Raised shed from which the ripening fields are
watched 268
* Gunungan, or Pile of Sacrificial Food, as offered
by women, on Garĕbĕg Mulud, the feast of the
nativity of Nabi Muhamed, the Great Prophet.
(Vide: Groneman, "the Garĕbĕg". The Hague
1895, page 33) 270
A native official and his followers 271
+ Rice-barn shaped like a child's cradle 273
"A progeny like to the spreading crown of the
waringin-tree" 275
Sellers of rice 278
+ Women dyeing sarong cloth 279
+ Woman picking cotton, and men plaiting a sieve 281
A Javanese Family 282
+ Mat-plaiting 283
+ A bamboo hut 286
Weighing rice-sheaves 287
+ Native official 289
 Preparing the village field 291
Native nobleman and his wife 292
+ Pilgrims returned from Mecca 293
+ A scholar 295
Filling the village field 297
+ Rice-barn 299
Peasant ploughing 300
Rice on the swampy plains 301
"The produce of the fields is equally divided
amongst them as they equally divide the labour
and the toil" 303
Flooded rice-fields 306
+ "The men, with the father of the bride at their
head, had come for the bridegroom, to conduct
him to the mosque" 308
+ "With measured steps the two advanced
towards each other, and whilst yet at some
distance paused" 309
+ "Humbly kneeling down, the bride proceeded to
wash the bridegroom's feet, in token of loving
submission" 310
+ Bride and bridegroom sitting in state 311
+ The wedding-guests on their procession through
the village 312
+ "The men sat down to a repast" 315
Native Policeman 316
* Mandou (S. E. Borneo) 317
* Vishnu the preserver, four-armed, standing on a 318
lotos-cushion, lotos-plants to his right and left,
 under which two women standing: Laksjmi and
Satiavana the Consorts of the God. (Java)
* Javanese Type 320
* Crease. (Java) 321
A seller of Peruvian bark 325
Crease. (Java) 329
A Malay 330
Crease. (Java) 331
* Kartakeya Çiva's Son, the War-God, seated on a
pea-cock 331
Cock-fighting 332
The illustrations marked * are taken from originals in
the Leyden Ethnographical Museum, those marked +
from the Haarlem Colonial Museum.
Vide also: H. H. Juynboll, "Das Javanische
Maskenspiel" in: Intern. Archiv. für Ethn. XIV 41.
L. Serrurier, De Wayang Poerwâ. Eene ethnologische
studie. Leiden 1896.
 CONTENTS
PROLOGUE v
I. FIRST GLIMPSES 1
II. A BATAVIA HOTEL 13
III. THE TOWN 27
IV. A COLONIAL HOME 59
V. SOCIAL LIFE 79
VI. GLIMPSES OF NATIVE LIFE 97
VII. ON THE BEACH 163
VIII. OF BUITENZORG 183
IX. IN THE HILL COUNTRY 233
X. IN THE DESSA 265
EPILOGUE 319
ILLUSTRATIONS 325
Printed in Holland
 Transcriber's Notes:
Every effort has been made to
replicate this text as faithfully as
possible. Obvious punctuation errors
repaired.
The usage of hyphenated words in
this text is inconsistent. This was
retained.
The following is a list of changes
made to the original. The first line is
the original line, the second the
corrected one.
Page VI:
breathed its odour-laden air for to
long a time;
breathed its odour-laden air for too
long a time;
Page VI:
he is content to live on dreamely by
some
he is content to live on dreamily by
some
Page 18:
immates of the hotel are all
inmates of the hotel are all
Page 18:
Pine-apples and mangosteen,
velvetry rambootan
Pine-apples and mangosteen,
velvety rambootan
Page 26:
a spacious hall supported on pillars,
was brillantly lit.
a spacious hall supported on pillars,
was brilliantly lit.
Page 38:
such as Shakspeare loved as a
setting
such as Shakespeare loved as a
setting
Page 54:
Funeral Procession on its way to the
Chinese Cimetery.
Funeral Procession on its way to the
Chinese Cemetery.
Page 57:
the attitude of mind and the habits
of though identical
the attitude of mind and the habits
of thought identical
Page 57:
He could as soon leave off breathing
as leave of buying and selling
He could as soon leave off breathing
as leave off buying and selling
Page 61:
the Northerner's mind when the
looks upon a house
the Northerner's mind when he looks
upon a house
Page 65:
and supported on colums
and supported on columns
Page 76:
a sufficient domiestic staff
a sufficient domestic staff
Page 81:
and the deepbreathed fragance of
flowers
and the deepbreathed fragrance of
flowers
Page 84:
almost in the house,
nothwithstanding;
almost in the house,
notwithstanding;
Page 91:
nests on the capitals of the
columms,
nests on the capitals of the columns,
Page 92:
analogous contasts meet one at
every step
analogous contrasts meet one at
every step
Page 92:
Thy have more leisure,
They have more leisure,
Page 92:
a friend, a mere acquintance, an
utter stranger,
a friend, a mere acquaintance, an
utter stranger,
Page 106:
invader has suceeded in ousting
from
invader has succeeded in ousting
from
Page 109:
wax-white Gardenias, violet
Seabiosa, and leaves
wax-white Gardenias, violet
Scabiosa, and leaves
Page 109:
the soft, fragant heap in his basket
the soft, fragrant heap in his basket
Page 109:
figures in their brigh-hued garments
figures in their bright-hued garments
Page 112:
the fragant blossom of the asana.
the fragrant blossom of the asana.
Page 121:
the guidance of its own insticts
the guidance of its own instincts
Page 129:
a Englismen about a prize-fighter.
as Englishmen about a prize-fighter.
Page 131:
and the tail protude.
and the tail protrude.
Page 138:
figures are fixed in a piece of
bananastem
figures are fixed in a piece of
banana stem
Page 142:
and posess some knowledge of Kawi
and possess some knowledge of
Kawi
Page 147:
that some well-know "dalang" will
hold
that some well-known "dalang" will
hold
Page 150:
the pride of wordly rank and station
the pride of worldly rank and station
Page 155:
that we many know surely.
that we may know surely.
Page 156:
thus shamefaced and sad, rejoice
exeedingly.
thus shamefaced and sad, rejoice
exceedingly.
Page 159:
as Ardjuna, goes to seek
Niwâtakawata
as Ardjuna, goes to seek
Niwàtakawaka
Page 160:
called Ardjuna's marrage feast
called Ardjuna's marriage feast
Page 165:
In one place were the narrow beach
broadens
In one place where the narrow
beach broadens
Page 166:
of the broad-branched nyamploeng
trees
of the broad-branched njamploeng
trees
Page 167:
cool a well water
cool as well water
Page 167:
one old fellow, white-haired and
decrepid
one old fellow, white-haired and
decrepit
Page 168:
a group of island, ethereal as
cloudlets
a group of islands, ethereal as
cloudlets
Page 169:
whitened the shell-strewd beach
whitened the shell-strewed beach
Page 169:
Then jamploengs were in flower.
Then njamploengs were in flower.
Page 169:
its blossoms, fragant, white, and of
its blossoms, fragrant, white, and of
Page 171:
erected his "tero," the piable
bamboo palisade
erected his "tero," the pliable
bamboo palisade
Page 173:
weaving and batikking sarongs
weaving and batiking sarongs
Page 176:
For my childern are dutiful
For my children are dutiful
Page 186:
The gardens on each side the road
The gardens on each side of the
road
Page 220:
the Gedeh-crater surrouds, as an
impregnable bulwark
the Gedeh-crater surrounds, as an
impregnable bulwark
Page 226:
a tender-pettalled flower to a rock
a tender-petalled flower to a rock
Page 236:
The gardens are fragant with
mignonette
The gardens are fragrant with
mignonette
Page 239:
where four wounderful lakes of
green
where four wonderful lakes of green
Page 243:
with the rhytmic click-clack of the
wooden pestles
with the rhythmic click-clack of the
wooden pestles
Page 254:
"They way of the land, the honour of
the land,"
"The way of the land, the honour of
the land,"
Page 267:
Our bungalaw on the Tjerimai
hillside
Our bungalow on the Tjerimai
hillside
Page 267:
in the near neighbourhood af a
native dessa
in the near neighbourhood of a
native dessa
Page 267:
a prosprect of brown huts
a prospect of brown huts
Page 268:
Raised shad from which the ripening
fields are watched.
Raised shed from which the ripening
fields are watched.
Page 277:
Around stretch meadows, ricefields,
and plantions of nipahpalm
Around stretch meadows, ricefields,
and plantations of nipahpalm
Page 277:
in return to pay certain taxas
in return to pay certain taxes
Page 289:
detail about Javanese sacrifical rites
detail about Javanese sacrificial rites
Page 292:
European children seem insiped by
comparison
European children seem insipid by
comparison
Page 293:
Pelgrims returned from Mecca
Pilgrims returned from Mecca
Page 294:
takes the prayer for fine childeren
takes the prayer for fine children
Page 300:
under so eleborate a system of
agriculture
under so elaborate a system of
agriculture
Page 307:
for the Rice-Bride and Bridegoom to
repair
for the Rice-Bride and Bridegroom to
repair
Page 307:
and all thing ready for their
reception
and all things ready for their
reception
Page 315:
And I fancied a saw a gleam of
satisfaction
And I fancied I saw a gleam of
satisfaction
Page 315:
The symbolical ceromonies were
then concluded
The symbolical ceremonies were
then concluded
Page 322:
of a system of political admistration
of a system of political
administration
Page 324:
if a sacriligious hand were laid on his
chosen abode
if a sacrilegious hand were laid on
his chosen abode
Page 327:
*Copper Dish, decorated with
Wayang-figures
Wayang dancers.
Page 328:
Raised shad from which the ripening
fields are watched.
Raised shed from which the ripening
fields are watched.
Page 329:
Bride and bridegoom sitting in state
Bride and bridegroom sitting in state
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