COREL DRAW
COREL DRAW
WITH
CORELDRAW
TRAINING NOTES
If you have made changes to the current drawing that have not
been saved, CorelDraw asks you if you want to save them before
clearing the drawing window. Choose Yes to save the changes, No
to ignore them or Cancel to cancel the command.
3. If you want to load the template but not the objects in it, click
With Contents to clear the check mark.
4. Choose OK.
If you have made changes to the current drawing that have not
been saved, CorelDraw asks you if you want to save them before
clearing the drawing window. Choose Yes to save the changes, No
to ignore them or Cancel to cancel the command.
Opening a drawing
The open command opens drawings previously saved to disk. You
can also open a recently saved drawing by choosing its name (or
the number beside it) from the File menu.
To open a drawing:
1. Choose Open from the File menu.
2. In the File Name box, type the name of the drawing you want to
open or select it from the list.
Choosing the Options button reveals options which let you search
for files using either keywords or Mosaic. See finding files using
keywords and finding files using CorelMOSAIC.
3. Choose OK.
To save the drawing in the current drive and directory, type a name
up to eight characters in the File Name box.
3. Choose OK.
When you are not using a window, you can hide the controls leaving
just the Title bar visible.
Choose Arrange All to roll-up the active window and then move it to
the top right corner of the drawing window.
Choose Arrange All to roll-up all open windows and move some to
the top right corner and others to the top left corner of the drawing
window.
Repeating an action.
You can use the Repeat command to repeat the last action o the
same object or on another object. For example, if you rotate and
object, choosing Repeat rotates that object or another one you
selected by the same amount.
To repeat an action:
Choose Repeat from the Edit menu.
To exit CorelDRAW:
Choose Exit from the File menu.
If you have made changes to the current drawings that have not
been saved, CorelDRAW asks if you want to save them before
closing. Choose Yes to save the changes, No to ignore them, or
Cancel to cancel the command.
Viewing Drawings
CorelDRAW provides two ways to view your drawings on the
screen:
Estimate preview, which is the default view, displays your
drawing as it will look when printed. You’ll see all fills (except
PostScript textures and halftone screens), outline attributes and
text attributes. You can edit in editable preview and immediately
see the effects of your changes.
You can continue magnifying until you reach the magnification limit
for your screen.
The pencil tool is the most versatile of the three. It’s most obvious
function is drawing lines and curves. You can also use it to
autotrace bitmaps and add dimension lines. You choose which of
the pencil tool’s drawing modes you want to use from the flyout
menu that appears when you hold the mouse button down on the
tool.
The technique you use to draw is essentially the same for each of
the tools: select the tool, click anywhere on the page, and drag the
mouse. If you hold down the CTRL key as you drag, you can
constrain the motion of the mouse to draw perfect squares, circles
or straight lines.
All new objects you add are given a default outline and fill. You can
change the defaults at any time by choosing the outline or fill tools
with no objects selected. For more information, see specifying a
default outline and specifying a default fill for new objects.
The pencil tool remains in Bezier mode until you click on the
Freehand icon to switch back to freehand mode or exit CorelDRAW.
When you finish drawing, nodes appear at points along the curve.
Moving the nodes and their control points with Shape tool allows
you to change the shape of the curve.
If you don’t see the Freehand icon, select it from the flyout menu
displayed by holding the mouse button down on the pencil tool.
2. Draw the curve by dragging the crossbar along the desired path.
If you want to backtrack, you can erase part of the path you have
drawn by holding down the SHIFT key while continuing to drag.
When you release the SHIFT key, you will resume drawing your
line.
3. When you reach the end of your curve, release the mouse button.
In order for the line segments to connect, you must click within five
pixels of the endpoint. You can adjust this by choosing preferences
from the Special menu, click on the curves button and then
specifying the number of pixels in the AutoJoin box.
If you don’t see the Bezier icon, select it from the flyout menu
displayed by holding the mouse button down on pencil tool.
5. When the control points are in the desired positions, release the
mouse button.
Holding down the CTRL key as you position the control points
forces them to move in 15 degree increments. You can specify a
different angle by choosing preferences from the special menu and
typing or selecting the angle you want in the constrain angle box.
6. Move the crossbar where you want the curve segment to end,
then press and hold the mouse button.
7. Drag to position the control points that will determine the height
and slope of the next curve segment.
You add them to your drawing using the three different icons with
double pointed arrows in the pencil tool flyout menu.
Select To draw
The vertical double arrow - vertical dimension lines
The horizontal double arrow - horizontal dimension
lines
The angular double arrow - angular dimension lines
4. Click on the point where you want to begin measuring and then
drag.
5. When you reach the other point, click. If you have snap to
objects enabled, the cursor will snap to the end of the object.
6. Move the cursor to where you want the dimension text to appear
and click.
To draw a rectangle:
1. Select the Rectangle tool.
2. Position the crossbar where you want one corner of the
rectangle to appear.
3. Hold the mouse button down and drag up or down on a diagonal.
4. When the rectangle is the size and shape you want, release the
mouse button.
To draw a square:
Hold down the CTRL key as you drag.
As you drag, the four corner nodes each divide into two nodes with
a round corner forming in between. As you continue to drag, the
corners become increasingly round.
To draw an ellipse:
1. Select the Ellipse tool.
2. Position the crossbar where you want one corner of the ellipse’s
highlighting box to appear.
3. Hold the mouse button down and drag up or down on a
diagonal.
4. When the ellipse is the size and shape you want, release the
mouse button.
To draw a circle:
Hold down the CTRL key as you drag.
As you drag, the node divides into two nodes with the arc/pie
wedge forming between.
3. Continue dragging until the arc/pie wedge is the shape and size
you want.
If you are creating the arc/pie wedge from an ellipse, the word
“distorted” appears after the total angle. This means, for example,
that a 45 degree angle will be an eighth of the way around the
ellipse rather than actually being at 45 degrees.
Selecting an Object.
You select objects with the Pick tool. Eight square sizing handles
appear around an object when it’s selected.
To select an object:
1. Select the Pick tool.
2. Do one of the following:
In wireframe view and for unfilled objects, click anywhere
on the object’s outline.
In editable preview click anywhere on the object’s fill or
outline.
The copy and paste commands in the Edit menu offer yet another
way to copy objects. They let you copy selected objects to the
windows clipboard. Form there, you can paste them into another
drawing or windows application.
7. Choose OK.
To clone an object:
1. Select the object.
2. Choose clone from the Edit menu.
The object menu will appear with a command for selecting the
object’s clone or master.
NOTE: You may have to hold the mouse button down depending on
the mouse preferences specified through the preferences command
in the special menu.
As with other objects, text and symbols you add are given a default
outline and fill. You can change the defaults at any time using the
outline and fill tools.
When you add a string or block of text, every character must use
the same formatting. Once the text is added, however, each
character can have its format changed.
You can carry out formatting changes using commands in the text
menu or with the text roll-up window.
Proofing Text
CorelDRAW’s proofing tools can help improve your writing by
finding spelling errors, correctly hyphenating words, and finding
synonyms for a word.
Later, you can use the pick tool to adjust the size of the frame.
Once the text is on a page, you can use the text Roll-up window or
the Character command to change the font, point size and other
character attributes.
The frames are linked, so that if you shrink one frame or (reduce
the size of the text) the text will automatically flow into the next
frame. Similarly, if you enlarge a frame, text will flow into it from
the next frame.
The top box flows from the beginning of the frame, the bottom,
from the end of the frame.
Adding Symbols
CorelDRAW’s Symbol Library contains thousands of predrawn
graphic symbols ranging from arrowheads and bullets to business
and sports related symbols. You can use the symbols as they are, or
edit them the same way you would any other object.
You can even select a symbol and create a pattern that covers the
entire page.
In the size box, specify the height you want the symbol drawn at.
(The unit of measurement is the one the vertical ruler displays in).
Once it’s on the page, you can use the pick tool to resize the
symbol.
NOTE: The symbols in the pattern are clones of the top left symbol.
If the text is in a file format the program supports and you want to
keep the formatting, the use the import command in the file menu.
CorelDRAW will add a new text frame sized according to page size
specified in the file. If the frame can’t hold all the text, additional
frames and pages will be created.
You can also import text files through the Edit Text dialog box. The
file must be unformatted ASCII text containing no more that 4000
characters per paragraph. Any characters over this limit will be
dropped.
If the file you want is in another drive or directory, select the drive
from the drives box and the directory from the directories box.
4. Choose OK.
You can also import text into an existing frame. The imported text
will replace the existing text, however.
If the file you want is in another drive or directory, select the drive
from the drives box and the directory from the directories box.
5. Choose OK.
To Do this
Add a new string of Artistic text choose paste from the edit
menu to paste
the text at the center of the page.
OR
To Do this
Add a new block of paragraph text choose the text tool, drag to
draw a frame then choose paste
from the edit menu.
Use To
Text tool Add, delete, replace, or change the attributes
of text on screen.
To Do this
Move insertion point point and click on the new location, or
press the following keys or a
combination of keys.
6. Choose OK.
6. Choose OK.
7. Click the Apply button if you opened the paragraph text dialog
box from the Text Roll-up.
To indent a paragraph:
1. Select the paragraph text tool from the text tool flyout menu.
2. Click the paragraph you want to indent. To indent two or more
consecutive paragraphs, drag to highlight them.
3. Choose paragraph from the text menu or roll-up.
4. Click indents.
5. Do one or more of the following:
To indent the first line differently from the rest of the
paragraph, type or select the distance from the left frame
margin that you want to indent it in the First Line box.
In the Rest of Lines box, type or select the distance from
the frame margin that you want to indent the remainder of
the paragraph.
In the Left Frame Margin box, type or select the distance
from the left edge of the text frame that you want to indent
the entire paragraph.
In the From Right box, type or select the distance from the
right edge of the text frame that you want to indent the
entire paragraph.
You can also use the ruler to indent the paragraph.
NOTE: The default size is the size of the text in the selected
paragraph.
7. In the Vert Shift box type or select the distance you want the
symbol shifted from the baseline of the text. You can enter
positive or negative values.
8. In the Bullet Indent box, type or select the distance you want
between the bullet and the left edge of the text frame.
NOTE: You can adjust the space between the bullet and the text by
clicking the indents button and entering the same value in the First
Line and Rest of Lines boxes.
9. Choose OK.
10. Click the Apply button if you opened the paragraph text dialog
box from the Text Roll-up.
The bullet appears with the default outline and Fill attributes,
which you can change in the same way as you would text.
Choose To
Edit Text (Text Menu) apply any of the available
attributes.
Text Roll-up (Text Menu) display the text Roll-up window for
quick access to all available
attributes.
NOTE: If you often use a particular set of attributes, you can make
it easier to
Checking Spelling
The spell checker command lets you check your text for spelling
errors. If an
unrecognized word is found, you can correct the word if it is
misspelled, or add it to
a personal dictionary if it is correctly spelled.
To check spelling:
1. Select the text you want to spell check.
2. Choose spell checker from the text menu.
When all words have been checked, a message box appears. Choose
OK to return to
your drawing.
To find text:
1. From the text menu, choose find.
2. In the find what box, type the text you are searching for.
You can type as many as 100 characters; the text will scroll
horizontally as you
type.
CorelDRAW will highlight the first occurrence of the text in the text
frame. Choose Find Next if you want to search for the next
occurrence. To edit the found text, choose cancel.
To replace text:
1. From the Text menu, choose Replace.
You can type as many as 100 characters; the text will scroll
horizontally as you type.
Click on To
Down arrow in 1st box display a list of text orientation
options.
4. Select the quadrant on a closed path to which you want the text
fitted. You can
also move the text along the path by dragging it with the mouse.
Place on the other side fit the text on the opposite side of
the path.
When you finish editing, CorelDRAW refits the text to the path
automatically.
The revised text will appear just as the original text did, provided
you did not change the attributes of individual characters or apply
any of the following commands:
Extrude
Blend
Contour
Powerline
Fit Text to Path
Within a few seconds, the drawing will appear with the changes you
specified. If you save the revised file at this point, CorelDRAW will
overwrite the original. To keep the original, choose Save As from
the File menu and save the revised file under a different name or in
another drive or directory.
The object you use can be any size; CorelDRAW will resize it to
match the proportions of other symbols in the set.
The symbol will appear at the end of the list in the symbols Roll-up.
You can also use CorelDRAW’s typeface export filters to create new
symbol sets and add to add symbols to existing sets or create new
sets.
You can replace as many strings in the drawing as you wish, but
each string must be unique.
4. Type the text you want inserted into the drawing, putting a
backslash (\) before and after each string/frame.
CorelDRAW merges the text with the drawing and sends the result
to the printer.
Transforming Objects
Transforming an object in CorelDRAW means to change its
orientation or appearance without altering its basic shape.
4. Choose OK.
2. Move the mouse pointer over one of the corner arrows until it
becomes a cross.
3. Drag in circular motion around the object.
2. Move the mouse pointer over the top middle or bottom middle
arrow to skew the object horizontally or the side arrows to skew
the object vertically.
Clearing transformations
You can quickly reverse all transformations plus envelope and
perspective effects applied to an object or group of objects.
To clear transformation:
Selected object or group of objects whose transformations you want
to clear.
From the Effects menu, choose Clear Transformations.
Shaping Objects
Objects created with the Elipse, Rectangle and Text tools are
constructed from basic elements called paths. A line, for example,
is a path drawn between start and endpoint. Circles and rectangles
are represented by paths as well.
The shape tool allows you to change the characteristics of the path
and the endpoints (called “nodes”) which in turn allow you to
reshape the object. For example, you can convert a straight line to
a curve and then manipulate the curve to shape it any way you
want.
Keep in mind that you cannot edit text after you convert it to
curves.
Though it looks the same, the objects is now a curve object that you
can reshape by manipulating its nodes and control points with the
shape tool.
NOTE: The Elastic Mode option in the Node Edit Roll-up affects the
way multiple selected nodes move when dragged with the mouse.
Control points appear extending from the selected node and those
on either side of it.
As you drag, the segments on either side of the nodes move. The
node’s control points also move so that the angles at which the
curve enters and leaves the node unchanged.
Control points appear extending from the selected node and those
on either side of it.
3. Drag the control points one at a time until the curve is the shape
you want.
The curve redraws as a closed path that can then be filled with the
Fill tool.
Unless the curve passed through the node on a fairly sharp angle,
changing the node’s type will not noticeably affect its shape. It will,
however, affect the way in which you can reshape the curve by
adjusting the node’s control points.
Open paths are given outline attributes such as thickness and color,
line style (solid, dashed, etc) and line ending shape (round, square,
arrowhead, etc.)
Closed paths are given a fill attribute and some of the outline
attributes of an open path. The fill attribute can be a solid color, a
fountain fill a pattern or a texture.
You can turn either a set of attributes off and leave the other
visible. Turning off a rectangle’s fill for example makes it
transparent, allowing objects behind it to show through.
Text is given the same attributes as open and closed paths, and
others such as typeface and style, point size, inter-line spacing and
so on.
Choosing Attributes
For flexibility and ease of use, CorelDRAW offers four ways to
select fill and outline attributes.
Each click changes the thickness by .01 inches. Click the down
arrow repeatedly to select hairline or no outline at all.
5. Choose OK.
From the Show list box, choose the color specification method you
want to use.
4. Do one of the following:
To select a color from the TRUMATCH or PANTONE
palettes by sight, click Show Color Names to clear the
check mark, then click on the color you want.
5. Choose OK.
If you are using the Pen Roll-up window, click the Apply button.
4. Choose OK.
If you are using the Pen Roll-up window, click the Apply button.
4. Choose the join button (it’s the one with the connected chain
links).
To scroll the palette one color at time, click an arrow at either end
of the palette with the primary mouse button. Click with the right
mouse button to scroll the width of the screen.
5. Choose OK.
You can use a dialog box or the fill Roll-up window to create
fountain fills.
NOTE: If you are using Spot color, and plan to create color
separations, use tints of the same color to specify the start and end
colors.
You can save the fountain settings you specified so that you can
apply them to other objects. Type a name in the Presets box then
click the Save button. Clicking the Delete button removes the
selected settings from the Preset list.
7. Choose OK.
9. Choose OK.
4. Choose OK.
Perspective
You can create one and two-point perspective views of an object by
dragging handles on a special bounding box.
Envelope
Imagine the way an image drawn on a sheet of rubber distorts
when you pull on its edges. You get the same effect in CorelDRAW
by applying an envelope to an object and dragging its handles.
Envelopes are useful when you want to mold text to fit the contours
of a particular shape.
Blend
The blend command blends the shape and color of one object with
those of another through a series of intermediate objects. You can
use blend to create airbrush effects and highlights or to create
evenly spaced copies between two identical objects. You can even
blend along a path.
Extrude
The extrude command projects surfaces from an object to give it a
three-dimensional appearance. The object and surfaces form a
Contour
Contouring an object produces a series of concentric shapes that
give an object a sense of depth. Cartographers use a similar
drawing technique to depict changes in elevation on a
topographical map.
PowerLines
PowerLInes let you mimic the style of more traditional drawing
tools like paintbrushes, calligraphic pens and wood etching tools.
The PowerLInes Roll-up gives you access to several preset
Powerlines plus controls for creating your own.
The shape tool becomes selected and a bounding box with four
handles appears around the object.
The shape tool becomes selected and a bounding box with handles
appears around the object.
With the first three editing modes, the side handles move in
single direction while the corner handles move in two
directions.
With the fourth mode, the handles move freely. They also have
control points that you can move to fine tune the shape of the
object.
By holding down the CTRL and/or SHIFT keys, you can move
opposing handles the same amount in the same or opposite
directions.
6. Drag other handles until the envelope is shaped the way you
want.
If you are not getting the results you want with one mode, you can
click the Reset Envelope button and use a different mode. You can
also select a different mapping mode from the list below the editing
mode buttons.
NOTE: You can also adjust where the blend begins and ends by
selecting the top or bottom object and dragging it along the path.
Choose rotate All if you want to rotate the blend along a
curved path.
Choose spacing from the list box at the top of the roll-up and
type or select the amount of spacing you want between the
intermediate shapes.
To extrude an object:
1. Select the object you want to extrude.
2. Choose Extrude from the Effects menu.
3. Select the type of extrusion you want from the list box. The
terms “front” and “back” refer to the position of the extruded
surfaces with respect to the object.
4. To set the depth of the extruded surfaces do one of the following:
5. For perspective extrusions, type or select values in the Depth
box. (available for perspective extrusions only).
6. For parallel extrusions, click the Edit button, and drag the X that
appears on the screen.
To rotate an extrusion:
1. Click the rotation button.
2. Do one of the following:
Click the arrow buttons to rotate the extrusion in the
direction you want.
Click on the text boxes icon and type or select values in the
text boxes.
When the extrusion is in the position you want, click the Apply
button.
To color the surfaces the same as the object, click Use Object Fill.
You can adjust the intensity of the light source by dragging the
slide control.
To color the surfaces the same as the object, choose Use Object
Fill.
Contouring an object
Contouring an object produces a series of concentric shapes
radiating toward or away from the object’s center. If the object is
filled with a uniform color, then CorelDRAW will fill the shapes with
colors between it and another color you specify. The same applies
to the object’s outline. If the object is filled with another type of fill,
for example, a fountain, then that fill will be used to fill all the
shapes.
To contour an object:
1. Select the object you want to contour.
2. Choose contour from the Effects menu.
3. Specify the direction you want the shapes to radiate by clicking
To Center, Inside or Outside.
4. Do one of the following:
In the Offset box, enter the distance you want between the
intermediate shapes.
NOTE: With Inside selected, the Offset value will take precedence
over the steps value. This means if Offset is set too high,
CorelDRAW may reach the middle of the object before it can create
the number of steps specified.
5. Click on the pen and the fill button to display a palette of colors
you can blend the object’s outline and fill with.
NOTE: The Object must have a uniform color outline and/or fill for
your selections to have any effect.
Drawing PowerLines.
Lines you draw with the Pencil tool are usually the same width
from start to finish. With the PowerLines feature, you can draw
variable width lines that give your artwork a hand-drawn look.
CorelDRAW comes with a number of preset PowerLines which
simulate the strokes paintbrushes and calligraphic pens produce.
You can modify the presets to create your own PowerLines and save
them for use later.
To draw a PowerLine:
1. Choose PowerLines Roll-Up from the Effects menu.
2. From the Presets list box, click on the PowerLine you want to
use.
The preview box shows the basic line shape the selected PowerLine
produces.