The document discusses evaluating messages and images from different cultures in the context of advances in digital communication and the rise of World Englishes. It examines issues around using local varieties of English for identity or intelligibility purposes. The concept of multimodality is introduced as a powerful tool for digital and multicultural communication that considers purpose, audience, context, and the integration of language, images, and other semiotic resources to construct coherent texts.
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Evaluating Messages Purposive Communication
The document discusses evaluating messages and images from different cultures in the context of advances in digital communication and the rise of World Englishes. It examines issues around using local varieties of English for identity or intelligibility purposes. The concept of multimodality is introduced as a powerful tool for digital and multicultural communication that considers purpose, audience, context, and the integration of language, images, and other semiotic resources to construct coherent texts.
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Evaluating Messages and/or Images
of Different Types of Reflecting
Different Cultures The advancements in digital technology paved the way to innovative modes and platforms of communication. The massive and rapid developments in digital communications ushered in a new era of communication that does not simply rely on words, but also on images and other semiotics of the channel used to convey the message. The effects of cultural and global issues to communication as well as the impact effective communication to society and the world highlighted the importance of exploring the concept of WORLD ENGLISHES or as defined by Celce-Murcia (2014), the regionally distinct varieties of English that have risen in parts of the world where there is a long and often colonial history of English being used in education, commerce and government. SOME OF THE KNOWN WORLD ENGLISHES • American English • Indian English • Australian English • British English • West African English • Singapore English • Filipino English (Taglish) ISSUES ON THE LOCAL VARIETIES OF ENGLISH • EXTREME 1. The goal of national or regional identity. People use a regional variety of English with its specific grammar, structure and vocabulary to affirm their national or ethnic identity. Example: Only Filipinos use the terms “senatoriable”, “congressman”, “chancing” and “bedspacer”, among others, and use these when communicating with other Filipinos. ISSUES ON THE LOCAL VARIETIES OF ENGLISH • EXTREME 2. The goal of intelligibility Users of a regional variety should ideally still be readily understood by users of English everywhere else in the world to fully participate in the use of English as international language. Example: Users of Filipino English have to understand that they have use “bin” instead of trash can or “lift” instead of elevator. When in a country using a British English. THE POWER OF WORDS AND IMAGES MULTIMODALITY Multimodality is a fairly new concept in the general academic setting, but can be a very powerful tool in light of digital and multicultural communication. A text or output is considered multimodal if it uses two or more communication modes to make meaning. It shows different ways of knowledge representations and meaning-making, and investigates contributions of semiotic resources (language, gestures, images) that are co-deployed across various modalities (visual, aural, somatic, etc.). Most importantly, multimodality highlights the significance of interaction and integration in constructing a coherent text TYPES OF MULTIMODAL TEXT 1. Paper (books, comics, posters, brochures) 2. Digital (slide presentations, blogs, web pages, social media, animation, film, video games 3. Live (performance or an event) 4. Transmedia (A story is told using multiple delivery channels through a combination of platforms, such as comics, film, and video games all working as part of the same story with the same message.) MULTIMODALITY In creating a multimodal text, the Purpose, Audience, Context must all be considered. PURPOSE As to purpose, the creator of the text must be clear on the message and the reason(s) why the message has to be delivered. AUDIENCE As to purpose, the creator of the text must be clear on the message and the reason(s) why the message has to be delivered. CONTEXT As to context, the message should be clearly delivered through various semiotic resources, and in consideration of the various situations where and how the text will be read by different people having different cultural backgrounds. SEMIOTIC FEATURES
Semiotics includes the study of signs and sign
processes, indication, designation, likeness, analogy, allegory, metonymy, metaphor, symbolism, signification, and communication. SEMIOTIC FEATURES
Semiotics is a key tool to ensure that intended meanings
(of for instance a piece of communication or a new product) are unambiguously understood by the person on the receiving end. Usually there are good reasons if someone doesn’t understand the real intention of a message and semiotics can help unravel that confusion, ensuring clarity of meaning. SEMIOTIC FEATURES Semiotics started out as an academic investigation of the meaning of words (linguistics), it moved into examining people’s behaviour (anthropology and psychology), then evolved to become an enquiry into culture and society (sociology and philosophy), following that it moved onto assisting with analyses of cultural products (films, literature, art – critical theory), and finally and more recently became a methodology for researching and analysing consumer behaviour and brand communications. ACTIVITY
Evaluate the message or
themes/ sub-themes of the following advertisement. Discuss how the semiotic features (text, photo, color, etc.) affect the message
Discourses Of Hope And Reconciliation On J R Martins Contribution To Systemic Functional Linguistics Michele Zappavigna Shoshana Dreyfus Editor download