Renoir was already a painter before meeting Aline and had a habit of staying in canvases for too long due to his creative passion, described explicitly as a tendency towards self-destruction.
Aline came from a more noble family than Renoir.
Alicia was the main victim of the writer’s plot and Verso died in the fire while trying to rescue her.
Aline is consumed by guilt for failing to protect her children and Alicia’s state after the fire haunts her mind for her inability to help her youngest.
Before the fire, Aline is described as dreamy, charming, passionate, and a little stubborn. She exudes a natural aura of leadership and confidence, interspersed with deep sadness and a cold determination.
Aline painted Verso first, and then Renoir. Lumière was created to give the Painted family a sense of normality and to give Verso a “beautiful and healthy living environment.”
There is a cardinal rule for Painters in the real world where creating a copy of a real person, especially without their knowledge or consent, is considered an ethical violation.
I had the opportunity to grab one of @drathe’s commissions for Renoir and Aline. An absolute pleasure to work with, professional, lovely, and so absurdly talented. I mean, the last one barely needs to be said because look at them.
I like to imagine this is set a ways post-game. The family has been working to come back together. And there’s just a break for them.
Anyways, I’m going to go ahead and stare at this for the foreseeable future.
“Her family was something that could be handled only in small doses, one at a time, one step at a time.”
Step by step, Alicia discovers who she is in the aftermath. Her family helps.
my gift for @ozzymild in the @clairobscursecretsanta! thank you to all the wonderful organizers and participants! the creativity and heart in this fandom is truly wonderful
