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Happy New Year!

🩵❤️💜

Kaladin walked with care, glad for Lopen’s help, but even this was draining. He shouldn’t be moving on the leg. Father’s words, the words of a surgeon, floated up from the depths of his mind.

Torn muscles. Bind the leg, ward against infection, and keep the subject from putting weight on it. Further tearing could lead to a permanent limp, or worse.

“You want to get a palanquin?” Lopen asked.

“Those are for women.”

“Ain’t nothing wrong with being a woman, gancho,” Lopen said. “Some of my relatives are women.”

Happy New Year! 🎉 Kal and Lopen kick it off with one of my favourite dialogues from Words of Radiance.
Procreate, painted with my custom watercolour brushes.

Etsy Procreate brushes Patreon Tip jar Prints (free shipping event!)

happy birthday to my dear @steelsuit !!! 💖💜✨ i hope you'll have a wonderful year full of happiness 💞

My fellow Americans, if you haven’t done so yet please consider calling your reps about the attack on Venezuela, 5Calls already has a script out if you need one

Tiny Ways to Make Characters Feel Real Without Info-Dumping

We don’t need a five-paragraph backstory. We need texture.

1. Hint at depth — don’t prove it.
Instead of telling us she had a rough childhood:
“Her sleeve slid up, revealing the tattoo she never explained.”

2. Give them contradictions.
People aren’t neat.
A pacifist who snaps. A leader who overchecks his reflection. A cynic who keeps a lucky charm.

3. Let side characters breathe.
Give even the one-scene shopkeeper a quirk:
“The baker spoke in a whisper like every word cost him coin.”

4. Make habits matter.
Not “He was nervous,” but:
“He thumbed the frayed seam of his pocket again, again, again.”

5. Tie perception to personality.
Someone anxious doesn’t see a forest; they see shadows between trees.
Someone nostalgic sees the same forest but softer, full of memory.

How to Describe Without Pausing the Story Dead

Description is strongest when it’s moving.

1. Anchor description in action.
Instead of:
“The tavern was dim and crowded.” (pause)
Try:
“She shoulder-checked through the dim tavern, lanternlight slanting across sweat and spilled ale.”

2. Only describe what your character notices.
A thief notices exits.
A poet notices colours.
A soldier notices threats.

3. Mood colours setting.
Waiting for bad news?
“The sun felt sharp, too bright, like it was watching.”

4. Don’t aim for a full picture — aim for the right details.
“A single bootprint in the ash.”
Tells a whole story.

Subtle Writing Techniques To Help Make Your Writing Pop

Just little tweaks that level your writing.

1. Use natural actions to foreshadow.
Not:
“Little did she know the knife would be important later.”
But:
“Her gaze snagged on the drawer — then she looked away.”

2. Use symbolism instead of clichés.
If you hate the metaphor “time was running out”:
Plant broken clocks.
Or a street performer counting down songs.

3. Trust ambiguity.
Real life rarely explains itself.
Let readers make theories.

4. Repeat themes in different places.
If the story’s about trust, show it in:
• a broken promise
• a character avoiding eye contact
• a shaky hand passing a key

5. Change sentence rhythm to match the scene.
Fight scene? Short, sharp lines.
Grief scene? Slow, heavy, lingering.

Holiday Knights
The New Batman Adventures

Happy New Year!🎉

"Can you open one of these?" the treasure hunter asked.

He showed the witch an egg shell, with an intricate pattern of silk thread knotted around it.

"Put that back!"

"There's something inside, it must be valuable. But when-"

"Someone locked their grief away. Break one, and it's yours."

"Oh..."