Bad Luck Pearl

by Bad Luck Pearl

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yeetson
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yeetson Just excellent. Sounding almost regal in nature, the delightful vocal performances given along with those defining moments of high toned strings make such a breathtaking album, especially amidst the perfect driving instruments of animal skin and thick wire with the eruptions of brass interspersed. Quite beautiful, a must listen. Favorite track: Light Pollution, Pt. 1.
frozentanukii
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frozentanukii Beautiful and very full instrumentation, and a near perfect texture + atmosphere. Favorite track: Blurs to Red.
Senkiry
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Senkiry I have no words, this is a masterpiece. The writing and composition is absolutely beyond anything I've heard this year or any time earlier. I'm most blown away by the vocals, the sprechgesang style as well as the operatic singing mess with my head, absolute goosebumps. Favorite track: Blurs to Red.
dingus662
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dingus662 this is just so peak. genuinely so dang good. got me out of a months-long writers block Favorite track: Light Pollution, Pt. 1.
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1.
Blurs to Red 05:56
He said, you're half the man you were before Well that was by design I picked at every corner of my mind And I left it all behind He said there is truth and there are lies They fit inside my hand I know everything between my palms Light enough to stand For me, I guess my hands are far too small To grasp at something huge My legs far too weak to lift the weight To hold on to the truth For me, I suppose my arms are much too feeble To crush it into words My tongue much too stiff To twist around the curves We dance around the fire again Supposing what it says We say, I've captured it inside my mind The image blurs to red Blurs to red She said, bring it to me in a jar darling Catch tomorrow now Why it may flutter all about But it doesn't make much sound She said, bring it to me on a platter darling Cut off just the head So I can say I know it well Every feature read We dance around the fire again Supposing what it says We say, I've captured it inside my mind The image blurs to red We dance around the fire again Supposing what it says We say, I've captured it inside my mind The image blurs to red Blurs to red
2.
Uriah 04:29
I've never done Anything half as bad as David did Half the weight of David's sin I never wrote Altogether half the poems that he sang Written half his worshipped pains I've never known Anything half as surely as he knew Seen through to that edge of truth I saw her there I thought, send Uriah to the front Cut my hair and tie me up My body Is weak enough to need you Pluck out my eyes I'm sorry Pick me out beneath you Held by the spine Give me that power Maybe half of what he had that day Put my spirit on display And from that tower I promise I will fail your cause Fall into the serpent's jaws I've never known Anything half as surely as he knew Seen through to that edge of truth I saw her there I thought, send Uriah to the front Cut my hair and tie me up My body Is weak enough to need you Pluck out my eyes I'm sorry Pick me out beneath you Held by the spine
3.
Cathy 03:23
Clean the cellar, block the draft Dip the kerosene, clean the chimney shaft Oil the hinges, oil the lock Sweep the kitchen, grab the mop Brave the smell and listen close Knit an afghan, mend your clothes Turn the payments, turn the chair Keep the kerosene, in your care And have you noticed how pretty she grows Why, she's almost beautiful Maybe the key was melted Maybe she was crying Grab the apron, grab the jar Grab the tools, reach the yard Catch a pullet, free her head Burn the apron, wipe the red Step lightly, step outside Notice flowers, spring's arrived Fresh and pretty draw an eye Through the city, shyly smile And have you noticed how pretty she grows Why, she's almost beautiful Maybe the key was melted Maybe she was crying And have you noticed how pretty she grows Why, she's almost beautiful Maybe the key was melted Maybe she was crying
4.
That was the first time I felt the weight of my own head Pressed down against my fist I wondered how it hadn't fallen off my neck I let my body fall and shift That was the moment I felt the weight of my spine Laying next to you I marvelled that I'd never been crushed under myself before And then I thought about if that was true That was the first time I felt the weight of my own arms Limb atop of limb My elbow pressed into my elbow pressed into the bed I turn the thought again I was grasping at the image of my tongue And mapped a mental course I lost my body's hold on my neck and knees and joints It's always heavier to carry a corpse Wait, wait too long Scan the room Find your wrongs Find your feet Find your eyes Look for me Try to rise Try to sing Try to fail Find your feet Leave a trail Leave your arms Leave your spine Leave your head Leave your mind
5.
6.
Hold it fast along the tear Looking down and unaware Grab tight at the edge Look out past the ledge Hold it fast along the tear Holding fast along the air Grab tight at the edge Look out past the ledge Float Float and fall in the sky Float Float over streetlamps and tides Reach Reach your hand out of that ever-temporary rift Let your body start to lift Cry Let all your tear drops escape into that nothingness Watch them as they start to drift Hold it fast along the tear Looking down and unaware Grab tight at the edge Look out past the ledge Reach Reach your hand out of that ever-temporary rift Let your body start to lift Cry Let all your tear drops escape into that nothingness Watch them as they start to drift
7.
The water giant Grows evermore Until it can't reach the surface from the core The waves are breathing The empty space Some escape and drift to planets far away Stand upon the ledge See the rift above Held fast at the edges By street lamps and kitchen bulbs All the light pollution Grabs at the atmosphere And pulls it apart wide enough To shatter the frontier The earth will hold The memory Records of the rivers and the sea And winter's reach It brings it close Gripping to the rain and sleet and snow Let it speak Give it time Pulling at it slow and gentle by the spine Looking down I will wait 'Till the dust takes to a convincing shape Stand upon the ledge See the rift above Held fast at the edges By street lamps and kitchen bulbs All the light pollution Grabs at the atmosphere And pulls it apart wide enough To shatter the frontier
8.
And I was still living by faith when I died I had not received the things that I was promised I only saw them and welcomed them from a distance Admitting that I was a foreigner and a stranger on earth And I was looking for a country of my own Goodbye to the Cold Lake Car Wash and Liquor Store
9.
Streetlamps line the road And droop down with a heavy load They stare down at my head And from 3 meters high they swallow up the stars and sky They turn the night into a set I know that there is nothing past those houses Nothing past those roads Nothing past the dark, I pretend I am alone Nothing past those trees The streetlights make a roof I pace back and forth Recreate the truth Streetlamps line the road And droop down with a heavy load They stare down at my head And from 3 meters high they swallow up the stars and sky They turn the night into a set I know that there is nothing beyond those houses Nothing past those roads Nothing past the dark, I pretend I am alone Nothing past those trees The street lamps make a roof I pace back and forth Recreate the truth

about

Instagram/X: @badluckpearl

For fans of chamber rock, art rock, birds, Canadians, ambitious independent music, Black Country New Road, Radiohead, Jeff Buckley, and David Bowie. And everyone else.

I am so proud of this project and all the people involved. There is always going to be a good reason not to do it but I did it anyways! I put all of myself into this project and it sounds like me. If you enjoy this please send me a message, and share it around. Thanks so much!

credits

released July 7, 2025

All songs written, produced, and mixed by Maxwell Sorensen.
Album and single artwork by Violet Griffiths.

Drums on tracks 2, 4, 6, 7, 8, 9 recorded by Anthony Ryan.
Track 3 based on chapter 8 of “East of Eden” by John Steinbeck.
Track 5 made from improvisations by Naomi Harris, Tamsen McKerley, Ezekiel Dukart, Bennett Pick, and Anthony Ryan.
Track 8 based on Hebrews 11.

Recorded at the UVic CREATE Lab.

Kian Dunn - Alto Sax (1, 2, 4, 9), Tenor Sax (1, 2, 3, 4, 5, 7, 9), Bass Clarinet (7)
Cade McBeth - Bass (1, 2, 3, 4)
Ezekiel Dukart - Bass (7), Drumkit (6, 7, 8), Feedback (5)
Teague Arseneau - Drumkit (2, 4, 9)
Anouk Watson - Cello (4, 9)
Jayda Thor - Cello (2)
Sophie Katrin - Violin (1, 2, 9)
Noah Ord - Violin (4, 6, 7)
Sage Armstrong - Flute (9)
Ainsley Mercer - Flute (2, 4, 5, 6, 8, 9), Piccolo (9)
Manuel Domènech - Oboe (1, 7)
Christopher Ollinger - Clarinet (1)
Anthony Ryan - Cymbal (5)
Bennett Pick - Guitar (5)
Tamsen McKerley - Vox (5)
Naomi Harris - Accordion (5), Backing Vox (5)
Sadie Karlsson - Soprano Vox (2, 6, 8)
Violet Griffiths - Backing Vox (2, 6)
Maxwell Sorensen - Vox (1, 2, 3, 4, 7, 8, 9), Backing Vox (1, 2, 3), Guitar (1, 2, 3, 4, 8), Piano (5, 6, 7, 8, 9), Synth (8), Noise (2), Field Recordings (5)

Special thanks to
The UVic MUCS community.
Kian and Anthony for helping me so much with the mix, and always being enthusiastic and supportive of everything I do.
Zeke for being the blueprint and a huge inspiration. I am eternally grateful to have met you and this album would be a shell of what it is without you.
Ben Say for letting me use your studio time.
McKinley, Tamsen, Zeke, Austin, and Violet for all lending me your guitars at some point (I really have to get my own).
Austin again for letting me borrow your keys.
My Mom and Dad for making me read my Bible, which inspired so much of this album.
Violet for being unwavering in your support and love. You are in the fabric of this album.
I love you all!!

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about

Bad Luck Pearl Victoria, British Columbia

Canadian chamber-rock project, led by Maxwell Sorensen.

Victoria + Calgary.

Album out July 7th!

Instagram/X: @badluckpearl

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